Keith O. Anderson

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"Africa, cotton duck canvas, wood and cowrie shells", 2018 12 X 14 X 5 In © Keith O. Anderson
"GIVE UP THE PUSSY GIRL", 2018 Wood, Stencil Letters, Archival Glue And Match Heads. Dimensions Vary © Keith O. Anderson
"Black Like Me", 2018 Drop Cloth Retrieved From The Garbage, Archival Glue, Paint Residue And China Marker. 34 X 53 In © Keith O. Anderson
Close Up, "Black Like Me", 2018 34 X 35 In. © Keith O. Anderson
"By Far"- , 2017 - 2018 Burnt Marks, Broken Glass And Wood Frame. 38 X 31 In © Keith O. Anderson
"Johannes Vermeer is an artist I greatly appreciate", 2018 Colored Pencil, China Marker, Burnt Marks And Raw Cotton Duck Canvas. 58 X 58 In © Keith O. Anderson
'Close Up", Johannes Vermeer is an artist I greatly appreciate", 2018 Colored Pencil, China Marker, Burnt Marks And Raw Cotton Duck Canvas. 58 X 58 In © Keith O. Anderson
"These are not my colors", 2018 Discarded Painted Drop Cloth And Burnt Marks. 53 X 69 1/2 In. © Keith O. Anderson
"Sitting on this bench waiting and hoping that I will meet a poet today", 2017 Black Wrap Aluminum Foil, China Marker And Fire Residue. 47 1/2 X 70 In © Keith O. Anderson
'I brought a Pyramid from Egypt to our first meeting", 2017 Acrylic Paint, Cotton Cloth Napkins, China Marker And Mdf Board. 22 7/8 X 22 In. © Keith O. Anderson
"Hummingbirds are considered anti-social", 2017 Match Sticks, Ashes, Debris, Sawdust And Wood. 9 X 60 X 2 1/2 Inches. © Keith O. Anderson
"Two men fighting", 2017 Wood And Archival Glue Residue 48 X 49 X 2 1/2 In. © Keith O. Anderson
"I hope I did not go over the 70 lb limit when it comes to matters of the heart", 2017 Postal Bag, Spray Paint, Primer And Acrylic Paint. 44 X 23 In. © Keith O. Anderson
"One of the ancient maps of the world", 2017 Aluminum And Burnt Marks. 21 X 7 In . © Keith O. Anderson
Nom, L'objet et usage: Le bol pour les offrandes, 2017 Envelope, China Marker, Fire Residue, Lipstick And Pencil. 21 X 7 In . © Keith O. Anderson
Group Exhibition , 2017 Baxter Street Gallery New York, NY Installation View Felt Pads On Skin Dimensions Vary © Keith O. Anderson
"Playground closes at dusk", 2016 Plaster(Prepared By Artist), Burnt Marks, Wood And Light Bulb. 13 X 15 In (Sculpture), 17 3/8 X 23 1/2 In (Wood Support) © Keith O. Anderson
"Encircled by things we love", 2016 Burnt Matches And Ashes. Dimensions Vary. © Keith O. Anderson
"From the book of Tao", 2016 Archival Masking Tape, Black Wrap Aluminum Foil And Fire Residue. Sculpture, 11 X 14 X 15 In, Sheet Of Black Wrap Aluminum Foil 38 X 391/2 In. © Keith O. Anderson
"For Nico, because............. ", 2015 Archival Masking Tape On Window. 79 X 117 In. © Keith O. Anderson
"For Nico, because..." (Detail), 2015 Archival Masking Tape On Window. 79 X 117 In. © Keith O. Anderson
"Mon premier livre de poesie", 2014-17 Dry Raisins, Book, Primer And Fabric. 11 X 8 X 3 In © Keith O. Anderson
Quick Facts
Miami. Fl
Lives in
New York
Works in
New York
sculpture, mixed-media, installation, photography



 1981-82  Parsons School of Design, New York, NY

 1981-82  Art Students League, New York, NY

 1986-87  Fashion Institute of Technology, New York, NY



 2018      Trestle Art Residency, Brooklyn, NY

 2014      Bronx Museum, Artist in the Marketplace, Bronx, NY

 2008      Urban Artists Initiative/NYC Fellowship  



 2010      What Becomes of a Broken Heart, Cindy Rucker Gallery, New York, NY

               Taller Boricua, Latino Cultural Center, New York, NY, Curated by Christine Licata   

 2005      I Space Gallery, Chicago, IL

 2002      Chicago Cultural Center, Chicago, IL

 1990      Galerie du Jour, Agnes b. Paris, France



 2017        BAXTER ST AT CCNY, New York, NY Curated by Andrianna Campbell

                 BEAT, Bronx Art Space, Bronx NY, Curated by Stephanie Lindquist

 2015        Approaching- 273 15°C, academic Gallery, LIC, NY, Curated by Michael Sarff 

                 AIM Biennial, The Bronx Museum of Art, Bronx, NY 

 2014        Ten- 10 curators/100 Artworks, Cindy Rucker Gallery, New York, NY

                 KNOW WHO YOU ARE AT EVERY AGE,Curated by Q_Raider with BDGRMMR,Bronx Art Center                        

 2012        GET IT ON THE RECORD, Visceglia Gallery, Caldwell College, NJ Curated by Yulia Tikhonova

 2010        Dreamtime overtones from a fantastic brown planet, Aljira, Newark,Curated by Edwin Ramoran

                 Slide Slam, Real Artways, Hartford, CT

 2009        Everywhere, Nowhere, Somewhere... Powerhouse Memphis, Curated by Rehema Barber

                 THE HAPPENING: Kinesics as Art Object, Rush Arts Gallery, NY Curated by Nico Wheadon

                 SCOPE International Art Fair, Rush Arts Gallery, NY

                 Glass Case Exhibition Series, Rush Arts Gallery, NY, Curated by Nico Wheadon                            

 2008        OTHER, OTHER...... Longwood Art Gallery, Bronx, NY, Curated by Wanda Raimundi-Ortiz

 2007        Material Culture, Longwood Art Gallery, Bronx, NY, Curated by Juanita Lanzo

 2006        Flattened, Evanston Art Center, Evanston, IL

 2002        Transcending the Common, Klein Art Works, Chicago, IL

                 Contemporary Abstraction, Klein Art Works, Chicago, IL

                16th Evanston and Vicinity Biennial Evanston Art Center, Evanston, IL

 1999        Salon Montrouge, Paris, France

 1997        Aeroports de Paris, Paris, France

 1990        Art Junction International Nice, (Galerie du Jour, Agnes b.) Nice, France

 1989        FIAC  International Art Fair, Galerie du Jour, Agnes b. Paris, France      



 2017        Musee Magazine, Annual Juried Exhibition at The Camera Club, Katie


                 Body and Transformation at Baxter Street AT CCNY, PDN (Photo District News)

 2015        The Cool Conceptualism of Artworks at Absolute Zero, HYPERALLERGIC, Patrick Neal

                 Emerging Artists take the Bronx, Time Out New York, Dana Varinsky

 2013        Peripheral ARTeries online Magazine, November   

                 Reading and recording of On Kawara, "One Million Years", Dia Art Foundation      

                 American Academy in Rome News Features, Glendalys Medina Draws a 

                 Alphabet inspired by Graffitti

 2009        Powerhouse exhibits shows global impact of pop conventions, The Commercial

                 Appeal, Bill Ellis

 2006        Flattened, Time Out Chicago, Lauren Weinberg

                 WEEKEND, Chicago Sun-Times, Margaret Hawkins

 2005        ON THE TOWN, Chicago Tribune, Alan G. Artner

                 Chicago Home & Garden, Linda Clipton

 1999        A Contre-Pied (Salon Montrouge), Le Figaro, Michel Nuridsany