Bigindicator

Kristy Campbell

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Do Not Touch, 2017 Plywood & Glass Frame 5x2.5 Ft. © Kristy Campbell
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Hesitation Forms 3.4 & 4.4, 2017 Mirror Acrylic 1x1m © Kristy Campbell
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Hesitation Forms 4.4 Detail, 2017 Mirror Acrylic 1x1m © Kristy Campbell
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Hesitation Forms 3.4 & 4.4, 2017 Mirror Acrylic 1x1m © Kristy Campbell
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Hesitation Forms 1.4 & 2.4, 2015 & 2016 Mirror Acrylic 1x1m © Kristy Campbell
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Hesitation Forms 4.4 , 2017 Mirror Acrylic 1x1m © Kristy Campbell
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Hesitation Forms 1.4 Detail, 2015 Mirror Acrylic 1x1m © Kristy Campbell
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Hesitation Forms 1.4, 2015 Mirror Acrylic 1x1m © Kristy Campbell
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MA Final Piece, 2014 Mirror Acrylic 4x2m X2 © Kristy Campbell
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MA Final Piece, 2014 Mirror Acrylic 4x2m X2 © Kristy Campbell
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MA Final Piece, 2014 Mirror Acrylic 4x2m X2 © Kristy Campbell
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MA Final Piece, 2014 Mirror Acrylic 4x2m X2 © Kristy Campbell
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Cognitive Projection, October 2013 Plywood, Steel 1m X 1m © Kristy Campbell
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The Dome - Chandelier Prep, August 2013 Plywood © Kristy Campbell
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Experimentation with The Maquette, August 2013 Steel Mesh + Plywood © Kristy Campbell
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Experimentation with The Maquette, August 2013 Steel Mesh + Plywood © Kristy Campbell
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Toying with the Maquette , August 2013 Steel Mesh + Plywood + Lighting 1mx0.2m © Kristy Campbell
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Collage #2, August 2013 Mixed Media © Kristy Campbell
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48x48, May 2013 Plywood On Mesh Steel 3x3m © Kristy Campbell
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Collection of Final Images, May 2013 Plywood On Mesh Steel 3x3m © Kristy Campbell
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Maquette of Final , 2013 Plywood On Mesh Steel 0.5mx1m © Kristy Campbell
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Collection of Final Images, May 2013 Plywood On Mesh Steel 3x3m © Kristy Campbell
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Stencils, April 2013 Plywood N/A © Kristy Campbell
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The Art of Communication, 2012 Perspex, Permanent Marker N/A © Kristy Campbell
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THING/LANGUAGE, November 2013 Woods N/A © Kristy Campbell
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Collage, August 2013 Digital N/A © Kristy Campbell
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A Life In Vain, July 2013 Wood, Acrylic, Mirror N/A © Kristy Campbell
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A Fifty Day Collective, 04-05-12 Acrylic On Cotton © Kristy Campbell
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A Fifty Day Collective, 16-04-12 Acrylic On Cotton © Kristy Campbell
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A Fifty Day Collective, 16-04-12 Acrylic On Cotton © Kristy Campbell
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A Fifty Day Collective, 04-05-12 Acrylic On Cotton+ People © Kristy Campbell
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Ahy Wuhd Lahyk Ey Tee, December 2012 Printed Wallpaper 1.5mx2m © Kristy Campbell
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Wish You Were Her(e), August 2013 Canvas, Acrylic 2mx1m © Kristy Campbell
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Per Se, June 2013 Wood 1.75m © Kristy Campbell
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Untitled, July 2013 Perspex N/A © Kristy Campbell
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Toying with the Maquette , August 2013 Steel Mesh + Plywood + Lighting 1mx0.2m © Kristy Campbell
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Experimentation, August 2013 Perspex, Spray Paint, Natural Light N/A © Kristy Campbell
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Per Se, July 2013 Wood, Lighting © Kristy Campbell
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AM., August 2013 Spray Paint On Cotton N/A © Kristy Campbell
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AM. (close up), August 2013 Spray Paint On Cotton N/A © Kristy Campbell
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Subject/Object, October 2013 Steel Sheet 1m X 1m © Kristy Campbell
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n/a, November 2013 Steel Cage + Light N/A © Kristy Campbell
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Personified., November 2013 Multiple Woods N/A © Kristy Campbell
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Ceiling, November 2013 Plywood + Net N/A © Kristy Campbell
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Roman Numerals, November 2013 Acrylic 600x600mm © Kristy Campbell
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Language takes you as far as the can see. , November '13 Plywood + Net N/A © Kristy Campbell
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USE ME ABUSE ME, November '13 Film © Kristy Campbell
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SAID/UNSAID, November '13 Steel + Light 1x1m © Kristy Campbell
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Language will take you as far as the eye can see. , December 2013 Mesh + Pylwood N/A © Kristy Campbell
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Object of Desire #1, December 2013 Accetate + Pine 1.5 X 0.75m © Kristy Campbell
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Wood experimentation, January 2014 Wood N/A © Kristy Campbell
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ART FROM LANGUAGE, January 2014 Led Lights N/A © Kristy Campbell
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THE REVERSE SIDE, January 2014 Vinyl + Acetate A1 © Kristy Campbell
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TRANSLATION, January 2014 Vinyl A1 © Kristy Campbell
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MONO, February '14 Mesh Net + Plywood N/A © Kristy Campbell
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CODING STEEL, February '14 Steel And Vinyl 2mx1m © Kristy Campbell
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All At Once (Painting), 2014 Water Colour A2 © © Kristy Campbell
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Quick Facts
Birthplace
London
Birth year
1992
Lives in
Norwich
Schools
Norwich University of the Arts, 2014, MA Fine Art
Tags
painting, sculpture, mixed-media, installation, performance, conceptual, modern, photography, digital, exhibition/performance, Illustration, design, photo
Statement

Experience forces definition upon words, contaminating them with connotation. The rules of language are ingrained in our minds; dictating that there is no flexibility in our translations, no way of dismantling discourse without rendering it meaningless.

Semantics shift, the context is rewritten, and somehow we must unlearn this rigid, secure perspective where communication is clear; where all is as it seems. An awareness and acceptance of something miscommunicating and being misinterpreted aids in the breakdown of language, as a subject, as an object, and as a device.

What we observe and what we extract whilst reading, are not the same. These two solitary acts do not communicate the same information.

The line drawn that holds the letters and their meaning together is blurred; the line drawn that formed the letters is absorbed; that line is an instance, a reunion, a transition.

Connotation is infinite; there is never a moment in which meaning is complete or total. Using a suspense-ridden narrative, and the vision of appearance as disappearance, I will show this.

Deconstruction and Deconstructivism fuel this practice. They aim to tilt, to fragment, to stylise and to fulfill purpose, their breakdown of structure making way for an accessible alternative freedom within language.