Bigindicator

John Scane

Profile  |  Artworks  |  Exhibitions  |  Network  |  Awards  |  Reviews  |  Blog  |  Comments
20130214222732-life_during_wartime__4_-_empire_down__2010__oil_on_canvas__60_22x74_22
Life During Wartime #4 - Empire Down, 2010 Oil on Canvas 60" X 74" © © 2013 John Scane
Life_during_wartime_1
Life During Wartime #1, 2009 Oil on Canvas 40"x32" © Scane
20130214221037-a_sunday_afternoon_on_the_island_of_manhattan__2010__oil_on_canvas__62_22x82_22
A Sunday Afternoon on the Island of Manhattan, 2010 Oil on Canvas 62" X 82" © © 2013 John Scane
20130214222217-life_during_wartime__heads___limbs_-_after_gericault__2011__oil_on_canvas__24_22x36_22
Life During Wartime, Heads & Limbs - after Gericault, 2011 Oil on Canvas 24" X 36" © © 2013 John Scane
20130214221722-death_of_a_loyalist__2012__oil_on_canvas__50_22x60_22
Death of a Loyalist, 2012 Oil on Canvas 50" X 60" © © 2013 John Scane
Venezia9_2005_50x80
Venezia #9, 2005 Oil on Canvas 50"x80" © © 2013 John Scane
Wall07_75x45
Wall07, 2007 Oil/canvas Over Panel 75"x45" © © 2013 John Scane
Venezia_2_15x20
Venezia #2, 2005 Oil on Canvas 15"x22" © © 2013 John Scane
Venezia_4_28x22
Venezia #4, 2005 Oil on Canvas 28"x22" © © 2013 John Scane
San_juan_2_50x40
San Juan 2, 2004 Oil on Canvas 50"x40" © © 2013 John Scane
Pike_sos_show_lb_3269246000_ee2a798c3e
"Surface Of Space Exhibition" Phantom Galleries Long Beach , 2009 © Courtesy Phantom Galleries Long Beach
Katamari_2009
Lourdes - Katamari Portrait, 2009 Oil on Canvas 25"x36" © © 2013 John Scane
Donkey07_6
Donkey 07, #6, 2007 Oil on Canvas 60" X 50" © © 2013 John Scane
Donkey07_7web2
Donkey 07, #7, 2007 Oil/canvas Over Panel 48" X 48" © © 2013 John Scane
Donkey07_5
Donkey 07, #5, 2007 Oil/canvas Over Panel 40" X 24" © © 2013 John Scane
Donkey07_12
Donkey 07, #12, 2009 Oil on Canvas 36"x28" © © 2013 John Scane
Donkey07_13
Donkey 07, #13, 2009 Oil on Canvas 30"x20" © © 2013 John Scane
20140822162732-6d-5185
605 E. Myrtle Ave., 2014 Oil on Canvas, 11”x14" © © 2014 John Scane
20140822162836-6d-6870
House - Night, 2014 Oil on Linen 18”x14" © © 2014 John Scane
20140822162911-6d-7846
Ranger House , 2014 Oil on Canvas 16”x12" © © 2014 John Scane
Headshot_moca
Quick Facts
Birthplace
Los Angeles
Lives in
Huntington Beach
Representing galleries
Tags
realism, modern, digital, abstract, figurative, conceptual
Life During Wartime

John Scane’s Life During Wartime series of paintings examines themes of violence, patriotism, disconnection, and virtual reality through the lens of the video game. This series establishes a new mode of painting that might be called ‘Virtual Realism’ because it uses some of the traditional strategies of realist painting but rather than applying them to the natural world it takes the artificial, digital, virtual world of online computer gaming as its subject.  These paintings present a new and unique way of communicating about the virtual and real worlds- through the archaic process of painting, Scane analyzes the strange world of online gaming and the mediated human interactions between gamers.

Popular online games often mimic recent and ongoing military conflicts, creating a richly realized virtual facsimile of the real world.  In this way a kind of non-physical parallel plane of battle, a ‘virtual theater,’ has been created. It is within this digital virtual theater that participants experience seemingly real events and interactions taking place across vast distances of physical space, across borders and nations, blurring the lines between nationalities and time zones. These simulations of real war feed contradictory feelings of competition, domination and bloodlust as well as teamwork, accomplishment and camaraderie. The experience facilitates a profoundly obscured distinction between reality and fantasy, which is mirrored in both form and content of these contemporary paintings.

Imagery from the Life During Wartime series is executed in a warm tone overall, suggesting the yellowish glow of Old Master paintings or the patina of age which reinforces the historical references to European paintings of battle across the centuries. In fact, for Scane, the whole endeavor has become as much an examination of the history of war paintings as it is an exploration of computer-based games. The resulting narratives and situations are at first familiar yet become more ambiguous as one continues to look: the viewer will find there is no specific story being told, rather a suggestion of something subtly bizarre, somehow both sinister and humorous. While the imagery and composition of these paintings reference classical painting, historic photographs, recent events and familiar subjects, the viewer is left wondering what exactly is taking place; teams are mixed, notions of good and bad are absent, expectations are thwarted and intentions are blurred.  We are left with an absurd and somehow tragic non-space, obfuscated by both technology and human imperfection…kind of like war.