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Scott Jamieson

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20130225215805-galleryentry
Gallery View from MFA Thesis Show, 02/24/2013 Painting, Installation, Ceramic Sculpture, Sculpture © ©Scott Jamieson 2013
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Gallery View from MFA Thesis Show, 02/24/2013 Painting, Installation, Ceramic Sculpture, Sculpture © ©Scott Jamieson 2013
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Gallery View from MFA Thesis Show, 2013 Installation, Ceramics, Sculpture © ©Scott Jamieson 2013
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Detail from MFA Thesis Show, 02/24/2013 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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Untitled (Red Line) Detail from MFA Thesis Show, 2013 Oil on Stretched Canvas Over Panel 8'x8' © ©Scott Jamieson 2013
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Detail from MFA Thesis Show, 2013 Clay With Cone Six Glazes © ©Scott Jamieson 2013
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Detail View of Installation for Open Studios, 05/05/2013 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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Installation View of Conversations, 2012 Clay, Cone 6 Glazes, Brown Paper Paper Is 3'x3' and 4'x4, Ceramics of Various Sizes © ©Scott Jamieson 2012
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Conversation 24, 2011 Flashe Acrylic and Oil on Panel 47 X 47 Inches © ©Scott Jamieson 2011
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From the GMO Series, 2012 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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Elements of Conversation #1, 2011 Flashe Acrylic and Oil on Plywood 17 X 17 Inch © ©Scott Jamieson 2011
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From the GMO Series, 2011 Clay, Cone 6 Glazes © ©Scott Jamieson 2011
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From the GMO Series, 2012-2013 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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From the GMO Series, 2012 Clay, Cone 6 Glazes © ©Scott Jamieson 2012
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Untitled from MFA Graduation Show, 2013 Oil on Panel and Ceramic With Cone 6 Glaze © ©Scott Jamieson 2013
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From the GMO Series, 2012-2013 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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Installation View of Conversations, 2012 Ceramic With Cone 6 Glaze and Handmade Japanese Paper © ©Scott Jamieson 2012
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From the GMO Series, 2012-2013 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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From the GMO Series, 2012-2013 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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From the GMO Series, 2012-2013 Clay, Cone 6 Glazes
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From the GMO Series, 2012-2013 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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From the GMO Series, 2013 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
20130214215653-gmoseries8r1
From the GMO Series, 2012-2013 Clay, Cone 6 Glazes, Brown Paper © ©Scott Jamieson 2013
20130214223629-gmoseries9r1
From the GMO Series, 2012 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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From the GMO Series, 2012-2013 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
20130214234417-gmoseries11r1
From the GMO Series, 2012 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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From the GMO Series, 2012 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
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From the GMO Series, 2012 Clay, Cone 6 Glazes © ©Scott Jamieson 2012
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From the GMO Series, 2012 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
20130215025356-gmoseries15r1
From the GMO Series, 2011-2012 Clay, Cone 6 Glazes © ©Scott Jamieson 2013
20130214230817-gmoseries6rev1
From the GMO Series, 2012 Clay With Cone Six Glazes 14x8.25x8, 15.25x7x6.5, 13.5x9x8.25 in © ©Scott Jamieson 2013
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At The Opening, 2012 Oil on Canvas Stretched on Panel and Ceramics With Cone 6 Glaze Panel Is 6'x6', Ceramics of Various Sizes © ©Scott Jamieson 2012
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Gallery View, 02/24/2013 Painting, Installation, Ceramic Sculpture, Sculpture © ©Scott Jamieson 2013
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Gallery View, 02/24/2013 Sculpture, Ceramic/sculpture, Clay, Ceramics © ©Scott Jamieson 2013
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Gallery View, 02/24/2013 Painting, Installation, Ceramic Sculpture, Sculpture © ©Scott Jamieson 2013
Quick Facts
Schools
Art Center College of Design, 2013, MFA
Everett Community College, 2008, AFA
Tags
ceramics, mixed-media, abstract, sculpture
Statement

Scott Jamieson received his M.F.A. from Claremont Graduate University, where he was awarded a Lincoln Fellowship in ceramics. He received his B.F.A. with Distinction from Art Center College of Design. Scott has participated in a two person show at The Art Rental and Sales Gallery at LACMA, as well as group shows at Autonomie, den contemporary, and the dA Center for the Arts.

My work revolves around various interactions that occur when disparate media occupy the same space. This interplay begins in the making of the individual pieces. Whether it is ceramics, sculpture, or painting, I first consider the basic materials involved and their physical attributes. Then, I either accentuate these elements by building them up or bring them to some kind of breaking point by increasing the stress upon them. It is in this process of forming that I make decisions on how the work will interact within the space it occupies. Moving between the media's materiality and the space the works occupy creates dialogs that open onto a broad range of cultural issues.