Bigindicator

Anneke Eussen

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Final Rendezvous, 2012 Mixed Media / Resculpted Chairs Sewn In Velvet 300x280x270cm
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Plattenbau Remix, 2010
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Indefinite Reflections, 2007
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Second Skin, 2007 Drawing
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LSD Galerie Berlin
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NEUBAU Stuck © by Anneke Eussen
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Circle lines, 2014 © Anneke Eussen
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Grey lights #1, 2014 Pencil, Water Colour On Paper Framed 33 X 24,2 Cm © Cruise & Callas
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Grey lights #2, 2014 Pencil, Water Colour On Paper Framed 33 X 24,2 Cm © Cruise & Callas
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No logic #3, 2014 Spray Paint On Paper Framed 140 X 122 Cm © Cruise & Callas
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I don't know what happened #1, 2014 Piece Of Studio Floor Framed 68,3 X 59 Cm © Cruise & Callas
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I don't know what happened #2, 2014 Piece Of Studio Floor Framed 68,3 X 59 Cm © Cruise & Callas
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Now I know, 2014 Metal, Textile 116 X 102 X 6 Cm © Cruise & Callas
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Trapped, 2014 Pencil On Paper Framed 33 X 24,2 Cm © Cruise & Callas
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You don't understand me #2, 2014 Two Metal Hooks, Metal Screw Wire 50 X 65 X 36 Cm © Cruise & Callas
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Between both sides, 2014 Paper, Metal Tacks 226 X 26 Cm © Cruise & Callas
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Quick Facts
Birthplace
The Netherlands
Birth year
1978
Lives in
Berlin Germany / Vaals The Netherlands
Works in
Berlin Germany / Vaals The Netherlands
Schools
HISK, Higher Institute for Fine Arts, Antwerp /B, 2004, Fine Art
Academie voor beeldende kunsten Maastricht NL, 1997, BA
Representing galleries
Tatjana Pieters Ghent Be / Highlight Gallery San Fransisco USA
Tags
installation, photography, sculpture
Statement

Short introduction.

Ever since my first studies in Art, my work has been crossing the borders between disciplines. It has been my focus to bring together drawings, sculptures, photographs, installations and ready-mades. A clear line in fascination determines the handwriting of this ambitious attitude.

My earlier works have shown a search for identity. Works evolving around gender issues, nationalism and status have questioned the autonomy of the individual.

Later on the formats presented by our product-based and commercial-minded society entered and merged into my concept.

More and more, not the "self" but the created environment (as a result from human actions) becomes the centre of my interest. My research now focuses on what can be read in a surface or a material. In studying the appearance, we can discover information that goes beyond the visual.

 

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