Bigindicator

Allan Wash

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20131106052349-calor_del_tiajuana-lg
Medina, 2008 Acrylic on Canvas 30 X 40 © copyright, Wash Creative, Inc. 2009
Satiation-30x40_acrylic_2009
Satiation, 2007 Acrylic on Canvas 30 X 40 © Copyright, Wash Creative, Inc. 2007
Wash1
Marrakesh, 2006 Acrylic on Canvas 30x40 © copyright, Wash Creative, Inc. 2006
Evolution_blue_034
evolution blue, 2007 Acrylic on Canvas 60x60" © Wash Creative, Inc. 2007
Wash5
Bearing Aqua, 2007 Acrylic on Canvas 40x60 © copyright, Wash Creative, Inc. 2007
709_of_the_sea
Of The Sea, 2008 Acrylic on Canvas 30x30 © copyright, Wash Creative, Inc. 2008
Embrace_028
Embrace, 2006 Acrylic on Canvas 36 X 24" © Copyright, Wash Creative, Inc. 2007
Womanf2
Woman, 2009 Bronze Sculpture 8x4x16" © copyright, Wash Creative, Inc. 2009
706_inspiration
inspiration, 2007 Bronze Sculpture 7.5 X 16.5 X 7.5" © copyright, Wash Creative, Inc. 2007
701_at_peace
peace, 2006 Bronze Sculpture 11 X 6.5 X .75" © copyright, Wash Creative, Inc. 2007
Beautiful_machinery_012_
beautiful machinery, 2007 Acrylic on Canvas 30 X40"
Juicy_iii_030
juicy III, 2006 Acrylic on Canvas 65 X 32" © copyright, Wash Creative, Inc. 2007
Man___woman
man & woman, 2008 Acrylic on Canvas 36 X 72" © copyright, Wash Creative, Inc. 2007
708_melon
melon, 2007 Acrylic on Canvas 30 X 30" © copyright, Wash Creative, Inc. 2007
El_fuego008
el fuego, 2006 Acrylic on Canvas 36 X 26" © copyright, Wash Creative, Inc. 2007
Duality_005
duality, 2006 Acrylic on Canvas 48 X 48" © copyright, Wash Creative, Inc. 2007
Neon_nude021
neon nude, 2005 Acrylic on Canvas 30 X 40" © copyright, Wash Creative, Inc. 2007
Origins_009
origins, 2006 Acrylic on Canvas 30 X 40" © copyright, Wash Creative, Inc. 2007
Samba_014
samba, 2005 Acrylic on Canvas 10 X 14" © copyright, Wash Creative, Inc. 2007
Love_of_papaya_033
love of papaya, 2000 Acrylic on Canvas 48 X 48" © copyright, Wash Creative, Inc. 2007
Ego_with_icons036
ego with icons, 2003 Acrylic on Canvas 60 X 36" © copyright, Wash Creative, Inc. 2007
Red-dream
red dream, 2003 Acrylic on Canvas 30 X 40" © copyright, Wash Creative, Inc. 2007
Tiajuana_heat026
tiajuana heat, 2006 Plaster, Wire, Acrylic on Canvas 40 X 30" © copyright, Wash Creative, Inc. 2006
Gemini_003
gemeni, 2012 Acrylic on Canvas 30 X 40" © copyright, Wash Creative, Inc. 2006
Tangier025
tangier, 2004 Acrylic on Canvas 30 X 40" © copyright, Wash Creative, Inc. 2006
Sacrifice023
sacrifice, 2005 Acrylic on Canvas 71 X 36" © copyright, Wash Creative, Inc. 2006
Tango_noir_006
tango noir, 2003 Acrylic on Canvas 30 X 40" © copyright, Wash Creative, Inc. 2006
Bodylanguage
body language, 2004 Acrylic on Canvas 30 X 40" © copyright, Wash Creative, Inc. 2006
Ambivalance_017
ambivalance, 2004 Acrylic on Canvas 30 X 40" © copyright, Wash Creative, Inc. 2006
803_sol_y_sombre
sol y sombre, 2009 Plaster, Sheet Metal, Acid, Acrylic on Mdf 30 X 48" © copyright, Wash Creative, Inc. 2006
Papaya
love of papaya, 2004 Acrylic on Canvas 48 X 48 X 1.5 Inches © Allan J. Wash, copyright, 2005
Elfuego_copy
el fuego, 2006 Acrylic on Canvas 36 X 26 X 1.5 Inches © Allan J. Wash, copyright, 2007
20101018091914-inspiration_bronze_2008
inspiration, 2008 Bronze 17 X 8 X 7 Inches © Allan J. Wash, copyright, 2008
20101101184146-corrida_blue
20101101184305-kingqueen
King & Queen, 2007 Acrylic on Canvas 40 X 30 X 1.5 Inches © Allan J. Wash, copyright, 2007
20101101190127-medina
Medina, 2009 Acrylic on Canvas 30 X 40 X 1.5 Inches © Allan J. Wash, copyright, 2009
20101101211129-duality
duality, 2006 48 X 48 X 1.5 Inches © Allan J. Wash, copyright, 2007
20101102164749-embrace
embrace, 2006 Acrylic on Canvas 40 X 28 X 1.5 Inches © allan wash copyright 2006
20101102165607-cognition
cognition, 2009 Acrylic on Canvas 40 X 30 X 1.5 Inches © allan wash copyright 2009
20101102170024-majorca
mallorca, 2007 Acid Etched Steel, Nails, Acrylic Paint on Mdf Panel 29.5 X 48 X 2.5 Inches © allan wash copyright 2008
20101111205428-zanzibarr
zanzibar, 2009 40 X 30 X 1.5 Inches © allan wash copyright 2009
As_cropped20101111205115-neonnuder
neon nude, 2005 Acrylic on Canvas 40 X 30 X 1.5 Inches © allan wash copyright 2009
20101111204633-cognitionr
cognition, 2009 Acrylic on Canvas 40 X 30 X 1.5 Inches © Allan J. Wash, copyright, 2009
As_cropped20101111210210-tangiersr
tangiers, 2007 Acrylic on Canvas 40 X 30 X 1.5 Inches © allan wash copyright 2008
20101111212605-predatorr
gemini, 2006 Acrylic on Canvas 40 X 30 X 1.5 Inches © allan wash copyright 2006
20110125132515-majorca
Majorca, 2008 Acrylic on Canvas 29.5 X 40 X 2.5 Inches © wash Creative, Inc. 2009
20110905085140-rose_prayer1
Offering, 2011 Acrylic, Gold Dust, Varnish,on Canvas 20x30" © allan wash copyright 2011
20110905085307-guitarblue
Guitar Blue, 2011 Acrylic on Canvas 30 X 40 X 1.5" © copyright allan wash 2011
20130817203919-artportfolio4-30b_2
20130817204312-mirror_027
20130817204434-duality_005
20130817205352-gamut_011
20130817205411-beautiful_machinery_012_
20130817205442-body_language
20130817205614-love_of_papaya_033
20130817205650-rednude
Esoteric II, August 2013 Acrylic on Canvas 30 X 30- X 1.5 Inches © copyright wash creative 2013
20130817212428-roseprayerdk
20130817213424-washvision__3_
Origins, 2009 Acrylic on Canvas 40 X 30 X 1.5 Inches © wash creative 2009
20130817214751-womanf2
20131107235013-kingdom-lg
Kingdom, 2004 Acrylic on Canvas 40 X 30 X 1.5 Inches © allan Wash 2004
20130817221146-sol_sombre
Allanw
Quick Facts
Birthplace
LaCrosse
Lives in
San Diego
Works in
San Diego
Schools
Minneapolis School of Art, MFA
University of Minnesota/Minneapolis Studio Art, BFA
Representing galleries
Museum of Chianciano, Camden Gallery/Paris, france, GAGLIARDI GALLERY, London
Tags
neo-primitive painting, modern painting, abstract, figurative, sculpture, mixed-media, conceptual
Statement

My process probes linkages to primitive cultures, symbology and “spiritual magic” striving to discover the power of primal graphic cues and truth.  This path tends to contradict societal mass consumption, media overload and technology obsession.  My work explores “tribalism” and a love for primitive honesty, the patinated walls of fading paint, the brilliant colors of Mexico and muted earth tones of rural Spain, the utter simplicity of Africa and the convoluted complexity of the Middle East. I want my art to reawaken the primal connectivity that offers commonality to us all and to open other’s thoughts to the foundational origins that all art springs from. I believe in a beauty that reflects pure, unadulterated, vision, untarnished by  consumerism, superficial academic art criticism –– this can open up new thoughts and perceptions about what we are, where we are going and what we want our societies to be.  If my art stands apart, it is from whatever honesty, spontaneity, free expression is realized in my work. Painting/Sculpture for me is not a consciously developed process manufactured to be a “sensation, a scandal, a polemic, a mass audience event.”  I can only paint as I feel, paint what I like, what I love, what brings joy and pleasure to me.

Evoking Spirit: The Intuitive Transformations of Allan Wash

Written by: Peter Wiley

Certain timeless motifs that occur again and again in native cultures worldwide inform the art of Allan Wash, whose compelling acrylic paintings can be seen at Agora Gallery, 530 West 25th Street.

As a boy, during the notoriously cold winters of his native Minnesota, Wash dreamed of tropical climes and exotic cultures. Later, he traveled the world and became enamored of art and artifacts that, as he puts it, reflect "a pure, unadulterated vision." Although he holds an MFA from Minneapolis School of Art, and garnered over 160 awards in the course of a distinguished career as a graphic designer, as a fine artist Wash has been able to sidestep the pitfalls of sophistication and create paintings that unlike those of A.R. Penck and other "neo-expressionists" who reduce the primitive to a mere mannerism are refreshingly unbeholden to the trends and fashions of today. More in the manner of the original Expressionists, Wash draws energy from primal sources.

The influence of masks and totems comes across prominently in paintings such as "Triangle" and "Origins." In the former, the nearly monochromatic palette enhances the power of the angular figures. Central to the composition is a figure resembling a formidable female deity. She is flanked by mask-like faces and jagged shapes possibly derived from tribal designs. Yet the picture appears to present a subjective interpretation of indigenous themes, rather than specific aspects of a particular tribe or culture. It is the deliberate expression of a man with very evident grasp of the civilized traditions he has rejected on principle and the ability to combine them with more intuitive methods in a highly evocative synthesis of opposites. In "Origins," the forms are more rounded than those in "Triangle" and the painting's combination of visceral red and earthy brown hues, mediated by areas of blue, further enhances its sensuality. Again, a female figure dominates the composition as its central motif. Only here, as opposed to in the previous work, her flowing contours suggest a goddess of fertility. While the entire composition of another powerful acrylic on canvas is filled by a mask-like face possessed of a decidedly primitive power, the title suggests an emotion more prevalent in civilized cultures: "Ambivalence." Similarly, the acrylic painting that Wash calls "Red Dream" encompasses crosses, hearts, birds, fish, and other starkly simplified symbols; yet the figure occupying the center of the composition is not at all primitive-looking. Rather, it is more akin to Modigliani's sensual female nudes, with its elongated torso and warm red colorations. Indeed, its full-frontal pose and outspread arms bespeak a certain abandon that one rarely encounters amid the ritualistic patterns of primitive art. Similarly, the angular distortions of the Mexican street scene "Tijuana Heat" recall Tamayo, while the pictographic forms of "Majorca" are akin to the early semi-abstract works of Rothko and Gottlieb.

As all serious artists must no matter how respectful they may be of indigenous sources and no matter how much they may endeavor to emulate their immediacy Wash filters tribal iconography through a highly original modern sensibility, and thus frees it from its inherent superstitions, taboos, and aesthetic limitations. What he gives us, finally, is the spiritual power of such imagery, albeit translated into universal symbols that speak eloquently across cultural boundaries.

CV

 

 

Exhibitions: 

Museum of Chianciano Biennale 2011

Three works by San Diego artist Allan J. Wash have been selected for exhibition in the Chianciano Biennale 2011. This prestigious curated museum exhibition is organized by the Chianciano Art Museum in Tuscany. It gathers selected well-known and emerging artists from all over the world, in the second most important Art Biennale in Europe after the Venice Biennale.

 This exhibition is an opportunity for established as well as emerging artists to gain visibility at the international level, a challenging competition and an artistic event of notable quality. Talented artists are selected from all around the world with nations ranging from Chile to India, Australia to Germany and the USA to the Philippines with over 10,000 visitors.The exhibition is staged over the second week of September and includes over 10,000 visitors, art lecturers, international TV coverage, parades and ceremonies for the opening and closing awards, wine tastings, a charity wine auction and celebratory parties and dinners. 

Three paintings accepted for exhibition at the Salon La Societe Nationale des Beaux Arts to be held in the Paris Louvre Art Complex. Societe Nationale des Beaux Arts SNBA highlights the multiplicity of trends in contemporary art and vitality. In the heart of Paris, in addition to French artists, this show hosts delegations from Brazil, Canada, People's Republic of China, the Republic of Korea, Spain, U.S., Japan, Turkey, Italy , United Kingdom, Switzerland, Germany.

 

Awards & Achievements:

Artslant Award — 6th Annual, 2010 Showcase Winner, Sculpture

 Artslant Award — 7th Annual, 2013 Showcase Winner, Sculpture

Biannale of Chianciano 2011 — Award for Artistic Merit, 3 paintings

Exhibition La Societe Nationale des Beaux Arts — Paris Louvre Art Complex, 3 paintings accepted for international exhibit

Trustee, Board of Directors, California Center for the Arts

Director Museum Committee, California Center for the Arts

Published book “Vision,” exploration of Wash’s photography & influence on painting

Over 160 awards for creativity in graphic design

 

Education: 

Minneapolis School of Art/University of Minnesota, BFA, Communications/Fine Arts