Bigindicator

Leemour Pelli

Profile  |  Artworks  |  For Sale  |  Exhibitions  |  Network  |  Comments
20130112164851-heartchoicesi
Heart Choices I , 2012 Oil on Canvas 30” X 24” © Leemour Pelli
20130112165044-heartchoicesii
Heart Choices II , 2012 Oil on Canvas 30” X 24” © Leemour Pelli
20130112165153-anatomicalsituationb
Anatomical Situation , 2012 Oil on Canvas 48” X 36” © Leemour Pelli
Almost-sightthoughts2
Almost-sight thoughts, 2009 Oil on Canvas 60 X 48 X 2 Inches
Untitled272res
Untitled, 2010 Oil on Canvas 60" X 48" © leemour pelli
Untitled_couplei_csml
Untitled(CoupleI), 2007 Oil on Canvas 70 X 54 X 2 Inches
Untitled_coupleii_csml
Untitled(CoupleII), 2007 Oil on Canvas 70 X 54 X 2 Inches
Crowsbest1300res_allblackbest
Untitled(Crows)After the Painted Bird, 2007 Pigmented Cast Hydrostone 99”h X 18” W X 6 1/2”d Each Bird Total Ten Birds. © Leemour Pelli
Hearts72res
Untitled (Hearts), 2007 Cast Concrete Paint 10L” X 5”W X 5”H Each Heart. Face Is 10”L X 6” W X 4”d Total Size Can Be Approximately: 60”L X 15”D X 30”W © Leemour Pelli
Hearts
Untitled(Black Heart, White Heart), 2007 Pigmented Polyester Resin 10L” X 5”W X 5”H Each Heart. © Leemour Pelli
Blacklungs
Lungs, 2007 Pigmented Polyester Resin, Cast Hydrostone 10 1/2” X 10” X 5 1/2” Lungs Face Is 8”L X 6”W X 3 ½”D Lungs and Face Together: 18 ½”L X 10”W X 5 ½”D © Leemour Pelli
Almost-timethoughts
Almost-time Thoughts, 2010 Oil on Canvas 60 X 48 X 2 Inches © Leemour Pelli
Eastwardonewesttheotherjpg
East-ward one, West the Other, 2010 Oil on Canvas 60 X 48 X 2 Inches © leemour pelli
Thisismycreationbest
This is my Creation, 2009 Oil on Canvas 60 X 48 X 2 Inches © leemour pelli
Passio
Passio, 2007-2009 Oil on Canvas 60 X 48 X 2 Inches © leemour pelli
Untitledbest
Untitled, 2010 Oil on Canvas 60 X 48 X 2 Inches © leemour pelli
Thedarkestever
The Darkest Ever, 2009 Oil on Canvas 60 X 48 X 2 Inches © leemour pelli
Collapseoflovec
Collapse of Love, 1007 Oil on Canvas 60 X 48 X 2 Inches © leemour pelli
Yourheartisinmysoulc
Your Heart is in my Soul, 2008 Oil on Canvas 48 X 36 X 2 Inches © leemour pelli
Twoskeletonsonaayinmayi300
Two Skeletons on a day in May I, 2006 Oil on Canvas 60 X 48 X 2 Inches © leemour pelli
Twoskeletonsonadayinmayiic
Two Skeletons on a day in May II, 2006 Oil on Painting 60 X 48 X 2 Inches © leemour pelli
Heart_attacks_i
Heart Attacks, 2006 Oil on Canvas 20 X 16 X 1 Inches © leemour pelli
Heart_attacks_ii
Heart Attacks II, 2006 Oil on Canvas 20 X 16 X 1 Inches © leemour pelli
Untitled_coupleii_cc
Untitled (CoupleII), 2008 Oil on Painting 14 X 11 X 1 Inches © leemour pelli
Crowsbest1300res_allblackbest
Untitled(Crows) After the Painted Bird, 2007 Cast Pigmented Hydrostone 9 X 18 X 6 1/2 Inches © leemour pelli
Hearts300res
Untitled(Hearts), 2007 Cast Concrete, Paint 10 X 6 X 4 Inches © leemour pelli
Hearts
Blacklungs
Lungs, 2007 Pigmented Polyester Resin 10 X 10 X 5 1/2 Inches © leemour pelli
Thisismycreationbest
This is my Creation, 2009 Oil on Canvas 70 X 54 X 2 Inches © leemour pelli
Untitled_skeletons_c
Untitled(Skeletons), 2007 Oil on Canvas 70 X 54 X 2 Inches © leemour pelli
Untitledc
Untitled, 2007-8 Oil on Canvas 48 X 36 X 2 Inches © leemour pelli
20110329233127-love-mirrorlatex
© Leemour Pelli
20130112201954-heartchoicesi72res
20130112202038-heartchoicesi
Heart Choices I, 2013 Oil on Canvas 30 X 24 X 2 Inches
20130112202648-heartchoicesii
Heart Choices II, 2013 Oil on Canvas 24 X 30 X 2 Inches
20130112203231-ilovedarttoomuchi
I loved Art Too Much I, 2010 Bandages, Artist's Blood, Mixed Media on Paper 30 X 22 X 1 Inches
20130112203645-heartchoicesi
Heart Choices I, 2010 Oil on Canvas 30 X 24 X 1 Inches
Quick Facts
Birthplace
New York City
Lives in
New York
Works in
New York
Schools
The School of Visual Arts, 1994, B.F.A.
Hunter College
Representing galleries
Annina Nosei Gallery, Project Space NYC
Tags
figurative, sculpture, conceptual, psychological, Poetic, mixed-media, installation, abstract
Statement

Leemour Pelli is an artist living and working in New York City. She is a graduate of the School of Visual Arts (B.F.A., painting, 1994), Hunter College (Master of Arts degree in Art History,1989), and the Hebrew University of Jerusalem (B.A. in English Literature). She has also studied at the Bezalel Academy of Art in Jerusalem, the Ecole Nationale Superieure des Beaux-Arts, in Paris, and at Cornell University.  In the 2008, the artist had her first solo exhibition at the Daneyal Mahmood Gallery in New York. Her other recent solo exhibitions include two solo shows at the Annina Nosei Gallery in New York in 2004 and 2005, and in 2003 at the Art Gallery of the University of Central Florida in Orlando. The University published a catalogue, and produced a mini-documentary about the artist and her work. Pelli’s recent exhibitions also include the Kinz Tillou and Feigen Gallery, and the Paul Rodgers Gallery in New York, the Whitney Museum of American Art at Champion, Connecticut, PS1 Institute of Contemporary Art, Long Island City, Spaces Contemporary Art Center in Ohio, and the Artcore Gallery in Toronto. Her work has been reviewed in ArtForum (2008), Art News, The New York Times, New York Arts Magazine, Tema Celeste, and The Globe and Mail, among other publications.

Artist's Statement:

I work in the media of Painting, Sculpture, installations, works on paper and prints.

My work is a reflection on contemporary reality. In it I explore fundamental social and psychological aspects of the human condition, in relation to human perception and interaction.

In some of my work, which is poetically figurative in its style, I focus on manifesting not only what the eye can see – but what one can not always see, or what I call “almost sight.” I try to show what makes us blind, or try to make our blindness seen, by examining not only the visible aspects of reality, but also the limited nature of one’s perception(s). That is, I explore a basic collapse or failure of sight in human perception.

This collapse and failure also brings forth and leads to other failures and complications in the domain of human experience. The works are at times x-rays of life, or x-rays of figures or situations, at times palimpsests, in which I try to show how contemporary modern man is somehow limited – in his/her vision(s), relationships, and in their selves. In the work I also explore the nature of the self as an individual, and that of being contextualized in a space that involves others/relations and the power of time. The human figure, or human landscape, is explored in an anatomical and poetic way – as a place of memory and transformation, whether good or bad, real or imaginary.

The world and figures depicted in it appear to be skeletal, they are, to reference a poem by Ted Hughes, “Almost a person.” They are only partially there, perhaps broken, hidden, fragile, failing – longing, loving, parting, basically changing and transforming through the space of time and the “skeletons” one acquires. At times, their internal organs fail them – or over power them – sending them out of control – metaphorically speaking, or other’s organs fail them or over them, etc.

The work also, at times, draws inspiration from literature and poetry, such as the writings of Samuel Beckett, and Ted Hughes. Characters and personas that may resemble those in some of their writings, are re-created and used in a theatrical series of works.

Though the work consists of single figures or couples, it may be said that larger issues concerning the break down or malfunctioning of human relations and humanity itself are invoked.  A general failure at connection is evident. Indeed, the work is about fundamental collapse: of contemporary social conventions, perceptions, relationships, and individuals' internal and exterior worlds.

Upcoming group show:

March 1-31, 2013: "I AM MY WORLD" curated by David Gibson

No Sphere Arts Gallery on the LES 

251 E Houston Street