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Tijana Titin

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Glorious Day, 2014 Oil on Canvas 75x75cm © Tijana Titin
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Screaming Out, 2014 Oil on Canvas 105x140cm © Tijana Titin
20141111214448-turning_demons_into_white_balloons__2013_oil_on_canvas_150x200cm
Turning Demons into White Ballons, 2013 Oil on Canvas 150x200cm © Tijana Titin
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Mind Travel, 2013 Oil on Canvas 160x200cm © Tijana Titin
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My Lady of the Various Sorrows, 2013 Oil on Canvas 150x200cm © Tijana Titin
20150121225017-stalemate__2013_oil_on_canvas
Stalemate, 2014 Oil on Canvas 60x100cm © Tijana Titin
20141111215129-unbearable_lightness__2014_oil_on_canvas_105x140cm
Unbearable Lightness, 2014 Oil on Canvas 105x140cm © Tijana Titin
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Voices of the Light Breeze, 2014 Oil on Canvas 70x70cm © Tijana Titin
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Dialogue, 2014 Oil on Canvas 95x115cm © Tijana Titin
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Supercool Society and the Little Girl's Scream, 2014 Oil on Canvas 105x140cm © Tijana Titin
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Dreamy Shelter, 2014 Oil on Canvas 105x140cm © Tijana Titin
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Fields of Dreams, 2013 Oil on Canvas 105x140cm © Tijana Titin
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Bruises and Slush, 2013 Oil on Canvas 160x200cm © Tijana Titin
20141111215855-where_roses_grow__2013_oil_on_canvas_150x200cm
Where Roses Grow, 2013 Oil on Canvas 160x200cm © Tijana Titin
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Lovely Infatuation, 2014 Oil on Canvas 105x140cm © Tijana Titin
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In Limbo, 2012 Oil on Canvas 160x200cm © Tijana Titin
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Red Touch of Poetry, 2012 Oil on Canvas 160x200cm © Tijana Titin
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Decomposition, 2012 Oil on Canvas 200x250cm © Tijana Titin
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Quick Facts
Birthplace
Zrenjanin, Serbia
Birth year
1981
Lives in
Berlin
Works in
free-lance artist
Schools
UDK Berlin, 2010, Meistersch├╝lerin (Master)
Academy Of Arts Novi Sad, 2006, University degree
Tags
OilPaintings., abstract, figurative
Statement

My work is focused on Human Beings, their position in the contemporary world and their interpersonal relations. I observe them from different perspectives and am making my own, nuanced take. Similarly to Francis Bacon, who said: "I would like my pictures to look as if a human being had passed between them, like a snail leaving its trail of the human presence... as a snail leaves its slime", I too am attempting to reach the human essence in my works. For that reason, I am trying to paint my experiences in life as faithfully as I can, which lead me to an important realization: the more true I remain to myself, the closer to the other one I get.


I want to give people a reason to pause, to reflect, to take a deep look into themselves. That is where the feelings are and that is what links us together. There we are the most vulnerable and closest to each other. Dealing with inner worlds interest me - a visualization of the invisible.


In all my works I use both figuration and abstraction. My aim is to give a few directions to the viewer, without revealing the final destination or becoming too illustrative. Figures are often appearing from and then disappearing back into an abstract space, which causes the feeling of the constant flow within the painting. The space, however, I don't consider to be a classical background. For me, it represents the internal of the figures. The spaces and the figures in most of my works are one being.
 

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Exhibited at these venues
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