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Shaun McDowell

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None Shall Sleep, 2013 Oil on Board 113x113x5 Cm © Courtesy of the Artist and Hannah Barry Gallery
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Beware  the  invitation  , 2013 Oil on Board 80 X 80 X 5.5 Cm © Courtesy of the Artist and Hannah Barry Gallery
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Seeking  Venus , 2013 Oil on Board 60 X 60 X 3 Cm © Courtesy of the Artist and Hannah Barry Gallery
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Hunter’s  Lodge , 2013 Oil on Board 60 X 60 X 3 Cm © Courtesy of the Artist and Hannah Barry Gallery
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© Courtesy of the Artist and Hannah Barry Gallery
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Loverman  , 2013 Oil on Board 113 X 113 X 5 Cm © Courtesy of the Artist and Hannah Barry Gallery
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Mount  Hermon  (once  a  cedar) , 2013 Oil on Board 113 X 113 X 5 Cm © Courtesy of the Artist and Hannah Barry Gallery
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© Courtesy of the Artist and Hannah Barry Gallery
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© Courtesy of the Artist and Hannah Barry Gallery
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© Courtesy of the Artist and Hannah Barry Gallery
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Wildcard , 2013 Oil on Board 80 X 80 X 5.5 Cm © Courtesy of the Artist and Hannah Barry Gallery
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Carousel  , 2013 Oil on Board 26 X 21 X 3 Cm © Courtesy of the Artist and Hannah Barry Gallery
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© Courtesy of the Artist and Hannah Barry Gallery
Quick Facts
Birthplace
Sussex, UK
Birth year
1981 
Lives in
London
Works in
London
Representing galleries
marcelle joseph projects, Hannah Barry Gallery
Statement

 

Shaun McDowell CV

(b. 1981 Sussex, UK)

 

Selected Exhibitions

 

2014        

Save yourself! (curator) with Saul Adamczewski, Marie Jacotey, R. Crumb,, Evgenij

Kozlov, Pavel Pepperstein, Rose Wylie Hannah Barry Gallery, Peckham, London (forthcoming)

MOONS MASKS BIRDS DEMONS, Hannah Barry Gallery, Peckham, London (solo)  En­trée, Middlemarch, Brussels 

 

2013

Paint As You Like And Die Happy!, Fokidos, Athens (catalogue)

PECKHAMNEWYORKPARIS, Galerie 104 Kleber, Paris (for FIAC)

PECKHAMNEWYORKPARIS, Shoot The Lobster/Martos Gallery, New York

PECKHAMNEWYORKPARIS, 88 Friary Road, Peckham, London

 

2012          

The Souvenir, Hannah Barry Gallery, New Bond Street, London (solo)

 

2011          

New Paintings, Hannah Barry Gallery, Peckham, London (solo)

Nothing Fixed (curator) with Howard Hodgkin, Alice Browne, Varda Caivano, Raoul de

Keyser, Christopher Green, Ralph Hunter­Menzies, Wendy McLean, Marcelle Josephs Projects, London

The Tangled Grove, Brickhouse at Nutbrook Studios, Peckham, London (solo) (catalogue)

 

2010                 

Visible, Invisible: Against the Security of the Real, Parasol Unit Foundation for

Contemporary Art, London

The Discerning Eye, The Mall Galleries, London

 

2009

To Paint is to Love Again, Hannah Barry Gallery

The Peckham Pavilion, 53rd Venice Biennale

 

2008          

Confessions and Love Pictures, Hannah Barry Gallery, London (solo)

Optimism: The Art of Our Time, Hannah Barry Gallery, London (catalogue)

Bold Tendencies 2, Peckham, London

 

2007          

A Year of Exhibitions: Monumental Painting, Sculpture & Film; Building and Breaking:

Drawing in Pencil;  Experiments with Figuration; Landscape, Film and Photography; Small Paintings and Sculpture, 78 Lyndhurst Way, Peckham 

 

2006          

10 Rooms and a Sculpture Garden, 78 Lyndhurst Way, Peckham

The Gateless Gate, (curator) with Wayne Bruce, Yuki Kumagai, Shaun McDowell, 

Hirofumi Sekijima, Amit Sharma, Untitled Generation, Peckham

Turtle, Chelsea Space, London

Spontaneous Academy, Architects Association, London

Rehearsing/Samuel Beckett, Chelsea Space, London (catalogue)

 

Selected Press

 

2013          

Michael Nottingham, Many shades of happiness, Metal Magazine

David Killen, British Painting is back, Prospect Magazine

 

2012          

Jackie Wullschlager, Shaun McDowell: The Souvenir, Financial Times

  

2011          

Critics’ Choice, Nothing Fixed, Financial Times

 

2010

Charles Darwent, Perceptions of memory go beyond pastiche, Independent on Sunday Ossian Ward, Critics' Choice, Time out

 

2009          

Jackie Wullschlager, A force that has driven art for 100 years, Financial Times

Laura McLean Ferris, First View, Art Review.com

Jackie Wullschlager, Paint it like Peckham, Financial Times

 

2008

Critics’ Choice, Confessions and Love Pictures, Financial Times

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