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Yvonne Rainer

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20100907015446-move_choregraphy
A Response to the Present   Pick-button-f22fa879042524f5c7b8d2278b2983b8
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Trisha Brown, Tania Bruguera, William Forsythe, Simone Forti, Isaac Julien, Mike Kelley, Wayne McGregor, Robert Morris, Bruce Nauman, Yvonne Rainer, La Ribot, Tino Sehgal at Hayward Gallery October 13th, 2010 - January 9th, 2011
Posted 1/2/11
The challenge with participatory art practices is to elicit and motivate a physical response from a viewing body that have a “no touch” attitude ingrained in their viewing practice. Even the name 'visual art' references a distanced relationship with the object. Visual is related to the act of seeing, not touching, nor moving really. The current Hayward exhibition Move Choreographing You examines seminal works and new comissions from the last 50 years, along with performative works and actions... [more]
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OCMA's California Biennial on View Through March 15  
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Michael Arcega, Edgar Arceneaux, The Backroom, My Barbarian, Kelly Barrie, Justin Beal, Walead Beshty, Andrea Bowers, Jedediah Caesar, Sarah Cain, Bruce Conner, Einar and Jamex de la Torre, Felipe Dulzaides, Sam Durant, Marcos Ramirez ERRE, ESL (Esthetics as a Second Language), Morgan Fisher, Piero Golia, Gronk, Karl Haendel, Mark Hagen, Skylar Haskard, Patrick "Pato" Hebert, Evan Holloway, Margaret Honda, Jordan Kantor, Mary Kelly, Tony Labat, D'nell Larson, Elad Lassry, William Leavitt, Matt Lucero, Shana Lutker, Daniel Joseph Martinez, Rodney McMillian, Julio Cesar Morales, Raymond Pettibon, Journal of Aesthetics and Protest, Yvonne Rainer, Marco Rios, Amanda Ross-Ho, Aaron Sandnes, Anna Sew Hoy, High Desert Test Sites, Jim Skuldt, Kara Tanaka, Joel Tauber, Ruben Ortiz Torres, Erika Vogt, Mary Weatherford, Lauren Woods, Brenna Youngblood at Orange County Museum of Art (OCMA) October 26th, 2008 - March 15th, 2009
Posted 10/25/08
It has been a rough start to the new millennium, and sadly art survey shows have failed to reflect the context in which art makers and viewers live. Thankfully Lauri Firstenberg of LAXART has remedied the disconnect with the 2008 California Biennial. Before you walk in the door, Sam Durant's banners (in English and Spanish) hijack the OC's civic-boosterism-via-banner-blight, by reminding residents that their comfortable homes were built by the sweat of an undocumented workforce, on a piece of... [more]
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