Bigindicator

Eric Oliver

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The Day Something Peculiar Happened at Gay Head Cliffs, 2014 Digitally Remastered Paint On Film
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To Dream Of Mountain Tops, 2015 Digitally Remastered Paint On Film
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Fountain of Truth, 2014 Digitally Remastered Baked Oil On Steel
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Another Rainy Day, 2014 Digitally Re Mastered Paint On Plastic 30 X 45in
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Gate, 2014 Digitally Re Mastered Paint On Plastic © Eric Oliver
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Solitary Moment Before the End of Time, 2014 Digitally Re Mastered Paint On Plastic © Eric Oliver
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Into the Unknown, 2014 Digitally Re Mastered Paint On Plastic © Eric Oliver
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Day 3 of 6, 2012 Acrylic, Tempera, And Pencil On Panel 33 X 25in © E Oliver
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Makeshift Fortress in a Discard World, 2011 Acrylic, Tempera & Pencil On Paper 18 X 26in
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View Of The Tool Shed From The Pool Acrylic, Tempera & Pencil On Panel 20 X 24in
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3 painted flowers from 2 different painting, 2012 Acrylic, Tempera, And Pencil On Panel © E Oliver
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Strange Flower, 2010 Digitally Re Mastered Oil On Steel 20 X 20 Inches © 2010, Eric Oliver
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Town Square, 2010 Digitally Re Mastered Oil On Steel 20 X 20 Inches © 2010, Eric Oliver
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Yellow Ribbon, 2016 Metal Print 15 X 20in © Eric Oliver
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Stepping Stones, 2012 Digitally Re Mastered Baked Oil On Steel
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Baked Alaska, 2012 Digitally Re Mastered Baked Oil On Steel © Eric Oliver
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Lunchtime Under the Brooklyn Bridge, 1989 Palladium Print 10 X 8in © Eric Oliver
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Double Back at Sunset, May 2015 Digitally Remastered Paint On Film © Eric Oliver
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Daybreak at Thunder Hole, 2016 Metal Print 15 X 20in © Eric Oliver
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Queensboro, 2016 Photography © Eric Oliver
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East River View, 2016 Photography © Eric Oliver
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UTP: ATL, 2017 Photography © Eric Oliver
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UTP: NYC, 2016 Photography © Eric Oliver
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Quick Facts
Birthplace
NYC
Works in
Los Angeles/Atlanta/New York
Schools
Stanford University, 1990, AB - Studio Art/Photography
Tags
large format photography modern traditional modern, abstract impressionism mixed-media painting, photography, digital, abstract
Statement

I am a visual artist currently working in Los Angeles, Atlanta, and New York. I work in a variety of media--often based on convenience and what's most readily available. Most of the work I do is the product of a (seemingly) life-long interest in observing my environment (usually urban) and not(ic)ing where and when nature and technology are bound in both conflict & cooperation and could, in fact, be considered one in the same.

My close ties with the film industry (I have worked as a DGA assistant director for film & television since the early 1990s) continue to provide me with great opportunities for creating unique and interesting work for use by art departments as props & set dressing or for inclusion in personal and business collections.