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Constant Permeke

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Leonie , 1929-32 Privéverzameling Fotograaf: Hugo Maertens, Brugge © SABAM 2012
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Over Permeke , 1922 © SABAM 2012 / Collection MuZEE, Oostende Fotograaf : niet vermeld
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Nude, 1940-1945 Pastel, Sanguine and Oil on Paper 970 X 1515 Mm © Courtesy of the artist & Galerie Ronny van de Velde
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Buveurs de café © KMSKA, foto LukasArt in Flanders
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Marie-Lou , 1939 © SABAM 2012 / Collectie, Middelheimmuseum Antwerpen
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Het dagelijkse brood , 1950 © SABAM 2012 / Collection MuZEE, Oostende Fotograaf: niet vermeld
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Moederschap, 1936 © SABAM 2012 / Collection MuZEE, Oostende Fotograaf: Danny de Kievith, Oostende
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De Sjees, 1926 © SABAM 2012 / Collection MuZEE, Oostende Fotograaf : AD-ART Sint-Amandsberg
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Zelfportret, 1940 © SABAM 2012 / Collection MuZEE, Oostende Fotograaf: Hugo Maertens, Brugge
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De woonwagen, 1927 © SABAM 2012 / Privéverzameling
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Englisch landscape , circa 1917 Oil on Panel H: 62 X W: 75 Cm © Galerie Lingier
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Melanie Mixed Technique on Paper H: 122 X W: 87 Cm © Galerie Lingier
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De Oogst , 1932 Oil on Canvas H: 115 X W: 140 Cm © Galerie Ronny Van de Velde
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Aardappelrooister, 1929 © SABAM 2012 / Collection MuZEE, Oostende Fotograaf : Devos, Boulogne-sur-mer
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Quick Facts
Birthplace
Antwerp, Belgium
Birth year
1886
Representing galleries
Ronny Van De Velde
Statement
Constant Permeke Biography
1886   born July 31, 1886
191   returned to Ostend
1916   moved to Chardstock in Devonshire and started painting again, mostly colorful English landscapes
1921   Permeke was able to exhibit his work in Antwerp and in Paris
1922 - 1924   Permeke regularly went to Astene, in order to cooperate with Frits Van den Berghe
1926   Permeke went to Vevey in Switzerland where he mainly painted mountain scenes
1929   he moved to Jabbeke. During this period he changed his subject: instead of the fisherman and the sea he now focused on the farmer and his land
1947 - 1948   Permeke had a big retrospective exhibition in Paris
1952   death January 4, 1952
  Belgian painter and sculptor who is considered the leading figure of Flemish expressionism.
  When World War I started, Permeke was mobilized and during the defense of Antwerp he was wounded in action near the town of Duffel
  During World War II, Permeke was forbidden to paint by the German occupiers as his art was seen by them as Entartete Kunst. Privately, things were even worse as his son Paul was arrested and sent to Germany as a forced labourer
  After the war, Permeke was appointed director of the National higher Institute and of the Royal Academy in Antwerp but after only one year he offered his resignation
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