Bigindicator

Ian Kimmerly

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20140213181203-plain_air_sm
Plain Air, 2013 Oil and Acrylic on Canvas 60" X 68" © Dolby Chadwick Gallery
20140213181035-many_rooms_sm
Many Rooms, 2013 Oil and Acrylic on Canvas 60" X 72" © Dolby Chadwick Gallery
20140213180958-tidal_sm
Tidal, 2013 Oil and Acrylic on Canvas 60" X 72" © Dolby Chadwick Gallery
20130605115652-water_logic_60x68
Water Logic, 2012 Oil and Acrylic on Canvas 60" X 68" © Dolby Chadwick Gallery
20140213180557-patience_will_keep_you_alive
Patience Will Keep You Alive, 2013 Oil and Acrylic on Canvas 60" X 68" © Dolby Chadwick Gallery
20130605121258-fellow_travelers_60x68
Fellow Travelers, 2013 Oil and Acrylic on Canvas 60 X 68 In. © Dolby Chadwick Gallery
20140213180655-stay_awhile_my_inner_child
Stay Awhile My Inner Child, 2013 Oil and Acrylic on Canvas 60" X 72" © Dolby Chadwick Gallery
20140213180409-for_the_sleepwalkers
For The Sleepwalkers, 2013 Oil and Acrylic on Canvas 60" X 72" © Dolby Chadwick Gallery
20140213180739-the_living_layer
The Living Layer, 2013 Oil and Acrylic on Canvas 40" X 48" © Dolby Chadwick Gallery
20161008192246-as_we_wander_we_are_closer_copy
As We Wander We Are Closer, 2016 Oil and Acrylic on Canvas 60 X 72 in © Ian Kimmerly
20140213175910-portrait-3sm
Quick Facts
Birthplace
Northport, Michigan
Birth year
1980
Lives in
San Francisco
Works in
San Francisco
Schools
University of Arizona, 2005, MFA
University of Michigan, 2002, BFA
Representing galleries
Tags
abstract, figurative
Current Exhibitions and Events
Dec, 2016
Statement

Artist Statement

My paintings incorporate various images and pictorial modes to explore the evolving notions of memory, personal experience and self in the digital age. Works are inspired by disparate elements and combine a variety of found and personal photos, video stills and other references. These elements are incorporated into open color fields and atmospheres that speak to the temporal, ephemeral qualities of mediating technologies, particularly social media and digital innovations. I am interested in how these technologies have so quickly affected the ways in which we remember, relate to each other, and understand as well as define our world.

I find painting an ideal format for exploring the tension between nonobjective and illusionary space, the gap between abstraction and figurative realms. In my work, gestural, wavelike painted passages often submerge a variety of images. Submerged images include objects cast as reflections in windows, distorted stills from old family VHS tapes and artificial elements such as mannequins and store displays. These images present a secondhand or mediated relationship to actual experience that calls into question how we define the real.

During the painting process, images are blurred, scraped and layered with color to emphasize the complexity of defining authentic experiences. This fragmented approach to a painting’s subjects is meant to create a visual distancing where the seams of an image, what’s tenuously holding it together, are revealed.

I am interested in how continental philosophy and critical theory grapple with the nature of reality, defining the basis and terms for such a complicated discussion. I see painting as fertile terrain for this dialogue, where the physical and immediate qualities of paint coexist with images and representations of the natural world. I am drawn to nature as an antidote to the distractions of the digital world and often find significance, harmony and meaning in the structures of tree branches or a lake’s wave patterns. The transcendental potential of the natural world, the symmetry and shapes inherent in forests, fields and bodies of water, make them an integral part of my work and its underlying focus, the investigation of what binds us all together.  

 

For more information please visit  www.iankimmerlyart.com