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Isabelle Jenniches

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20110811085209-01_ijenniches
FLOTSAM (Ventura Beach, California), 2003-2006 Composite Of Webcam Captures, Digital Lightjet Print 71" X 106" © ij
20110811090949-03_ijenniches
FLOTSAM (detail), 2003-2006 Composite Of Webcam Captures, Digital Lightjet Print 71" X 106" © ij
20110811091245-04_ijenniches
THE CALL (Vancouver Convention Center Expansion Project, Vancouver, B.C.), 2005-2006 Composite Of Webcam Captures, Digital Lightjet Print 71,5" X 70,5" (Diptych) © ij
20110811091517-06_ijenniches
THE CALL (detail), 2005-2006 Composite Of Webcam Captures, Digital Lightjet Print 71,5" X 70,5" (Diptych) © ij
20110811091703-08_ijenniches
A MONTH OF SUNDAYS (South Loop – Printers Row District, Chicago, Illinois), 2006-2007 Composite Of Webcam Captures, Digital Lightjet Print 41.5" X 90.5" © ij
20110811094157-09_ijenniches
A MONTH OF SUNDAYS (detail), 2006-2007 Composite Of Webcam Captures, Digital Lightjet Print 41.5" X 90.5" © ij
20110811092000-10_ijenniches
MIDWINTER TURNS TO EARLY SPRING (C Lazy U Guest Ranch, Boulder, Colorado), 2006-2007 Composite Of Webcam Captures, Digital Lightjet Print 48" X 96" © ij
20110811094416-11_ijenniches
MIDWINTER TURNS TO EARLY SPRING (detail), 2006-2007 Composite Of Webcam Captures, Digital Lightjet Print 48" X 96" © ij
20110811092322-12_ijenniches
SPAN 1 (Mike O' Callaghan - Pat Tillman Bridge, Hoover Dam, Nevada), 2007-2009 Composite Of Webcam Captures, Digital Lightjet Print 67.5" X 93.5" © ij
20110811092506-13_ijenniches
SPAN 1 (detail), 2007-2009 Composite Of Webcam Captures, Digital Lightjet Print 67.5" X 93.5" © ij
20110811092630-14_ijenniches
SPAN 2+3 (Mike O' Callaghan - Pat Tillman Bridge, Hoover Dam, Arizona), 2007-2009 Composite Of Webcam Captures, Digital Lightjet Print 37" X 120" And 29 X 120" © ij
20110811092749-15_ijenniches
SPAN 2 (detail), 2007-2009 Composite Of Webcam Captures, Digital Lightjet Print 37" X 120" © ij
20110811092854-16_ijenniches
SPAN 3 (detail), 2007-2009 Composite Of Webcam Captures, Digital Lightjet Print 29 X 120" © ij
20110811093040-17_ijenniches
EDGE OF AFRICA (Hippopotamus exhibit, Busch Gardens, Tampa Bay, Florida), 2007-2010 Composite Of Webcam Captures, Digital Lightjet Print 40" X 120" © ij
20110811093214-18_ijenniches
EDGE OF AFRICA (detail), 2007-2010 Composite Of Webcam Captures, Digital Lightjet Print 40" X 120" © ij
20110811093340-19_ijenniches
RAINFOREST IN WINTER LIGHT (Climatron, Missouri Botanical Garden, St. Louis, Missouri), 2009-2011 Composite Of Webcam Captures, Digital Lightjet Print 98” X 66” © ij
20110811093648-20_ijenniches
RAINFOREST IN WINTER LIGHT (detail), 2009-2011 Composite Of Webcam Captures, Digital Lightjet Print 98” X 66” © ij
20110811121627-webcamworkspan1
Webcam Works, 2009 Installation View, Cabrillo Gallery, Ca
20110811121732-webcamworkspan2
Webcam Works Installation View, Cabrillo Gallery, Ca
20110811140057-_5m_1350
SUN UP, 2007-2010 © Marcos Morilla
20110811193728-07_ijenniches
THE CALL Installation View Centro De Arte La Regenta
Quick Facts
Birthplace
Bonn, Germany
Lives in
Soquel
Schools
Media-GN, Groningen, the Netherlands, 1999, MFA
Academy of Applied Arts, Vienna, Austria, 1996, BFA
Tags
landscape, photography, digital
Statement

My fascination for live cameras on the Internet - webcams - began over a decade ago. I’ve used webcams in online performances, photographic series and presently to create monumental composite images.

Many miles away from the actual location yet connected via the Internet, I direct robotic webcams to scan the picture plane bit by bit. Over several months or years, I capture thousands of still images, stitching them together into a panorama of great complexity and detail. Showing natural and man-made elements alike, the composite inadvertently compiles a map of the location’s ecosystem and socio-economic demographics. The result reveals the passage of time and develops its own narrative logic, offering a fictive yet hyper-realisticportrait of a place.

The final product is a seamless digital Lightjet print. Idiosyncracies inherent in the specific camera –viewing restrictions or even discontinuation of service –can result in eccentric shapes of the image. In the exhibition environment I often incorporate acomputer terminal allowing the audience to access the live camera interface and to interact with the site in real time.

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