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Curtis Morrow

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Night Owl, 2009 Oil on Acrylic on Canvas 27 X 16 Inches
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Stood-Up Oil, on Acrylic on Canvas 20 X 16 Inches
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View From Verandah Oil on Acrylic on Canvas 24 X 18 Inches © Curtis Kojo Morrow
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Eartha Kitts’s Last Note Oil on Poster-board 24 X 20 Inches
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Kente Seller, 2007 Oil on Acrylic on Canvas 20 X 16 Inches
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Working Out Oil on Acrylic on Canvas Board 20 X 17 Inches
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Village Vendor, 2009 Oils 18 ½ “ X 23 ½ “
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Bermuda A Beautiful Island Nation... , 2008
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Bermuda Maritime Museum.., 2008
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Cruise ship , 2008
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On Guard
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Bermuda Maritime Museum.., 2008
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Bermuda Maritime Museum.., 2008
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Bermuda Maritime Museum.., 2008
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The Falkland Island,
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Church and mounted walrus tusks at entrance., 2008
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Church Inscription, 2008
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The Harbor, , 2008
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Island Church (side-view), 2008
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Bermuda Maritime Museum, 2008
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Bermuda Maritime Museum
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Bermuda Maritime Museum
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Bermuda Maritime Museum
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Bermuda Maritime Museum
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VANISHING GLACIERS, 2008
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VANISHING GLACIERS, 2008
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VANISHING GLACIERS, 2008
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VANISHING GLACIERS, 2008
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VANISHING GLACIERS, 2008
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VANISHING GLACIERS, 2008
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VANISHING GLACIERS, 2008
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VANISHING GLACIERS, 2008
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Antarctic Sunset, 2008
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Antarctic Sunset, 2008
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Antarctic Sunset, 2008
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Antarctic Sunset
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Antarctic Sunset, 2008
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Antarctic Sunset
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Slave Chapel, 2008
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Slave Chapel (interior)
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Bermuda Ferry Boat
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Anchored Ferry Boat , 2008
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Bermuda Bay Area, 2008
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The Cruise Ship, 2008
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Northern Light View, 2008
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View From Marva-Lane
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Road From Sandy Parish, 2008
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The Lighthouse, 2008
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It Be JuJu Yo, 2007 20 X 16 Inches
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“Here Take One With Mines”, 2009 25 X 18 Inches
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Afro-Peruvian Dancers, 2007 26 X 22 Inches
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Quick Facts
Birthplace
Chicago
Birth year
1933
Lives in
Chicago
Works in
Oils Photography
Tags
figurative, sculpture, mixed-media, realism, landscape, surrealism, modern, traditional, photography, digital
Statement

 
Curtis J. “Kojo” Morrow

Artist In Studio Gallery

Mr. Morrow is an Artist, Author and Freelance-Photographer. He was born in Chicago, 1933. His family later moved to Buchanan, Michigan. As a kid, he was continually told what he could not do because of his color.. It was a very frustrating time of his life. However, at the age of nine, a Pullman Porter named Mr. Ross gave him a book which was the bio of an African-American, Matthew Henson, an American explorer. This changed the course of his life. It freed his mind to believe that he could do or be whatever he desired to do.
At age 17, living with his mother and six younger siblings, he convinced his mother he could help her more if she would sign a consent for him to join the U. S. Army. He assured her that while in the military he would continue his education.

Shortly after basic training, he heard of the so call police-action taking place in Korea. Like many other adventure seeking young soldiers, Curtis Morrow volunteered for duties there not realizing the reality of a war.
After 9 months of combat service on the frontline, 2 purple hearts, and other combat related metals, 2 ½ years as a U. S. Paratrooper station in Southern Japan, Mr. Morrow was honorable discharged from U. S. Army.

On his return to America, he attended the American Academy of Art in Chicago from 1957 to 1959. He later studied under Professor Augusta Nall, an instructor at the Washington Park Community Center.. Morrow was grateful that he was chosen as his understudy. He credits Professor Nall with not only teaching the fundamental of art but how to live and think like an artist.
After 4 years under the tutelage of Gus Nall, Morrow relocated to New York to develop his own style. While there (1962 to 1965) he became disillusioned with the social and political situation.
It was during the this time, Morrow decided to relocate to Ghana, West Africa.
He lived in Ghana for eleven (11) years, 1965 to 1976. It was here he was adopted, and renamed, (Kojo-Achampong) by an Ashanti Paramount Chief, Nana Kwaku Duah.

Mr. Morrow was introduced to the art of jewelry making by carving traditional jewelry from cow-horns and ivory. Learning this trade not only enabled him to earn a living but also to employ several Ghanaian who in turn taught him their traditional customs and languages.
On his return to America in 1976, Mr. Morrow aka “Kojo,” applied his carving skill into wax-carving of jewelry designs, known as; jewelry model-making, and lost wax casting. Upon retiring, he has returned to his first love, oil painting and freelance-photography.

RECENT EXHIBITS

2000 - African Festival Of The Arts

           DuSable Museum of African American History’s Arts & Crafts Fair

 2011 - Paul G. Stewart Senior Center

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