Bigindicator

Ken Macklin

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20120508002123-_22through_the_keyhole_22
Through the Keyhole, 2010 Glazed Ceramic, Painted Stel 30" X 40" X 22" © Ken Macklin
20120508002853-08_through_gardens
Through Gardens, 2011 Glazed Ceramic, Painted Steel 30" X 40" X 21" © ken macklin
20120508003219-_22clown_around_22
clown around, 2010 Painted Steel 77" X 123" X 70" © Ken Macklin
20120508003445-_22long_sugar_22
Long Sugar, 2010 Painted Steel 42" X 45" X 30" © Ken Macklin
20120508003707-_22_zig_zag_red__22
Zig Zag Red, 2009 Painted Steel 106" X 122" X 69" © Ken Macklin
20120508003928-_22throwing_the_switch_22
throwing the switch, 2009 Painted Steel 51" X 65" X 40" © Ken Macklin
20120508004138-_22_one_side_of_what__22
One Side of What, 2011 Glazed Ceramic, Painted Steel 27" X 31" X 17"
20120508002108--_studio_shot_-
Quick Facts
Birthplace
Edmonton
Lives in
Gunn, Alberta
Works in
Gunn, Alberta
Schools
University of Alberta, 1973, BFA with distinction
Banff School of Fine Arts, 1976, ceramics
Central Saint Martins - UAL
Representing galleries
Peter Robertson Gallery
Tags
mixed-media, modern, abstract, sculpture
Statement

Ken Macklin studied sculpture at the University of Alberta, Edmonton, Alberta, Canada and graduated with Distinction. He studied ceramics at the University of Alberta, Faculty of Extension and the Banff School of Fine Arts. Macklin studied advanced sculpture at St. Martin's School of Art, London, England. Ken Macklin was a sessional instructor in sculpture at the University of Alberta. He has attended numerous international artist workshops including the Emma Lake Workshop, Triangle Artist Workshop in New York  and in Barcelona, Spain. He attended the Phil Berman Sculpture Workshop in Allentown, Pennsylvania. In 1994 - 96 Macklin studied Mayan art and architecture in Central America and the Yucatan peninsula. Macklin's work has been exhibited both nationally and internationally and can be found in public and private collections in the United States, Canada, Europe and Asia.

Artist Statement:

To me, making art is a form of narrative that is at once both personal and universal. While I draw much of my inspiration from my own lived experience, so too do I embody in my work emotions and perspectives that change little across time and are part of shared human experience.

Nature is a touch-stone of my work. I am inspied by the dense forest and landscapes surrounding my home and studio in northwestern Canada. Living in a landcape covered by snow for as much as half the year, I look to the tangled clusters of branches and the shapes, forms and colors found in my environment.

Art keeps me sane, it "washes away the dust of everyday life". My work, then, is a study in emotional contrasts - extemporaneous one moment, deliberate the next. It is subtle commentary on personal experience and grounded in the history of Art.