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Kristy Campbell

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Collage, August 2013 Digital N/a © Kristy Campbell
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48x48, May 2013 Plywood on Mesh Steel 3x3m © Kristy Campbell
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A Life In Vain, July 2013 Wood, Acrylic, Mirror N/a © Kristy Campbell
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A Fifty Day Collective, 04-05-12 Acrylic on Cotton © Kristy Campbell
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A Fifty Day Collective, 16-04-12 Acrylic on Cotton © Kristy Campbell
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A Fifty Day Collective, 16-04-12 Acrylic on Cotton © Kristy Campbell
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A Fifty Day Collective, 04-05-12 Acrylic on Cotton+ People © Kristy Campbell
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Ahy Wuhd Lahyk Ey Tee, December 2012 Printed Wallpaper 1.5mx2m © Kristy Campbell
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The Art of Communication, 2012 Perspex, Permanent Marker N/a © Kristy Campbell
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Wish You Were Her(e), August 2013 Canvas, Acrylic 2mx1m © Kristy Campbell
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Stencils, April 2013 Plywood N/a © Kristy Campbell
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Maquette of Final , 2013 Plywood on Mesh Steel 0.5mx1m © Kristy Campbell
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Collection of Final Images, May 2013 Plywood on Mesh Steel 3x3m © Kristy Campbell
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Collection of Final Images, May 2013 Plywood on Mesh Steel 3x3m © Kristy Campbell
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Per Se, June 2013 Wood 1.75m © Kristy Campbell
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Untitled, July 2013 Perspex N/a © Kristy Campbell
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Toying with the Maquette , August 2013 Steel Mesh + Plywood + Lighting 1mx0.2m © Kristy Campbell
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Toying with the Maquette , August 2013 Steel Mesh + Plywood + Lighting 1mx0.2m © Kristy Campbell
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Experimentation, August 2013 Perspex, Spray Paint, Natural Light N/a © Kristy Campbell
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Per Se, July 2013 Wood, Lighting © Kristy Campbell
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AM., August 2013 Spray Paint on Cotton N/a © Kristy Campbell
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AM. (close up), August 2013 Spray Paint on Cotton N/a © Kristy Campbell
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Experimentation with The Maquette, August 2013 Steel Mesh + Plywood © Kristy Campbell
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Experimentation with The Maquette, August 2013 Steel Mesh + Plywood © Kristy Campbell
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The Dome - Chandelier Prep, August 2013 Plywood © Kristy Campbell
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Collage #2, August 2013 Mixed Media © Kristy Campbell
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Cognitive Projection, October 2013 Plywood, Steel 1m X 1m © Kristy Campbell
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Subject/Object, October 2013 Steel Sheet 1m X 1m © Kristy Campbell
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n/a, November 2013 Steel Cage + Light N/a © Kristy Campbell
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Personified., November 2013 Multiple Woods N/a © Kristy Campbell
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Ceiling, November 2013 Plywood + Net N/a © Kristy Campbell
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Roman Numerals, November 2013 Acrylic 600x600mm © Kristy Campbell
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THING/LANGUAGE, November 2013 Woods N/a © Kristy Campbell
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Language takes you as far as the can see. , November '13 Plywood + Net N/a © Kristy Campbell
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USE ME ABUSE ME, November '13 Film © Kristy Campbell
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SAID/UNSAID, November '13 Steel + Light 1x1m © Kristy Campbell
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Language will take you as far as the eye can see. , December 2013 Mesh + Pylwood N/a © Kristy Campbell
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Object of Desire #1, December 2013 Accetate + Pine 1.5 X 0.75m © Kristy Campbell
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Wood experimentation, January 2014 Wood N/a © Kristy Campbell
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ART FROM LANGUAGE, January 2014 LED Lights N/a © Kristy Campbell
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THE REVERSE SIDE, January 2014 Vinyl + Acetate A1 © Kristy Campbell
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TRANSLATION, January 2014 Vinyl A1 © Kristy Campbell
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MONO, February '14 Mesh Net + Plywood N/a © Kristy Campbell
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CODING STEEL, February '14 Steel and Vinyl 2mx1m © Kristy Campbell
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All At Once (Painting), 2014 Water Colour A2 © © Kristy Campbell
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Quick Facts
Birthplace
-
Birth year
1992
Lives in
Norwich
Works in
Student
Schools
Norwich University of the Arts, 2014, MA Fine Art
Norwich University of the Arts, 2014, MA Fine Art
Representing galleries
-
Tags
painting, sculpture, mixed-media, installation, performance, conceptual, modern, photography, digital, exhibition/performance, Illustration, design, photo
Statement

Text. Delving in to the structure and formation of all that amounts to the English Language- Linguistics. The history of language, where it began, how it has developed- where we are now, with sociolinguistics and communication. Looking at how communication is the glue of society; holding together ‘Everyday’: like the spine of a book, the backbone, support. Through breaking apart words, semantics, the study of semeotics, looking at phonetics, the multitude of letters and symbols we lexically process in a lifetime only builds the temptation to practice and understand this ever-progressing field. 

 

Research/Artist Statement:

 

Comprehending the English Language and measuring its reception, emphasises the power and control that a particular context can have over a piece. Whilst working to site-specific briefs/proposals, this practice finds its destination situated within The White Cube, thus paving the way for critique both with, and concerning, an Artistic Institution.

To consider the bodies, the voices, the papers, the memoirs, that have been traced and observed through this project, there has been a striving to define and to understand space.

In order to convert a space through perception, through optical sensations, and to call upon the transparency of language once more, compromising compositions of media portray themselves as representations of a multitude of environments, projecting different experiences, contrasting connotations, and Language designed for that particular context, focusing on the synthetic, flexibility of the voice.

This is where the division between context and concept is frosted, nevertheless indulged further through reading Roland Barthes, Raymond Williams and George Steiner whose theory, against the practices of Anish Kapoor, Lawrence Weiner and Jenny Holzer have enabled the development of perception understanding, where text may form a line between the seeing or reading of an area.