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Santina Amato

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Re-Performing Sculpture 1, 2017 Video Still © Santina Amato
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Re-Performing Sculpture 1, 2017 Video Still © Santina Amato
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Instructional Video for Re-Performing Sculpture, 2017 Video Still © Santina Amato
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Instructional Video for Re-Performing Sculpture, 2017 Video Still © Santina Amato
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Re-Performing Sculpture Series, 2017 © Bonnie Lane
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Re-Performing Sculpture Series, 2017 © Bonnie Lane
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Re-Performing Sculpture 2 (Front View), 2017 Ceramic © Santina Amato
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Re-Performing Sculpture 2 (Back View), 2017 Ceramic © Santina Amato
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Re-Performing Sculpture 3 (Side View), 2017 Ceramic © Santina Amato
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Re-Performing Sculpture 4 (Side View), 2017 Ceramic © Santina Amato
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Re-Performing Sculpture 5 (Front View), 2017 Ceramic © Santina Amato
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Post Performance Maintenance Photographic Documentation © Santina Amato
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Performative Sculpture II, 2017 Pvc Pipe, Wood, Bread Dough Installation View. 21’ X 9’ X 6’ © Santina Amato
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Blue Room, 2016 Two Channel Video Video Duration 00:45 Looped © Santina Amato
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Performative Sculpture II (Opening Night Documentation), 2017 Pvc Pipe, Wood, Bread Dough © Santina Amato
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Performative Sculpture I, 2017 Wood, Plumbing Pipe, Plastic Bucket, Airline Craft Wire, Bread Dough, Wheat Paste. Installation View. 10’ X 4’ © Santina Amato
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Performative Sculpture I, 2017 Wood, Plumbing Pipe, Plastic Bucket, Airline Craft Wire, Bread Dough, Wheat Paste Installation View 10’ X 4’ © Santina Amato
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Performative Sculpture I (Detail), 2017 Wood, Plumbing Pipe, Plastic Bucket, Airline Craft Wire, Bread Dough, Wheat Paste 10’ X 4’ © Santina Amato
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Untitled (Dough Still Life Test 1), 2016 Video Duration 49:00 © Santina Amato
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Untitled Dough Project (Self Portrait), 2015 Video Still. Video Duration 00:08 Loop © Santina Amato
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Untitled Dough Project (Self Portrait), 2015 Video Still Video Duration 00:08 Loop © Santina Amato
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Rana: From the series Portrait of Women with their Weight in Dough, 2016 Archival Pigment Print 40” X 26.5” © Santina Amato
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Carmen: From the series Portrait of Women with their Weight in Dough, 2016 Time Lapse Video. Video Duration 01:26 © Santina Amato
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Untitled (Still Life), 2016 Video Still Video Duration 49:00 © Santina Amato
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Untitled (Vase of Flowers), 2016 Triptych. Archival Pigment Print 40” X 26.5” © Santina Amato
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Untitled (Vase of Flowers) , 2016 Triptych. Archival Pigment Print 40” X 26.5” © Santina Amato
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Untitled (Vase of Flowers), 2016 Triptych. Archival Pigment Print 40” X 26.5” © Santina Amato
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Green Room, 2016 Installation View Video Duration 08:35 © Santina Amato
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Midnight Dinner, 2016 Two Channel Video Installation Duration 2:29 © Santina Amato
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Midnight Dinner, 2016 Two Channel Video Installation Duration 2:29 © Santina Amato
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Untitled (Fluid #1), 2016 Acrylic On Paper 24” X 30” © Santina Amato
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Untitled, 2016 Housepaint On Paper 36 X 44” © Santina Amato
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Untitled, 2016 Acrylic And Ink On Paper 36 X 44” © Santina Amato
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Untitled, 2016 Acrylic And Ink On Paper 36 X 44” © Santina Amato
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Cocks Making A Mess Inside I, 2017 Watercolour And Maker On Paper 6" X 9" © Santina Amato
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Cocks Making A Mess Inside II, 2017 Watercolour And Maker On Paper 6" X 9" © Santina Amato
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Untitled, 2017 Ink, House Paint, Watercolour, Marker 11" X 7.5" © Santina Amato
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Untitled , 2017 Ink, House Paint, Watercolour, Marker 11" X 7.5" © Santina Amato
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Quick Facts
Birthplace
Melbourne, Australia
Lives in
Chicago, U.S.A
Works in
Chicago, U.S.A
Schools
The School of the Art Institute of Chicago, 2017, Masters of Fine Arts
Victorian College of the Arts, 2009, Bachelor of Fine Arts (Honours)
Tags
installation, video-art, performance, photography, sculpture
Artist Bio

Artist Statement

I am interested in material processes, working in a wide range of mediums and formats from 9 x 5 inch paint works on paper to large-scale installations that respond to the architectural features within site-specific contexts.  As a material focus, my particular interest in using bread dough within my installations, sculptures, video and photographic works, and in particular, live settings, is its life cycle; once activated by warm water and sugar, the cells of yeast split and divide, similarly to when an egg is fertilized by sperm. There is a peak moment when dough is voluptuous, full, and ripe, just before it begins to ‘die’.

By observing the similarities in the life process of dough and my own body – the way it moves, the way it feels, the way it is observed by others, the way it is perceived by the self, its temporal relationship to the world & to others – I attempt to translate the complexities associated with my own experience of being female, my relationship to my own body and those that I desire, female heterosexuality, erotica, intimacy, and aging, through an interdisciplinary artistic dialogue of video, sculpture, ceramics, performance, installation, painting and photography.

This attraction to the materiality of dough relates back to my childhood growing up within an immigrant Italian household in Australia, where dough was no foreign matter and gender roles were clearly in place. My first memory and experience of femininity and the power of creation (and potentially female desire) was watching my mother knead this soft, white, voluptuous material, folding it over and onto itself, pushing her whole body towards it – back and forth, back and forth­ – steering the dough with her hands as she transformed it from flour and water into our existence as a living organism, to be consumed by our bodies, via our mouths.

My work is formal in its presentation, biomorphic in form, addressing the basic notion of the intimate body, especially the female body. I am interested in the visceral relationship between the physical, the psychological, and the social of the functioning body – the mess, the goo, the merging, the mixing, the exchange, the mutual consumption. The work results in abstract reflections of the psychosexual nature of intimacy, as if captured in ongoing stages of metamorphosis.

Bio

Santina Amato is an interdisciplinary artist born in Australia to Italian immigrants, and has lived and worked in USA since 2010. She is a graduate of the Victorian College of the Arts (BFA, Painting), Melbourne, Australia and the School of the Art Institute of Chicago (MFA, Photography), Chicago,IL.

Her practice incorporates video, sculpture, installation, painting and photography and is deeply rooted in psychoanalytic thinking and feminist theory, attempting to translate the complexities of her own female sexuality, desire and erotica within a patriarchal system.

She is the founder and director of Moving_Image_00:00, a biannual festival of moving image works created by Chicago based artists and her video works have been screened at ExFest Film and Video Festival, Chicago, Brooklyn Public TV, New York, and The International Women’s Day Video Screening in Melbourne, Australia.

She has presented her work at the Governors Island Art Fair, NY, Detroit International Videonale, Kuntshalle Detroit Museum of Contemporary Art, MI, and Currents 2012, International New Media Arts Festival, Santa Fe, NM. Her work has been supported by grants from Department of Cultural Affairs & Special Events, Chicago, American Australian Association, NY, Australia Council for the Arts, AUST, Ian Potter Cultural Trust, AUST and has held positions as Fellow and Artist-in-Residence at Filed/Work Program: Chicago Artist Coalition, ACRE, Steuben, WI, Artspace Visual Arts Center, Sydney, Australia, New York Art Residency and Studios Foundation, New York, U.S.A and BRIC Media Arts House, Brooklyn, U.S.A.

In 2018, Amato presents a solo exhibition at Heaven Gallery in Chicago, a co-curated group exhibition with Sarah Skaggs at HERE Arts Center in NYC and fulfills the position as Artist-in-Residence at MASS MoCa, MA supported by the City of Chicago's Department of Cultural Affairs & Special Events (DCASE) Individual Artists Program (IAP) Grant and Artist-in-Residence at Crosstown Arts Center, Memphis, TN in the Fall.

Amato’s work is part of a collective photographic portfolio at The Joan Flasch Artists’ Book Collection and The Art Institute of Chicago and video collection at the Victorian College of the Arts, Melbourne, Australia.