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Massimo Vitali

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Piazza di Spagna, 2007 Chromogenic Print, Mounted to Dibond Plexi 72 X 86 in © Courtesy of Artist and Bonni Benrubi Gallery, New York
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Blooemendaal Sdraiata (#0826), 2001 Chromogenic Print on Diasec Mounted to Dibond With Aluminum Brace Verso Signed, Dated, Numbered and Titled on Mount Verso, 72 X 86 in © Courtesy of the artist and M+B, Los Angeles
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Vecchiano Norte, 1999 © Massimo Vitali
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© Courtesy of the artist & Bonni Benrubi Gallery
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Learn Park 80 X 100cm © Massimo Vitali
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Mermaids Coney Island, 2008 220 X 180 Cm © Massimo Vitali
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Scala dei Turchi 4, Sicily (#3852) , 2009 Chromogenic Print Signed, Dated and Numbered Verso 72 X 86 Inches, Edition of 6 © Courtesy of the Artist and M+B
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Vulcano Mud-cettina Capricci, Sicily, Italy, 2008 Photograph 180 X 220 Cm © Courtesy of the artist and Galerie du Jour agnes b., Paris
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Scala dei Turchi , 2009 C Print 220 X 180 Cm or 180 X 150 Cm Edition of 6 © Courtesy of the Artist and Brancolini Grimaldi
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© Courtesy of the artist & Bonni Benrubi Gallery
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© Courtesy of the artist & The Bonni Benrubi Gallery
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Between Normalities Exhibition © ©Massimo Vitali/Courtesy of Bonni Benrubi Gallery, NYC
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Lençois Lagoa do Peixe, Brazil (#4663), 2012 Chromogenic Print With Diasec Mount 74 X 92 Inches © Massimo Vitali/Courtesy of Bonni Benrubi Gallery, NYC
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VW Lernpark 2, 2001 © Courtesy of Tate Modern
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Lençois Laguna do Peixe, 2013 Impressão Fotográfica Sobre Metacrilato 195 X 239cm © Courtesy of the Artist and Baró Galeria
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Cala Mariolu Coda, 2014 Light-jet Print From Negative Scan on Photographic Paper 180 X 220 Cm © courtesy the artist and Ronchini Gallery
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Quick Facts
Birthplace
Como, Italy
Birth year
1944
Lives in
Lucca, Italy and Berlin, Germany
Works in
Lucca, Italy and Berlin, Germany
Statement

Massimo Vitali is an italian photographer. He studied photography in London and first worked as a photojournalist in the 1970s and then worked later as a movie camera operator.

It was not until the 1990's that Vitali acquired international renown for his large-scale photographs of Italian beaches and other public spaces showing anonymous people during their leisure time.

Vitali’s works have been interpreted as a contemporary version of landscape paintings, reinterpreted through photography.

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