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Keith O. Anderson

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20180717085544-africa-_wood__cotton_duck_canvas_and_cowrie_shells-_2018__4_copy
"Africa, cotton duck canvas, wood and cowrie shells", 2018 12 X 14 X 5 In © Keith O. Anderson
20180717085542-give_up_the_pussy_girl_2018___2_copy
"GIVE UP THE PUSSY GIRL", 2018 Wood, Stencil Letters, Archival Glue And Match Heads. Dimensions Vary © Keith O. Anderson
20180728082717-_black_like_me_-_drop_cloth_retyrieved_from_the_garbage__archival_glue_and_paint_residue-_34_x_53_in-_2018
"Black Like Me", 2018 Drop Cloth Retrieved From The Garbage, Archival Glue, Paint Residue And China Marker. 34 X 53 In © Keith O. Anderson
20180802154948-_close_up_-_black_like_me-_34_x_53_in_-_2018_copy
Close Up, "Black Like Me", 2018 34 X 35 In. © Keith O. Anderson
20180802161524-_1
"By Far"- , 2017 - 2018 Burnt Marks, Broken Glass And Wood Frame. 38 X 31 In © Keith O. Anderson
20180812052313-_johannes_vermeer_is_an_artist_i_greatly_appreciate_-_colored_pencil__china_marker_and_burnt_marks_-_58_x_58_in-_2018_copy_2
"Johannes Vermeer is an artist I greatly appreciate", 2018 Colored Pencil, China Marker, Burnt Marks And Raw Cotton Duck Canvas. 58 X 58 In © Keith O. Anderson
20180812052311-_close
'Close Up", Johannes Vermeer is an artist I greatly appreciate", 2018 Colored Pencil, China Marker, Burnt Marks And Raw Cotton Duck Canvas. 58 X 58 In © Keith O. Anderson
20180804014006-_these_are_not_my_colors_-_discarded_painted_drop_cloth__and_burnt_marks-_53_x_69_1_2_in-_2018__1
"These are not my colors", 2018 Discarded Painted Drop Cloth And Burnt Marks. 53 X 69 1/2 In. © Keith O. Anderson
20170701171720-sitting_on_this_bench_waiting_and_hoping_i_will_meet_a_poet_today_2017
"Sitting on this bench waiting and hoping that I will meet a poet today", 2017 Black Wrap Aluminum Foil, China Marker And Fire Residue. 47 1/2 X 70 In © Keith O. Anderson
20170501201116-i_brought_a_pyramid_from_egypt_to_our_first_meeting-_acrylic_paint__cloth_napkins_and_wood-_22_7
'I brought a Pyramid from Egypt to our first meeting", 2017 Acrylic Paint, Cotton Cloth Napkins, China Marker And Mdf Board. 22 7/8 X 22 In. © Keith O. Anderson
20170402001729-img_0891
"Hummingbirds are considered anti-social", 2017 Match Sticks, Ashes, Debris, Sawdust And Wood. 9 X 60 X 2 1/2 Inches. © Keith O. Anderson
20171231021428-two_men_fighting-_archival_glue_and_wood-_48_x_49_x_2_12_in-_2017
"Two men fighting", 2017 Wood And Archival Glue Residue 48 X 49 X 2 1/2 In. © Keith O. Anderson
20180301170844-i_hope_i_did_not_go_over_the_70lb_limit
"I hope I did not go over the 70 lb limit when it comes to matters of the heart", 2017 Postal Bag, Spray Paint, Primer And Acrylic Paint. 44 X 23 In. © Keith O. Anderson
20180301170854-one_of_the_ancient_maps
"One of the ancient maps of the world", 2017 Aluminum And Burnt Marks. 21 X 7 In . © Keith O. Anderson
20180102212733-nom__l_objet_bol__2_2017
Nom, L'objet et usage: Le bol pour les offrandes, 2017 Envelope, China Marker, Fire Residue, Lipstick And Pencil. 21 X 7 In . © Keith O. Anderson
20180728071841-baxter_st_group_exhibition_installation_view___2_copy
Group Exhibition , 2017 Baxter Street Gallery New York, NY Installation View Felt Pads On Skin Dimensions Vary © Keith O. Anderson
20160613163831-fullsizerender_copy
"Playground closes at dusk", 2016 Plaster(Prepared By Artist), Burnt Marks, Wood And Light Bulb. 13 X 15 In (Sculpture), 17 3/8 X 23 1/2 In (Wood Support) © Keith O. Anderson
20180101190625-encircled_by_things_we_love__2016
"Encircled by things we love", 2016 Burnt Matches And Ashes. Dimensions Vary. © Keith O. Anderson
20170612171958-from_the_book_of_tao-_archival_masking_tape__fire_ressidue_and_black_wrap_foil-_sculpture_11_x_14_x_15_in__sheet_of_black_wrap_foil-_38_x_39
"From the book of Tao", 2016 Archival Masking Tape, Black Wrap Aluminum Foil And Fire Residue. Sculpture, 11 X 14 X 15 In, Sheet Of Black Wrap Aluminum Foil 38 X 391/2 In. © Keith O. Anderson
20170416195835-for_nico__because_2015
"For Nico, because............. ", 2015 Archival Masking Tape On Window. 79 X 117 In. © Keith O. Anderson
20161214225051-for_nico__because
"For Nico, because..." (Detail), 2015 Archival Masking Tape On Window. 79 X 117 In. © Keith O. Anderson
20180219171054-mon_premier_livre_de_poesie__dry_raisins__book__and_primer__11_x_8_x_3_in__2014-2017___reephotoshopped
"Mon premier livre de poesie", 2014-17 Dry Raisins, Book, Primer And Fabric. 11 X 8 X 3 In © Keith O. Anderson
Quick Facts
Birthplace
Miami. Fl
Lives in
New York
Works in
New York
Schools
Tags
sculpture, mixed-media, installation, photography
Statement

 

 EDUCATION:

 1981-82  Parsons School of Design, New York, NY

 1981-82  Art Students League, New York, NY

 1986-87  Fashion Institute of Technology, New York, NY

 

 RESIDENCY+ GRANT:    

 2018      Trestle Art Residency, Brooklyn, NY

 2014      Bronx Museum, Artist in the Marketplace, Bronx, NY

 2008      Urban Artists Initiative/NYC Fellowship  

 

 SOLO EXHIBITIONS:

 2010      What Becomes of a Broken Heart, Cindy Rucker Gallery, New York, NY

               Taller Boricua, Latino Cultural Center, New York, NY, Curated by Christine Licata   

 2005      I Space Gallery, Chicago, IL

 2002      Chicago Cultural Center, Chicago, IL

 1990      Galerie du Jour, Agnes b. Paris, France

   

SELECTED GROUP EXHIBITIONS:

 2017        BAXTER ST AT CCNY, New York, NY Curated by Andrianna Campbell

                 BEAT, Bronx Art Space, Bronx NY, Curated by Stephanie Lindquist

 2015        Approaching- 273 15°C, academic Gallery, LIC, NY, Curated by Michael Sarff 

                 AIM Biennial, The Bronx Museum of Art, Bronx, NY 

 2014        Ten- 10 curators/100 Artworks, Cindy Rucker Gallery, New York, NY

                 KNOW WHO YOU ARE AT EVERY AGE,Curated by Q_Raider with BDGRMMR,Bronx Art Center                        

 2012        GET IT ON THE RECORD, Visceglia Gallery, Caldwell College, NJ Curated by Yulia Tikhonova

 2010        Dreamtime overtones from a fantastic brown planet, Aljira, Newark,Curated by Edwin Ramoran

                 Slide Slam, Real Artways, Hartford, CT

 2009        Everywhere, Nowhere, Somewhere... Powerhouse Memphis, Curated by Rehema Barber

                 THE HAPPENING: Kinesics as Art Object, Rush Arts Gallery, NY Curated by Nico Wheadon

                 SCOPE International Art Fair, Rush Arts Gallery, NY

                 Glass Case Exhibition Series, Rush Arts Gallery, NY, Curated by Nico Wheadon                            

 2008        OTHER, OTHER...... Longwood Art Gallery, Bronx, NY, Curated by Wanda Raimundi-Ortiz

 2007        Material Culture, Longwood Art Gallery, Bronx, NY, Curated by Juanita Lanzo

 2006        Flattened, Evanston Art Center, Evanston, IL

 2002        Transcending the Common, Klein Art Works, Chicago, IL

                 Contemporary Abstraction, Klein Art Works, Chicago, IL

                16th Evanston and Vicinity Biennial Evanston Art Center, Evanston, IL

 1999        Salon Montrouge, Paris, France

 1997        Aeroports de Paris, Paris, France

 1990        Art Junction International Nice, (Galerie du Jour, Agnes b.) Nice, France

 1989        FIAC  International Art Fair, Galerie du Jour, Agnes b. Paris, France      

   

 BIBLIOGRAPHY: 

 2017        Musee Magazine, Annual Juried Exhibition at The Camera Club, Katie

                 Heiserman

                 Body and Transformation at Baxter Street AT CCNY, PDN (Photo District News)

 2015        The Cool Conceptualism of Artworks at Absolute Zero, HYPERALLERGIC, Patrick Neal

                 Emerging Artists take the Bronx, Time Out New York, Dana Varinsky

 2013        Peripheral ARTeries online Magazine, November   

                 Reading and recording of On Kawara, "One Million Years", Dia Art Foundation      

                 American Academy in Rome News Features, Glendalys Medina Draws a 

                 Alphabet inspired by Graffitti

 2009        Powerhouse exhibits shows global impact of pop conventions, The Commercial

                 Appeal, Bill Ellis

 2006        Flattened, Time Out Chicago, Lauren Weinberg

                 WEEKEND, Chicago Sun-Times, Margaret Hawkins

 2005        ON THE TOWN, Chicago Tribune, Alan G. Artner

                 Chicago Home & Garden, Linda Clipton

 1999        A Contre-Pied (Salon Montrouge), Le Figaro, Michel Nuridsany