Bigindicator

Fay Biegun

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Destruction of the Arc, 2014 Oil on Canvas 48 X 38 X 1.3 Inches © Biegun 2014
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Arc to the Gates of Hope, 2012 Oil on Canvas 44 X 34 X 1.3 Inches © Biegun 2012
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Return From the High Place1 (Triptych), 2012 Oil on Canvas 27 X 72 X 1.3 Inches © Biegun 2012
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Exchange: Dedication to Gilad Shalit, 2012 Oil on Canvas 44 X 36 X 1.3 Inches © Biegun 2012
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Peace: Hope for the Arab Spring, 2011 Oil on Canvas 48 X 36 X 1.3 Inches © Biegun 2011
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Tropical Sky 1, 1992 Oil on Canvas 36 X 36 X 1.3 Inches © Biegun 1992
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Tropical Sky 2, 1992 Oil on Canvas 36 X 36 X 1.3 Inches © Biegun. 1992
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Montauk Lighthouse, 2001 Oil on Canvas 40 X 56 X 1.3 Inches © Biegun 2001
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Fire Island, 1990 Oil on Canvas Diptych 36 X 72 X 1.3 Inches © Biegun 1990
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Planting Fields Arboretum, Oyster Bay, NY, 1989 Oil on Canvas 40 X 56 X 1.3 Inches © Biegun 1989
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Swans on Carman's River 1, 1987 Pastel on Board 29-1/2" X 39-1/2" X 1/4" Inches © Biegun 1987
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Bison on Prairie, 2001 Oil on Canvas 48 X 68 X 1.3 Inches © Biegun 2001
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Inner Child..Angry Child, 1994 Oil on Canvas 36" X 32" © 1994
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Inner Child..By the Pond, 1994 Oil on Canvas 40" X 60" © 1994
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Inner Child..Contentiousness, 1994 Oil on Canvas 40" X 60" © 1994
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Destruction of the Arc 2, 2015 Oil on Canvas 44 X 48 X 2 Inches © Biegun 2015
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Unraveling, 2015 Oil and Pastel on Canvas 38 X 48 X 2 Inches © Biegun 2015
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Breach, 2015 Acrylic and Oil on Canvas 48 X 36 X 2 Inches © Biegun 2015
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Street Fight, 2015 Acrylic and Oil on Canvas 36 X 48 X 2 Inches © Biegun 2015
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Quick Facts
Birthplace
New York, New York
Birth year
1948
Lives in
West Sayville, NY
Works in
West Sayville, NY
Schools
Pratt Institute, Brooklyn
Parsons School of Design
Tags
fine art, fashion, graphic design, painting, drawing, abstract, figurative, mixed-media, design
Statement

Inspired by the world around me,  provoked by emotional, spiritual and intellectual questions,  I use a variety of media and styles to connect different aspects of reality,  producing works of art that stretch the imagination.  Themes range from the simple depiction of a real location to the description of a psychological state, to abstract political commentary, and, as in my latest series, to the examination of mystical structures, which exist similarly in most cultures, and, that, through geometry and archetypal concepts, are used to clarify the meaning of man's existence.