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Namita Kapoor

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Flocksoffeather
Flocks of a Feather, 2008 Mixed Media 57.2 X 88.9 Cm © 2008
Childsplaysaatchi
Child's Play, 2008 Fabric, Doll Dresses, Acylic and Oil on Canvas 2 @ 76.2 X 177.8 Cm © Namita Kapoor 2008
Billboard-saatchi
Billboard, 2008 Fabric, Sequins, Collage, Acrylic and Oil on Panel 127 X 127 Cm © Namita Kapoor 2008
Moustacheman-saatchi
Do you know the Moustache Man, 2008 Fabric, Collage and Acyrlic on Canvas 63.5 X 76.2 Cm © Namita Kapoor 2008
Herecomesthesun-saatchi
Here Comes the Sun, 2008 Mixed Media on Oil Cloth 63.5 X 76.2 Cm © Namita Kapoor 2008
Rockymountain-saarchi
Rocky Mountain High, 2008 Fabric, Sequins, Collage, Acrylic and Oil on Panel 121.9 X 152.4 © Namita Kapoor 2008
Namitaframe
Quick Facts
Birth year
1981
Lives in
sf/nyc
Works in
sf/nyc
Schools
UCLA (University of California, Los Angeles), 2003
Representing galleries
Gel Galleri, Reykjavik
Tags
asian, indian, international, collage, mixed-media, female, fantasy, up-and-coming, UCLA, decorative-arts, fabric, self-taught
Statement

ARTIST BIO:

Namita is a South East Asian American artist born in 1981 and raised in the San Francisco Bay Area. She earned her BA in World Arts and Cultures from the University of California, Los Angeles, during which time she also studied painting in Italy. After graduation, she pursued her interests as a performing artist, traveling nationally and internationally with various theater and dance companies. Her work as an interdisciplinary artist took her to India where she connected with a desire to blend mediums through painting directly. She has been painting full-time since 2005.
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ARTIST STATEMENT:

Drawing from my dual backgrounds as both a South East Asian and an American, my work is a hybrid of Western media and Asian craft, ornament, and symbolism. I apply acrylic and oil media in between and on top of a variety of Indian materials: sari fabric, circular mirrors and sequins, Henna tattoo prints and kitschy images of Indian myths from calendars, posters and comic books. Working my way in and around these various materials, the mixture begins to dance, exploding off the canvas in a rhythm of brilliant colors, fragmented Hindu idols, ancient stories, and modern commercialism. I explore the way our nation’s preoccupation with borrowed religious symbols and iconography reflects a struggle to recapture mythic significance. Ironically, the flood of these highly charged images into the commercial marketplace, such as using Hindu deities to create trendy t-shirts and handbags, only increases Western culture’s hunger for a connection to what an Eastern worldview offers. I question how these Indian images, lingering in our subconscious, survive in a consumer driven culture. Do their meanings change? Can such imagery be transformed or re-invented altogether? By reformulating the traditional boundaries of Indian spirituality and craft with Western painting techniques, I create a structure for cross-cultural dialogue that tackles my own questions of spiritual and cultural identity. In turn, these narratives investigate the role myth plays in contemporary art and society.