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GR Martin

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20150604193146-preacher
Preacher, 2015 Arylic/canvas 36x42
20150604174922-khurim
Khurim, 2014 Arylic/canvas 32x40
20150604175156-incarnate
Incarnate, 2014 Acrylic/canvas 22x32 © 2014
20150604174959-untethered
Untethered, 2012 Acrylic/canvas 24x36 © 2012
20150604175037-adagio_fb
Dior , 2015 Acrylic/canvas 24x30 © 2015
20150604180117-deliverance
Deliverance, 2015 Acrylic/canvas 40x60 © 2015
20150604180735-highplains
High Plains, 2012 Acrylic/canvas 40x60 © 2012
20150604180743-minervasowl
Minerva's Owl, 2012 Acrylic/canvas 40x60 © 2012
20150604180751-release
Release, 2012 Acrylic/canvas 40x60 © 2012
20150604182702-country_mirth
Country Mirth, 2012 Acrylic/canvas 40x60 © 2012
20150604182817-midwinterspring
Mid-Winter Spring, 2012 Acrylic/canvas 38x48 © 2012
20150604180542-photo
Quick Facts
Birthplace
Marin County
Birth year
1969
Lives in
San Anselmo
Works in
San Francisco
Schools
University of California Santa Cruz, 1992, BA
Representing galleries
Hanson - Sausalitio, Slate Contemporary - Oakland, SFA Taipei Taiwan
Tags
Greg, martin, gr, ballast, California, butterflies, ucello, surreal, emergence
Statement

I was taught perspective when I was ten. Telephone poles trailing off into the horizon, forming a zigzag pattern I’ve since forgotten. I was fascinated with the concept of perspective and applied it to all my drawings until the feeling for it came naturally. I started to love drawing and spent days on a single image, perfecting its placement and detail. Later, I started painting, and from the beginning found a deep satisfaction

I describe my style as offbeat realism. Realism with just enough of the stage out of place to make the viewer pause. I try to express whimsy and solitude through subtle and poignant imagery and am drawn to paint big, open spaces. The vast sky over the Colorado high plain with its enormous, multi-layered clouds or Marin County’s rolling open hills is where I like to begin, never knowing where it will lead.

I think of painting as a skill acquired through practice and a painting’s composition as the measure of an artwork. As such, I put a lot of time into the composition of each painting. I look for balance between interaction and space and try to express meaning through a veil of ambiguity. I’ll have an idea, roughly put it on paper and pin the sketch to the wall opposite my easel.  For several days, I’ll turn from my current painting to the sketch and work out its composition. When it’s complete, I’ll transfer the sketch to a canvas and move forward with it as I complete the other.

Exhibited with these artists
Exhibited at these venues
GR Martin has Exhibited at these venues: