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B. Avery Syrig

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Are We Still Growing Out of Dreams?, 06/2011 Paper Birch Bark, Handmade Abaca Paper, Wool Roving, Antique Wood Frame 37'' X 29'' © B. Avery Syrig
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Are We Still Growing Out of Dreams?, close up 06/2011 Paper Birch Bark, Handmade Abaca Paper, Wool Roving, Antique Wood Frame 37'' X 29'' © B. Avery Syrig
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Winged Escape, 06/2011 Paper Birch Bark, Yarn, Antique Wood Frame 22'' X 36'' © B. Avery Syrig
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Flowing Out, 06/2011 Paper Birch Bark, Yarn, Handmade Abaca Paper, Wood Frame 10'' X 13'' © B. Avery Syrig
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Harsh Elements, 06/2011 Paper Birch Bark, Yarn, Antique Wood Frame 13'' Diameter © B. Avery Syrig
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Escape For the Written Word, July 2011 Paper Birch Bark, Handmade Abaca Paper, Wool Roving, Antique Wood Frame 16'' Diameter
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Relief From Abundant Ties, July 2011 Paper Birch Bark, Handmade Abaca Paper, Fiber, Antique Wood Frame 23'' X 31''
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Tension: Structure and Growth, 2012 Found Wood, Fiber, Reconstituted Wood Frames 44” X 34” X 22”
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Rebuilding Frameworks, 2012 Found Wood, Fiber, Reconstituted Wood Frames 26” X 31” X 35”
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Breaking Ties: Reframing, 2012 Found Wood, Fiber, Reconstituted Wood Frames 44” X 34” X 22”
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Woven Life, 2013 Found Wood, Handwoven Cotton Fabric, Braided Pine Needles, Fiber, Reconstituted Stretcher Bars 27” X 15” X 5”
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Woven Life (detail), 2013 Found Wood, Handwoven Cotton Fabric, Braided Pine Needles, Fiber, Reconstituted Stretcher Bars 27” X 15” X 5”
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Re-Growth , 2013 Found Wood, Fiber, Oil Pastel on Arches Watercolor Paper, Vintage Wood Frame 22” X 16” X 4”
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Evolving Structures, 2013 Found Wood, Handmade Abaca Paper, Fiber, Reconstituted Pine Frame 12” X 11.5” X 4”
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Evolving Structures (detail), 2013 Found Wood, Handmade Abaca Paper, Fiber, Reconstituted Pine Frame 12” X 11.5” X 4”
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Quick Facts
Lives in
New York
Works in
New York
Schools
Alfred University
Tags
Alfred University mixed-media installation performance conceptual, sculpture, exhibition/performance
Statement

Bio

Avery is a multi-media three-dimensional artist. Through her studies in ceramics, glass blowing, papermaking, performance, and video arts she has explored the development of individuality within the varying forms of structures – physical, familial, and societal- that have created the means and defined the ways that we live in our world today.

Always enjoying the process of making things, Avery began seriously studying two-dimensional art early on. Living in a world more attuned to object than image, she turned her instinctual collecting of things into painted collages featuring found objects coming off the page. This fueled her to go to an art school that respected many mediums – most importantly sculpture. 

Alfred University encouraged her study of the connections between people and society through multiple mediums. These concepts have dominated her work in exhibitions throughout Westchester, Connecticut, and New York City. 

 

Artist Statement

Have you ever felt like you must do something because of who you are? Not who you are specifically, but who you are in society: mother, boyfriend, co-worker . . . 

Do these definitions help us fit into society or hold us back from who we truly are? 

My work navigates these questions illustrating the tension between who we are and who we think we should be. They speak about the forces in modern culture that paradoxically both bind and shape our experiences giving us both boundaries that hinder and structures to grow from. Natural materials, more akin to skin and hair, depict the intimate mark these forces have on the development and care of the self.

Within this web of societal demands, personal dreams, and the needs of reality; stressful tensions and beautiful predicaments are found. The taming and weaving together of these opposing forces, a critical step and constant feat, defines growth within a person’s life. 

B. Avery Syrig

January 20, 2014