Julie Garner

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Listen , 2008 Handwoven Archival Pigment Prints 19 X 36 Inches
Back Story , 2009 Archival Woven Photographs 21 X 60 Inches
Door 11, 2010 Handwoven Archival Pigment Prints 14 X 33
Feedmill, Petaluma, 2010 Archival Woven Photographs 14 X 48 Inches
Sugar Factory, 2008 Handwoven Archival Pigment Prints 36 X 30 Inches
Construction, 2011 Handwoven Archival Pigment Prints 44 X 49.5
Wood, Inc. , 2011 Archival Woven Photographs 34 X 32
Pier 28, 2012 Archival Woven Photographs 20 X 52
Edge of Sky, 2010 Archival Photographs, Collage 17 X 22
Diamond Sky , 2010 Archival Photographs, Collage 16 X 28
Fragile, Awkward, Valuable, 2012 Woven Archival Photographs 24 X 30
Hand Iron , 2012 Woven Archival Photographs 24 X 30
The Chess Players, 2013 Woven Archival Photographs 23 X 26
Artichoke Fields, 2014 Woven Archival Photographs 20 X 66 Inches
Hollywood Billiards, 2014 Woven Archival Photographs 18.5 X 46 Inches
Balboa, 2014 Collaged Pigment Prints 25 X 25
Shattuck, 2014 Collaged Pigment Prints 25 X 25
Miracle Mile, 2014 Collaged Pigment Prints 25 X 25
So California, 2015 Woven Pigment Prints 21 X 24
The Good Omen (I see a ship on the horizon), 2015 Woven Archival Pigment Prints 24 X 24
Quick Facts
San Francisco
Lives in
San Rafael, CA
Works in
San Rafael, CA
mixed-media, landscape, photography

The focus of my artwork is the constructed places that surround us daily.  I'm interested in their details, scale and the juxtapositions they present relative to our movement in and around them.  I believe we are deeply affectedby them, both positively and negatively.  I seek to tap into what I percieve at each place's unique attitude and portray them in a way that amplifies their presence and, consequently, ours in relation to them.  I incorporate multiple viewpoints into each final image because this is similar to how our eyes and minds absorb our surroundings.  I'm trying to effect a journey in a still image.  

I developed a technique inspired by my study of tapestry weaving.  Each artwork involves several photographs taken from multiple angles and, if possible, different heights (e.g. from a stairway or parking structure).  “Back Story” incorporates twenty-two separate images while most of the others involve approximately ten to fifteen. Once the final images are selected I print two of each and cut them into 3/8” strips which become the warp and weft.  Use of perspective distortions enables me to achieve a sense of kineticism, or as I think of it, bring the buildings to life.  For example, "Back Story" is intended to show structures in a state of inhalation and exhalation.  

A second series involves weavings that are made from photographs of shop window signs, mostly hand-painted and weathered.  I consider these to be personal artifacts and beacons of the small businesses found in most neighborhoods.  As with the woven landscapes, I am interested in reflecting on our manmade, constructed environment.  

Most recently I have turned my focus to a series of still lifes.  Using the same technique to reflect multiple perspectives and, drawing inspiration from the great cubists and collagists, to tell stories embodied in the objects we collect and that hold our personal fables and histories.  



Julie V. Garner


1982   Post-graduate degree, Emory University, Atlanta, Georgia

1978 Undergraduate degree, San Francisco State University, SF, California

2008-2012   Arts Education: KALA Institute, College of Marin, SF Center for the Book, Lucid Arts Foundation




Fiberarts International 2016, Pittsburgh, PA


Sebastopol Center for the Arts,  Fiber Arts VII, Sepastopol, CA

1337 Gallery, Fiber, San Rafael, CA

Digital exhibition at Waterfront Hotel, Oakland, CA through Daylighted, SF

Exhibition at offices, Oakland, CA through Slate Gallery, Oakland


Modernbook Gallery, Approaching the Unreal, San Francisco, CA

San Jose Museum of Quilts & Textiles, TECHstyle Art Biennial 3, San Jose, CA

LACDA, 10 Artists To Watch, Los Angeles, CA

Bedford Gallery, Sky, Walnut Creek, CA


Arc Gallery, Structure, SF, CA  *Juror's Choice Award

Studio Gallery, Waterfront, SF, CA

ProArts, Bay Area Currents, Oakland, CA

The Brower Center, Almost Together, Berkeley, CA

Studio Gallery, City Streets, San Francisco, CA 

Museum of the Living Artist, 52nd International Exhibition, San Diego, CA   *Digital Art Guild Award 


Solo Exhibit:  Woven Photographs of Constructed Landscapes, Bolinas Museum,  Bolinas, CA

Thoreau Center for Sustainability, 57 Degrees, San Francisco, CA

Arc Gallery, Consequences, San Francisco, CA (catalogue) 


Castell Gallery, Manipulated,  Asheville, North Carolina

Marin Community Foundation, Collective Actions: Works of 12 Marin Art Groups, San Rafael, CA

Falkirk Cultural Center, RE: Value, San Rafael, CA 

Abercrombie Gallery, 24th McNeese Works on Paper, Lake Charles, LA  *Juror's Mention

Belvedere-Tiburon Library, Artifacts & Evidence, Solo exhibit, Tiburon, CA


Heart Gallery, FotoObscura, San Francisco, CA

Root Division, Double Dip, San Francisco, CA  

Falkirk Cultural Center, Annual Juried Exhibition, San Rafael, CA

Sanchez Art Center, 1 in 100:  America Behind Bars, Pacifica, CA (Plexus Art Group)

Artworks Downtown, Mosaics, San Rafael, CA

Gallery Route One, Annual Exhibition, Point Reyes, CA

Bayshore Studios, ARTsoup Encore, San Francisco, CA


Berkeley Art Center, Juried at BAC: Works on Paper, Berkeley, CA

O’Hanlon Center for the Arts, Bay Area Women Artists, Mill Valley, CA

Frank Bette Art Center, Alameda On Camera, Alameda, CA,  *Jurors Award: Best of Show

Olive Hyde Gallery, 41st Annual Textile Exhibition, Fremont, CA


Art Works Downtown, The Prison Project: 1 in 100, San Rafael, CA (Plexus Art Group)

Marin MOCA, PaperWORKS! Novato, CA

O’Hanlon Center for the Arts, For The Love Of Fiber, Mill Valley, CA


Bolinas Museum, The Miniature Show, Bolinas, CA



Plexus Art Group (founding member;




Phone:  415-453-3083





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