Bigindicator

David Rohn

Profile  |  Artworks  |  Exhibitions  |  Network  |  Reviews  |  Comments
Antoines_face_friends_fnl
The Artist Paints What He Sees, 2008 Photo 45 X 100cm © copyright David Rohn 2008
4_kiss_full_file-jose
Soldiers Kiss, 2008 Photo 45 X 100cm © copyright David Rohn 2008
Mr_special_2
Mr Special, 2008 Photo 45 X 100cm © copyright David Rohn 2008
1st_kiss
Zal_big_back_2
Stump_speech_fnl_copy
stump speech, 2008 36 X 48 © dasvid Rohn
Brunte_pic_2
Brunte Klaus world renowned curator, 2007 © david Rohn
_-pres_cplcrop_fnl_sndr
Mr and mrs Candidate, 2008 © david rohn
Tramps_1_sndr
Tramps of 2009, 2009 © david Rohn
Herb_n_kitty
Herb n Kitty Katzenjammer Kollectors of Kontemporary Art, 2003 © david rohn
Img_0030_copy
Alas Foie Gras , 2005 © david rohn
Close_up_sndr_2
close up, 2008 © david rohn
Mound_pntr_sndr
Mound Painter, 2008 30" X 40"
Income_tax_bride_sndr
Income Tax Bride, 2008 24 X 32
Boxer_painting_copy
Boxer Pntg, 2007 Oil on Canv 48" X 64" © David Rohn
Composite_painting-sculpture_2007_copy
Linear Composite Pnt'g, 2007 14" X 60" © David Rohn
Cube_painting_2007_copy
Cube painting, 2007 Oil on Canv Wood 24" X 24" X 48" © David Rohn
Dual_pntg_2_copy
Dual Painting, 2006 Oil on Canv Wood 24" X 48" © david Rohn
Davidrohn-incharacter
© Courtesy of the artist & carol jazzar contemporary art
20110623090752-09__6
© Courtesy of the artist and carol jazzar contemporary art
20130323100551-16__32213
Reigning Men - The Bureaucrat © Courtesy of the artist and carol jazzar contemporary art
20130404041844-3
Reigning Men, The Bureaucrat Performance Detail © Courtesy of the artist and carol jazzar contemporary art
20130404042010-4
Reigning Men, The Bureaucrat Performance Detail © Courtesy of the artist and carol jazzar contemporary art
Zal_head_crop_copy
Quick Facts
Birthplace
USA
Birth year
1789
Lives in
Miami FL UA
Works in
Miami FL USA
Schools
Pratt Institute, Brooklyn
Ecole Superieur des Beaux Arts Paris
Representing galleries
Carol Jazzar Contemporary Art Miami
Tags
David, Rohn, video-art, performance, photography, sculpture
Statement

About the Photographs

 

 

The photos in the exhibition  of the artist in a performance situation (in this case a wedding dress) in public spaces, began with the desire to take performance to a so-called ‘intervention’ level in public urban spaces, to provoke  response when possible , and to document the event when merited.

   The photos were shot by the artist with a tripod mounted camera and a time lapse of several seconds to enter the frame.

  The artist wanted not only to take his performance situations to a non art public, but also  as an interactive performer, to try to catalyze a moment  where  public space, social interaction and a collective mood could be caught and saved  

   One of the reasons to take the work to the street is a desire to move beyond art -world -only performance events: the contemporary art community sometimes seems like a world apart; Here the purpose has been to try to in some way bridge back to the world ; to bring contemporary art to the non-involved public, and to report back to the ‘Art World’ a bit of what s going out there beyond the museums and galleries

    As an admirer of much of the work of photographer Jeff Wall, the artist has wanted to create events and images that tell a story of shared  space  and social  interaction.

 But  whereas Wall’s photos are  impeccably staged to the last detail, in this case the frame is set up more as a stage set where several takes may or may not document an archiv-able event where   the everyday environment is inhabited by a figure who represents a slightly unexpected situation; that encountering a familiar  situation  out of context, or an individual slightly out of syn with the expectable, can encourage people to examine assumptions about the spatial and social environment more closely.

    The reality of the street, of the neighborhood, of the ATM machine and the parking lot is the context of our time, it is the way we live; the public spaces we create and inhabit are  the defining context of our culture. So for this artist working in these types of spaces, trying to create a spontaneous ‘momenttary event’ in these spaces, and with the people who inhabit them, is a performance art  goal.

    Alongside the concern for a vital relational event that may reveal aspects of the assumptions we live under now, the concern for spatial composition and the way we  construct and inhabit them is also a concern.

     Our urban spaces are no less telling than those constructed by Giorgione, Hopper and Bacon, all of whom mirrored the complex spaces of their times and inhabited them with figures and interactive situations ( including those with solitary figures).