Malika Sqalli

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The yellow trip - a self portrait, 2010 Photograph © Malika sqalli
Home is a place to come back to, 2013
Home is where we start from Photograph Golden Thread
Home is where I clean myself, and brush my teeth
Home is
Home is where I keep my books
Home is shelter
Dasein Austria
Dasein 02
Dasein Coffin Bay OZ
The yellow trip , a self portrait. Arizona
Dasein 06
Dasein Yosemite
The moon is the dream of the sun
Half Cast
The shadow of the doubt
Quick Facts
Lives in

Malika Sqalli  is a multicultural and multilingual artist who uses photography as a medium which shows  “reality” in new ways, or, as the great critic John Berger put it, her images are a way of “catching the frame between the frame.”  Her photos  (she also uses mixed media and animation) are a way of asking questions about the world and inspiring people with visual answers.  Her photos are at once a form of international communication, full of anthropological, geographic, and human elements that become  part of a visual education
Born in Morocco, Sqalli moved to France in her teens and attended the Ecole de Beaux Arts in Montpelier.  She then spent several years living in London, and since 2010 she has divided her time between London, Rabat, Los Angeles, and the various places she has journeyed to along Latitude 34, both North and South, in order to complete her current project.  Malika has shown her work on four continents --  in North America (Atlanta), in Europe (France, Austria and the UK), Africa (Morocco ), and East Asia (Korea).  At several shows, her work has been singled out for awards or honorable mentions.
Latitude 34, one of Malika Sqalli’s current undertaking, is a very smart  conceptual art project that grew out of a personal moment of recognition.  In 2010, when she  first visited Los Angeles, Malika found that for all the cultural differences between her home town, Rabat, Morocco, and L.A, there were also great commonalities.  Seeking to find out why, she learned that both places sit astride the 34 parallel North. Seized by the unlikelihood, even romance of the idea, she decided to explore and photograph the human sites and sights along that imaginary demarcation line around the globe in order to see and share what she could learn about the similarities and differences in human cultures.  For Malika this is not just a project about the beauty of the places along the parallels, but an exploration undertaken with a camera and fueled by her “child’s eye” view of the world, a view which works against parochialism and in favor of cultural globalization.
Stunning are the parallels between disparate locations,  parallels which the artist occasionally emphasizes by including within a frame two or three images from different countries which work to underline similarities and / or differences in how we view and utilize the environment – the desert in Morocco and California, the seaside in Japan, China, and California; mountains in Morocco, China, Japan. Sometimes Malika shows up herself as a small personal note within the larger images derived from her far flung travels.
She addresses  addresses  that connections and disconnections: what links us, relates to us and also what is far away, different and mysterious and investigate and question the notion of home, culture identity and the notion of non place.
She asks herelf, "is home a physical place? in the emotions? the logical mind? about geography history and ancestry?  I surrendered the lux ury of having a home to explore the concept of home, by going to the other side of the world to find the connection and the sense of belonging inherent to our culture and identity"


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