Bigindicator

Lynda Schlosberg

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20110125134511-volcanic-mangrove-8706
Volcanic Mangrove, 2010 Acrylic on Panel 16 X 16 Inches © Lynda Schlosberg
20110125135817-matrix-9-0178
Matrix 9, 2010 Acrylic on Panel 30 X 30 Inches © Lynda Schlosberg
20110125135904-matrix-10-0172
Matrix 10, 2010 Acrylic on Panel 30 X 30 Inches © Lynda Schlosberg
20110125140040-matrix-7
Matrix 7, 2009 Acrylic on Panel 16 X 16 Inches © Lynda Schlosberg
20110125140226-matrix-4-v2-9269
Matrix 4 v2, 2010 Acrylic on Panel 16 X 16 Inches © Lynda Schlosberg
20110125144422-arctic-desert
Arctic Desert, 2010 Acrylic on Panel 36 X 36 Inches © Lynda Schlosberg
20110125144528-matrix-6-9001
Matrix 6, 2009 Acrylic on Panel 24 X 24 Inches © Lynda Schlosberg
20110125144624-matrix-8-web-7417
Matrix 8, 2009 Acrylic on Panel 24 X 24 Inches © Lynda Schlosberg
20110125144841-revisted-8998
Revisited, 2010 Acrylic on Panel 24 X 24 Inches © Lynda Schlosberg
20110125141221-lyndaphoto2010
Quick Facts
Schools
esley University, College of Art & Design, 2009, MFA
Ohio University, 1983, BFA
Tags
technoromanticism, formlessness, formless, horror vacui painting, photography, digital, abstract
Statement

The space between you and me, is it really empty? Consider all the unseen bits of data: radio, television, cell phones, wireless routers, email, instant messaging, the Internet. Our air is filled with waves of electrical currents, digital impulses, and magnetic forces. Also consider that everything we think and do as humans is enabled by electrical signals running through our bodies. How does our invisible energy field mix and flow with the energy field swirling around us? What might space look like if all that energy collapsed into one plane of reality?

My paintings use sources from computer animation; a technological process of fragmentation; and the language of abstract painting to depict a non-verbal, non-physical environment that characterizes a relationship between form and formlessness. Objects emerge and dissipate. Layers of data collapse into one another constructing collaborative spaces of interlacing dimensions. Everything in the picture plane is in total flux.

In these paintings line and geometry is woven together constructed of thousands of tiny brushstrokes of opaque, saturated colors. As individual marks assert themselves they are instantaneously absorbed back into the collective representing a never-ending cycle, where energy vibrates into form and form breaks down into indiscernible particles of energy; where the sum of all its parts creates an ineffable whole.