Suzanne McClelland - New York

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Pet, 2010 Ink, Charcoal And Polymer On Linen 36" X 29" © Suzzane McClelland
Just left, 2011 Polymer And Pastel On Linen 24 X 18 In / 61 X 45.7 Cm © Image courtesy Sue Scott Gallery
Hoez with Attitude, 2011 Polymer, Confetti And Charcoal On Linen 12 X 18 In / 30.5 X 45.7 Cm © Courtesy of the artist & Sue Scott Gallery
Quick Facts
Works in
New York
Representing galleries


M.F.A. The School of Visual Arts, New York, NY

B.F.A. University of Michigan, Ann Arbor, MI


Shane Campbell Gallery, Chicago, IL
“O”, Galerie Andres Thalmann, Zurich, Switzerland

Put Me in the Zoo, Sue Scott Gallery, New York, NY

STrAY, David Krut Projects, New York, NY (catalog)

Slip, Larissa Goldston Gallery, New York, NY
Team Play Her, Shane Campbell Gallery, Oak Park, IL

Suzanne McClelland: Drawings And Prints, KS Art, New York, NY

Enough Enough, Orlando Museum Of Art, Orlando, FL

Out of Character, Paul Kasmin Gallery, New York, NY
Plot, Galerie Lutz & Thalmann, Zurich, Switzerland
Intersections and Interruptions, Locks Gallery, Philadelphia, PA

Correspondence, Lemberg Gallery, Birmingham, MI
Elsewhere, Baldwin Gallery, Aspen, CO

Mothertongues, Paul Kasmin Gallery, New York, NY

Weatherspoon Art Gallery, The University Of North Carolina At Greensboro, Greensboro, NC
Tealeaves, L.A. Louver, Inc., Los Angeles, CA
Galerie Lawrence Rubin, Zurich, Switzerland
Galerie Kyoko Chirathivat, Bangkok, Thailand

Paul Kasmin Gallery, New York, NY

Lemberg Gallery, Birmingham, MI
Texas Gallery, Houston, TX
Barbara Krakow Gallery, Boston, MA

Paul Kasmin Gallery, New York, NY
L.A. Louver, Inc., Venice, CA

303 Gallery, New York, NY
Jason Rubell Gallery, Miami, FL

Painting, Whitney Museum Of American Art, New York, NY
Jason Rubell Gallery, Palm Beach, FL

Stephanie Theodore Gallery, New York, NY


New Prints, curated by Polly Apfelbaum, IPCNY, New York, NY
Pink Panther, curated by Amy Smith-Stewart, Kumukumu Gallery, New York, NY
Affinities: Painting in Abstraction, curated by Kate McNamara, RISD, Providence, RI
Specials, curated by Lisa Sigal and Paul Ramirez Jonas, HighLine, New York, NY
Landscape, curatd by Dodie Kazanjian, Park Avenue Armory, New York, NY
What’s Neu: Recent Additions to Neuberger Collection, Neuberger Museum, Westchester County, NY
Lover, curated by Kate Gilmore, On Stellar Rays, New York, NY
New Prints, 2009/Spting, curated by Polly Apfelbaum, IPCNY, New York, NY
Talk Dirty to Me…, Larissa Goldston Gallery, New York, NY

Legerdemain, Sure Scott Gallery, New York, NY
Stable Scrawl, Larissa Goldston Gallery, New York, NY
Grey, Dinter Fine Arts, New York, NY
Ithaca Collects, Johnson Museum of Art, Cornell University, Ithaca, NY
More Than Words, Von Lintel Gallery, New York, NY
Affinities: Painting in Abstraction, curated by Kate McNamara, Ramapo College of New Jersey, Mahwah, NJ
Under the Influenece, curated by Francis Bishop Good, Jane Hart and Michelle Weinberg, Art and Cultural Center of Hollywood, Ft. Lauderdale, FL

Drawing, Thinking, curated by Marco Breuer, Von Lintel Gallery, New York, NY
In the Viewing Room, curated by Lisa Sigal, Frederieke Taylor Gallery, New York, NY
“Horizon”, curated by David Humphrey, EFA, New York, NY
Affinities: Abstraction in Painting, curated by Kate McNamara, CCS Bard College, Annandale-on-Hudson, NY
Sex in the City, curated by Dean Daderko and Marina Adams, Dumbo Arts Center, Brooklyn, NY
Post Dec-Beyond Pattern and Decoration, curated by Zina Davis, Joseloff Gallery, University of Hartford, West Hartford, CT
What F Word?, curated by Carol Cole Levin, Cynthia Broan Gallery, New York, NY
Katherine Bowling and Suzanne McClelland Unique Works on Paper, One Eye Pug, New York, NY
Mixed Signals, curated by Martina Batan, Ronald Feldman Fine Arts, New York, NY
ULAE-Celebrating Fifty Years with New Editions, Larissa Goldston, New York, NY
Nina Freudenheim Gallery, Buffalo, NY
In Words: The Art of Language, curated by Lance Winn, University Museums, University of Delaware, Newark, DE
Hot Off the Press, curated by Janice Oresman, The Grolier Club, New York, NY

Women in the Bedroom, Larissa Goldston Gallery, New York, NY

Counting the Ways: Word as Image, Fisher Landau Center for Art, Long Island City, NY
I’m a Child of Divorce Give Me A Break, Cynthia Broan Gallery, New York, NY
In Deep Water, Dinter Fine Art, New York, NY
Artists Pick, Larissa Goldston Gallery, New York, NY
Beyond Big, Detroit Institute of the Arts, Detroit, MI

Face Off, Ronald Feldman Fine Arts, New York, NY
Co-Conspirators: Artist And Collector ,The Collection of James Cottrell and Joseph Lovett, Orlando Museum of Art, Orlando, FL and The Chelsea Museum, New York, NY 
Transitory Patterns, National Museum of Women in the Arts, Washington D.C.
Word Of Mouth, Dinter Fine Art, New York, NY

Ballpoint Inklings, K.S. Art with Geoffrey Young Gallery, New York, NY
New Prints 2003/Winter, International Print Center New York, New York, NY
ULAE Prints, Robin Rule Gallery, Denver, CO
Tamarind: 40 Years, Travelling Exhibition with the Tamarind Institute Gallery, Albuquerque, NM
Signs, Symbols & Codes, Elga Wimmer PPC, New York, NY
Group Show, Diane Villani Editions, New York, NY
WORD/IMAGE, Westport Arts Center, Westport, CT

Group Show, Barbara Krakow Gallery, Boston, MA
Toyland, Alysia Duckler Gallery, Portland, OR
The Artists Against Abuse Plate Auction, The Retreat, East Hampton, NY
Tricky Adios: Hello to Handmade Words, Organized by David Humphrey, K.S. Art, New York, NY

A Way with Words, Whitney Museum Of American Art, New York, NY

Blurry Lines, John Michael Kohler Arts Center, Sheboygan, WI
Collectors Choice, Curated by Sue Scott, Orlando Museum of Art, Orlando, FL
Unlimited Space, Les Filles Du Calvaire, Paris, France
Unique Photographs, Paul Kasmin Gallery, New York, NY
Painting, Paul Kasmin Gallery, New York, NY
Drawings and Photographs, Matthew Marks Gallery, New York, NY

Painting Language, La Louver, Venice, CA
Gesture And Contemporary Painting, The University of Michigan School of Art, Ann Arbor, MI
Drawn From Artist Collections, Organized by Ann Philbin and Jack Shear, The Drawing Center, New York, NY
Abstract Painting 1999, Paul Kasmin Gallery, New York, NY
Powder, Curated by Julie Graham and Maria Friedrich, Aspen Art Museum, Aspen, CO
Immediacies of The Hand: Recent Abstract Painting In New York, Curated by Carter Ratcliff and Kim Sobel, Hunter College, New York, NY

Artists on Line for ACOR, Gagosian Gallery, New York, NY
Suzanne McClelland, Elliott Puckette, Nancy Rubins, Paul Kasmin Gallery, New York, NY
Diebenkorn, Hodgkin, McClelland, Rauschenberg, Stella, Sultan, Winters, Lichtenstein, Gallerie Lawrence Rubin, Milan, Italy
After School, Visual Arts Museum at The School of Visual Arts, New York, NY
Spring for Art, Art for Spring, Weatherspoon Art Gallery, Greensboro, NC
Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA
Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, Senzon Museum of Art, Tokyo, Japan
Masters of the Masters: MFA Faculty of The School of Visual Arts, New York 1983-1998, New York, NY
Painting Language, L.A. Louver, Venice, CA

Moving Toward The Millennium…, Schmidt Contemporary Art, St. Louis, MO
Heart, Mind, Body, Soul: American Art In The 1990's, Whitney Museum of American Art, New York, NY
Suzanne Mcclelland, Elizabeth McGrath, and Daniel Wiener, Eugene Binder Gallery, Long Island City, NY
Essential Gestures And Fundamental Signs, Gallery of Art, Johnson County Community College, Overland Park, KS
Artists Respond To 2001: A Space Odyssey, Organized by Bruce Pearson, Williamsburg Art, and     Historical Society, Brooklyn, NY
After The Fall: Aspects Of Abstract Painting Since The 1970's, Curated by Lilly Wei, Newhouse Center for Contemporary Art, Sung Harbor Cultural Center, Staten Island, NY
Jacqueline Humphries, Suzanne Mcclelland, Beatriz Milhazes, Betsy Senior Gallery, New York, NY
Irredeemable Skeletons, Curated by Mark Harris, Carmel Bukley, and Peter Lloyd Lewis, Shillam + Smith 3, London, UK
Proof Positive: 40 Years Of Contemporary American Printmaking At ULAE: 1957-1997, The Corcoran Gallery of Art, Washington D.C.
Proof Positive: 40 Years Of Contemporary American Printmaking At Ulae: 1957-1997, University of Colorado, Colorado Springs, CO
Sex/Industry, Curated by John Yau. Stefan Stux Gallery, New York, NY
New Grounds: Prints And Multiples, The University of South Florida Contemporary Art Museum, Tampa, FL
Sculpture and Works on Paper Based on the Word 'Cube', Carol Szymanski and Suzanne Mcclelland, Schmidt Contemporary Art, St. Louis, MO
Colour Detour, Curated by Faye Hirsch, Apex Gallery, New York, NY

Unconditionally Abstract, Schmidt Contemporary Art, St. Louis, MO
96 Seoul International Art Fair, Seoul, Korea
Marina Abramovic, Greg Bogin, Armstrong, Lisa Hoke, Suzanne McClelland, Donna Moylan, Vik Muniz, Edouard Prulhiere, and Meyer Vaisman, Elizabeth Fiore Fine Arts, New York, NY
What I Did on My Summer Vacation, White Columns, New York, NY
Uneasy Surface – Points of Turbulence in Contemporary Art, Curated by Judith Tolnick. Fine Arts Center Galleries, University Of Rhode Island, Kingston, RI
Women's Work, Curated by John Saachi, Greene/Naftali Gallery, New York, NY
The Baseball Show, Curt Marcus Gallery, New York, NY
On Paper II, Schmidt Contemporary Art, St. Louis, MO
New York/New Mexico: New Prints, Horwitch/Lewallen Gallery and Tamarind Institute, Santa Fe, NM

Le Temps D' Un Dessin, L'ecole Des Beaux-Arts, L'Orient, France
Stealth, Seafirst Gallery, Seattle, WA
Practicamente Argento/Basically Silver, Studio La Citta, Verona, Italy
Astratta: A Cura di Simona Lodi, Roberta Lette Arte Contemporanea, Volta, Italy
New York New York, Studio D'arte Barnabo, Venice, Italy
Abstraction: A Tradition of Collecting in Miami, Curated by Louis Grauchos and Kate Rawlinson, Center for the Fine Arts, Miami, FL
Points of Interest, Points of Departure, John Berggruen Gallery, San Francisco, CA
Heterogeneity-Abstraction and Virtual Space, Curated by Leonard Bullock, Out of the Blue, Edinburgh, Scotland
Painting Language, L.A. Louver Gallery, Venice, CA
Re: Visioning the Familiar, Curated by Kaus Ottman. Ezra and Cecile Zilkha Gallery, Center For The Arts, Wesleyan University, Middleton, CT

Works On Paper, Jack Hanley Gallery, San Francisco, CA
Universal Limited Art Editions Forthcoming Publications And Recent Editions, Brooke Alexander Gallery, New York, NY
Universal Limited Art Editions, Bobbie Greenfield Gallery, Venice, CA
Paintings, Paula Cooper Gallery, New York, NY
Toolbox, Studio La Citta, Verona, Italy
Suzanne Mcclelland And Gail Fitzgerald, Schmidt Contemporary Art, St. Louis, MO
Summer Reading, Texas Gallery, Houston, TX
Drawing The Line Against AIDS, Amfar Benefit, Peggy Guggenheim Collection, Venice, Italy and Guggenheim Museum, New York, NY
Foundation For Contemporary Performance Arts Benefit Exhibition, Leo Castelli Gallery, New York, NY
Extravagant, Curated by Jonathan Seliger, Russisches Kulturzentrum with Sylvia Menzel Gallery, Berlin, Germany
Irony And Ecstasy, curated by Klaus Ottmann, Salama-Caro Gallery, London, UK
Single Frame: Ideal Moments Of (Ir)Rational Totality, John Good Gallery, New York, NY
Biennial Exhibition, The Whitney Museum Of American Art, New York, NY
Works On Paper, (With Karen Kilimnik, Glen Ligon & Daniel Oats), Jack Hanley Gallery, San Francisco, CA
I Am The Enunciator, Curated by Christian Leigh, Thread Waxing Space, New York, NY

Developing Language, Curated By Klaus Kertess, Hirschl And Adler Modern, New York, NY
Group Show, Theuretzbacher Gallery, Vienna, Austria
Painting, Jack Hanley Gallery, San Francisco, CA
Letter 'S' Road, Curated by Barry Schwabsky, Art Omi, Omi, NY
Off Balance, Jason Rubell Gallery, Palm Beach, FL
Drawings, Stuart Regan Gallery, Los Angeles, CA
Contextures & Constructures, Curated by Jonathan Seliger, Rubinstein/Diacono Gallery, New York, NY
Encounters With Diversity, Curated by Zdenka Gabolva, P.S. 1 Contemporary Art  Center, New York, NY
How It Is, Curated by Jonathan Seliger, Tony Shafrazi Gallery, New York, NY

Comments on 'Nomos, Curated by Robert Mahoney, Penine Hart Gallery, New York, NY
New York Diary: Almost 25 Different Things, Curated by Zdenka Gabolova and Ryszard Wasko, P.S. 1 Contemporary Art Center, Long Island City, NY
Breathing Room, Amy Lipton Gallery, New York, NY
Nayland Blake, Suzanne McClelland, Teddy Shapiro, Ilyse Soutine, Chris Wilder, Petersburg Gallery, New York, NY.

To Know a Hawk From a Handsaw, Wolff Gallery, New York, NY
Auction For Action, ACT UP, New York, NY

Line, Curated by Loren Madsen, Visual Arts Gallery, New York, NY
Homeland, Curated by Yong Soon Min, Shirin Neshat, Minor Injury, Brooklyn, NY

Homeless at Home, Storefront For Art & Architecture, New York, NY

1984- A Preview, Ronald Feldman Fine Arts, New York, NY


Maine, Stephen. Art in America October (2005).
Johnson, Ken. “I’m a Child of Divorce…” New York Times, September 30, 2005, Arts section.

Westfall, Stephen, Art in America, April (2004).
Scott, Sue, Co-Conspirators, The Making of a Collection, essay, catalog Orlando Museum of Art
Rubenstien, Raphael,, Independent and International: Highlights of Cottrell-Lovett Collection, Catalog essay, The Orlando Museum of Art, Orlando FL

Iles, Chrissie. “Best of 2003.” Artforum, December (2003).

Dailey, Meghan. “Vitamin P,” Phaidon Press Inc, New York.

Princenthal, Nancy. "Talking Points: Conversation in the Art of Sophie Calle, Joseph Grigely and Suzanne McClelland."Art on Paper, May/June (2000).
Scott, Sue. “Suzanne McClelland: Enough Enough.” ORLANDO MUSEUM OF ART.
Bishop, Phillip E., Art in America, April (2001).
Mr. Man, Suzanne McClelland,” Working Proof, ART ON PAPER, July/August
Lebowitz, Cathy. Art in America, April (2000).
Zinsser, John. Review,, January 2000
Schwabsky, Barry. Review, Artforum, January (2000).
Mahoney, Robert. Time Out New York, 2001.

“Working Proof." Art on Paper, December (2000).
Dalton, Jennifer. Art & Auction, October (2000).
New York Magazine, August 14, 2000.
Valdez, Sarah. "Summer 2000: Unique Photographs." Time Out New York, August 3-10, 2000.
Aletti, Vince. "Unique Photographs." Village Voice, August 1, 2000, Arts section.
Kraft, Von Martin. "Wortgemalde," ZURITIPP, August 31, 2000.
“Working Proof.” Art on Paper, March/April (2000).
Elwood, Sean, "Plot" exhibition catalog GALERIE LUTZ + THALMANN, ZURICH, Switzerland.

Prose, Francine. "The Gallery: The Artist as Curator." Wall Street Journal, May 20, 1999.
Otter, Holland. "Immediacies of the Hand: Recent Abstract Painting in New York." New York Times, April 8, 1999, Arts
Osksenhorn, Stewart. "The Power of Powder." Aspen Times Weekly, March 6-7, 1999, Arts &
Entertainment section.
Hirsch, Fay. "Working Proof: Just Relax." Art on Paper, February (1999). 
Everett, Deborah. “Reviews.” New York Arts Magazine 4 (1999).
Wilkin, Karen. "At the Galleries." Partisan Review, Winter 1999.

Johnson, Ken. New York Times, December 11, 1998, Arts section.
Mahoney, Robert. Time Out New York, December 10-17, 1998.
New Yorker, December 7 and 14, 1998.
Bell, J. Bowyer. Exhibition review, REVIEW, December 1.
Shirley, David. "Abstract Views." Los Angeles Times, August 28, 1998.
Singer, Clyde. "Exhibits Offer Bend of New with Traditional." Vindicator, April 5, 1998.
"Collection Portrays the Art of America.” Vindicator, April 9, 1998, Section C.
Shinn, Dorothy. "Show Disproves Adage ‘Those who can't …’." The Beacon Journal, April 12, 1998.
Shirey, David. "Masters of the Masters, MFA Faculty of the School of Visual Arts, New York, 1983-1998," essay for exhibition catalog, April 5-May 17.
“Painting Language.” Los Angeles Times, August 28, 1998, Arts section.

Capalazzo, Amy and Drieshpoon, Doug, interview and introduction, "Suzanne McClelland" (WEATHERSPOON ART GALLERY EXHIBITION CATALOGUE)
Review of "Time Suite," ART ON PAPER, May-June, volume 1, Number 5, p40-41.
"New Works," ESQUIRE THAILAND, May, Volume 3, Number 5.
Bianchi, Mary. Interview with Suzanne McClelland. A JOURNAL OF ART, CORNELL UNIVERSITY, May.
Brecelic, Thomas. "Words=space+color," THAILAND TIMES, March 15.
Fisher, Jim. "New Art on Display at College," THE CAMPUS LEDGER, Johnson County Community College, December 4.
Lutz, Gabriele. "Suzanne McClelland: New Paintings and Drawings," essay for exhibition Catalogue, GALERIE LAWRENCE RUBIN.
Pettifor, Steven. "Abstracting the Feeling of language," THE NATION, March 17.
Phoborisut, Penchan. "Language in Art," THE BANGKOK POST, March 23-29.
Rainat, Joyce. "Visualizing Speech," BANGKOK POST, March 5.
Rubinstein, Raphael. "Suzanne McClelland: The Spell(ing) of Painting," essay for Exhibition catalogue, ALERIE KYOKO CHIRATHIVAT, Bangkok.
Thorson, Alice. "New Realities of Abstraction," THE KANSAS CITY STAR, November 3.
"Falk Visiting Artist: Suzanne McClelland," WEATHERSPOON ART GALLERY NEWSLETTER, Summer.
Ostrow, Saul. "Essential Gestures and Fundamental Signs," essay for brochure for JOHNSON COUNTY COMMUNITY COLLEGE, exhibition catalogue.
Calendar, CALIFORNIA HOMES, July/August, 1997.
Pagal, David. “Found In The Translation,” THE LA TIMES, July 1997.

Schwabsky, Barry. "Carnal Meteorology," essay for exhibition catalogue, PAUL KASMIN GALLERY, New York, NY.
Smith, Roberta. "Art in Review," exhibition review at Paul Kasmin Gallery, THE NEW YORK TIMES, April 6.
Smith, Roberta. "Arts & Leisure," THE NEW YORK TIMES, May 26.
Mahoney, Robert. "Suzanne McClelland at Paul Kasmin," ARTNET, May.
Bell, J. Bowyer. "Suzanne McClelland," REVIEW, May.
Griffin, Tim. "Suzanne McClelland," TIME OUT NEW YORK, May 8-15.

Raynor, Vivien. "Unsettling Social Commentary with Materials," May.
Unger Miles. Exhibition review at Barbara Krakow Gallery, ART NEW ENGLAND, April/May.
Campbell, Shane. "An Interview with Visiting Artist Suzanne McClelland," NEWS MAGAZINE, School of the Art Institute of Chicago, April.
Harris, Mark. "Material Abuse," essay for exhibition catalogue, TRANS HUDSON GALLERY.
McClelland, Suzanne. "Jill Baroff, Lauren Szold and Ida Applebroog," BOMB MAGAZINE.
Myers, Terry R. "Suzanne McClelland, Paul Kasmin Gallery," exhibition review In THE NEW ART EXAMINER, March.
Wilkin, Karen. "At The Galleries," PARTISAN REVIEW, Spring.
THE PRINT COLLECTOR'S NEWSLETTER, review of "Family Photo," (1994) Jan./Feb.
Adams, Brooks. "Expatriate Dreams," ART IN AMERICA, February, pp 60-69, 109.
Stapen, Nancy. "Artist's Eye Eternal Cycles, "THE BOSTON GLOBE, 26 January.
Bankowsky, Jack. "The Art of the Matter: Curating the Whitney Biennial," an interview With Klaus Kertress in ARTFORUM, 26 Januay.
"The Gallery Doors Open to the Long Denied," THE NEW YORK TIMES, Arts & Leisure, 26 May.

Aukeman, Anastasia. "New Art Finds Buyers Ready," ART NEWSLETTER, 15 November.
Cotter, Holland. "Art in Review: Suzanne McClelland," THE NEW YORK TIMES, 31 October.
Rubinstein, Raphael. "Abstraction in a Changing Environment," interviews with McClelland,
Richmond Burton, Lydia Dona & Fabian Marcaccio, ART IN AMERICA, pp 102-109.
Drogin, David & Lee Berresford. "Suzanne McClelland," essay in "Re: Visioning The Familiar," exhibition catalogue, EZRA AND CECILE ZILKHA GALLERY CENTER for the Arts, Wesleyan University, Middleton, CT.
Frank, Peter. "Art Picks of the Week: Suzanne McClelland, John Newman," L.A. WEEKLY, 3 June.
Kawakita, Yoichi, "Suzanne McClelland," MEN'S CLUB JAPAN, May.
Hirsch, Faye. "Suzanne McClelland: New Paintings," essay for exhibition catalogue, L.A. Louver, Inc.
Pagel, David. "Finding Meaning in the Muffled Mess," THE LOS ANGELES TIMES, 19 May.
Iannacci, Anthony. "Suzanne McClelland," TITOLO, Winter 1993/94.
Ronnau, Jens. "Painting Made in New York," FLEASBANGS NACHRICSTEN, 2 March.
Choon, Angela. "Sense and Sensibility: Artists Translate Sensations into Form," ART & ANTIQUES, February.

Shepling, Carol Ferring. "New Yorkers: Free Spirited by Design: End Justifies the Means for McClelland, Fitzgerald," ST. LOUIS DISPATCH, 18 November.
Hirsch, Faye. "Word Turf," LINGO, No. 2.
Ianacci, Anthony. "Toolbox," exhibition review, TITOLO, Spring.
Ianacci, Anthony. "Speciale Artisti in Mostra, Toolbox," SEGNO: ATTUALITA INTERNAZIONALI D' ARTE CONTEMPORANEA, May.
Bortolotti, Maurizio. "Toolbox," TEMA CELESTE: ARTE CONTEMPORANEA, Summer.
Drawing in BOMB MAGAZINE, Summer, pp78-79.
Hirsch, Faye. "For The Record: An Interview with Suzanne McClelland," THE PRINT COLLECTORS NEWSLETTER, September-October.Verona, Italy.
Ottman, Klaus. "Developing Language," exhibition essay for Salma-Caro Gallery, London, England.
Meneghelli, Luigi. "Con il bisturi sulle tele: Quasi un' autopsia per indagare sulke morte
Dell'ane Toolbox," L'ARENA, 22 March.
Phillips, Lisa. "No Man's Land: Art At The Threshold of a Millennium," BIENNIAL
Exhibition catalogue, Whitney Museum of American Art, New York.
"Right," drawings by the artist, published by JASON RUBELL GALLERY, January.

Seliger, Jonathan. "Contextures and Constructures," exhibition essay for Rubenstein/Diacomo Gallery, New York.
Ottman, Klaus. "Against the Grain," exhibition essay for Galerie Theuretzbacher, 12 December.
Kertess, Klaus. "Developing Language," exhibition essay for Hirshl & Adler Modern.
Golden, Thelma. "Painting: Suzanne McClelland," essay in exhibition brochure, Whitney Museum of American Art at Philip Morris.
Smith, Roberta. "Art in Review: Suzanne McClelland at The Whitney Museum of American Art at Philip Morris," exhibition review, THE NEW YORK TIMES, 18 December. 
Hirsch Faye. "Written on the Wind," TEMA CELESTE, April/May.
Donegan, Cheryl. "Female Heroism: One Portrayal, Four Portraits," TEMA CELESTE, November/December.
Blanchard, Paul. "Letter 'S' Road: Remarks on Site "ART OMI, Omi, NY." TEME CELESTE, Autumn.
Kertess, Klaus, "Three Artists for the 90's," ELLE DÉCOR, August/September.
Sjostram, Jan. "New Palm Beach Galleries Present Intriguing Summer Show," PALM BEACH DAILY NEWS, 22 July.
Pazzi, Caterina. "Ow, he, he ah, ha," GIOMALI DELL'ARTE, June.
Kazanjian, Dodie, "Abstract Expressions," VOGUE MAGAZINE, June.
Ianacci, Anthony, "Toolbox," SEGNO, May/June.
Siegel, Jeanne, "Suzanne McClelland," TEMA CELESTE, April.May.
Yau, John, "Suzanne McClelland," ARTFORUM, February.
Rubell, Jennifer, "Suzanne McClelland," interview in exhibition catalogue, Jason Rubell Gallery, Palm Beach, FL.
Saltz, Jerry, "Let It Rain, Suzanne McClelland's Doors of Perception" essay. in exhibition catalogue, Jason Rubell Gallery, Palm Beach, FL.
Wolff, Millie, "Suzanne McClelland," PALM BEACH TODAY, 1 February.
Cameron, Dan. "The Changing Tide," ART & AUCTION, January.

Schwabsky, Barry. "Suzanne McClelland." Arts Magazine, December (1990).
Mahoney, Robert. Comments on "Nomos," essay in exhibition catalogue, PENINE HART GALLERY, New York, NY.
Smith, Roberta. "Art in Review: Suzanne McClelland." New York Times, October 18, 1990, Arts section.
Hirsch, Faye. "Suzanne McClelland," essay in exhibition catalogue, Stephanie Theodore Gallery, New York, NY.
Saltz, Jerry. "Cries and Whispers." Arts Magazine, Summer (1990).
Larson, Kay. "Foreign Intrigue." New York Magazine, May 20, 1990.
Kaneda, Shirley. "Paintings and Its Others in the Realm of the Feminine." Arts Magazine, Summer (1990).
Yau John. “FLEE ADVICE,” Collectif Generation.


Museum of Modern Art, New York, NY
Norton Simon Museum, Pasadena, CA
New York Public Library, New York, NY
Orlando Museum of Art, Orlando, FL
Paine Webber, New York, NY
St. Louis Art Museum, St. Louis, MO
Whitney Museum of American Art, New York, NY
Southwestern Bell Corporation, Houston, TX
Fried, Frank, Harris, Shriver & Jacobson, New York, NY
Norton Museum of Art, West Palm Beach, FL
The Jane Voorhees Zimmerli Art Museum, Rutgers University, NJ
Walker Art Center, Minneapolis, MN
Miami Museum of Art, Miami, FL
Art Museum of Southwest Texas, Bueumont, TX
Museum of Contemporary Art San Diego, San Diego, CA
Detroit Institute of Fine Art, Detroit, MI
Grunwald Center for the Graphic Arts at UCLA Hammer Museum, Los Angeles, CA
Progressive Corporation
Albertina Museum, Vienna, Austria


Visual Harlem Artist Exchange, Jacob Lawrence Foundation
Pollack Krasner Grant
Skowhegan School of Painting and Sculpture, Skowhegan, ME
P.S.1, Clocktower Studio Program, Artist Residency

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