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Bill Radawec

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Not, FLW, 2008 Mixed Media 5" X 5" X 1" © yes
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Not, A. Lincoln, 2008 Mixed Media 4" X 6" X 1" © yes
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Out of the Blue, the Turn Around, 2007 Acrylic on Canvas 12" X 9" © yes
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Out of the Blue, the Turn Around, 2007 Colored Pencil on Paper 11" X 14" © yes
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Out of the Blue, the Turn Around, 2007 Acrylic on Canvas 24" X 23" © yes
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Out of the Blue, the Turn Around, 2007 Acrylic on Canvas 25" X 12" © yes
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Installation at Summit Art Space, 2007 Contrail Paintings, Drawings, and Fake Surveillance Camera Detail View © yes
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Installation at Summit Art Space, 2007 Contrail Paintings, Drawings, and Fake Surveillance Camera Detail View © yes
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A Study, 2006 Wood, Latex Paint, HO Scale Figures 3" X 6 3/16" X 3 3/16" © yes
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A Study, 2005 Wood, Latex Paint, HO Scale Figures 2 1/8" X 6 3/16" X 3 3/16" © yes
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A Study, 2005 Wood, Latex Paint, HO Scale Figures 4" X 6 3/16" X 2 3/16" © yes
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A Study, 2006 Wood, Latex Paint, HO Scale Figures 4" X 1 3/16" X 2 15/16" © yes
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A Study, 2005 Wood, Latex Paint, HO Scale Figures 4" X 5 1/2" X 1 15/16" © yes
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"A Study" Installation at raw & co gallery, 2005 Wood, Latex Paint, HO Scale Figures Detail View of Installation © yes
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"A Study" Installation at raw & co gallery, 2005 Installation Detail View of Left Wall Detail View © yes
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"A Study" Installation at raw & co gallery, 2005 Installation Detail View of Right Wall Detail View of Installation © yes
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Model for "In the Basement" Installation at Irvine Fine Art Center, 2003 Latex Paint, Wood on Paper Mounted on Foam Core Detail View © yes
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"In the Basement" Installation at Irvine Fine Art Center, 2003 Latex Paint, Wood, Nails, and Wall Detail View of Installation © yes
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"In the Basement" Installation at Irvine Fine Art Center, 2003 Latex Paint, Wood, Nails, and Wall Detail View of Installation © yes
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Color Chip Installation at Shaheen Modern and Contemporary Art , 1999 Large Wall: Latex on Canvases, Small Wall: Latex on Paper Detail View of Installation © yes
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Color Chip Installation at Shaheen Modern and Contemporary Art , 1999 Small Wall: Color Chips on Paper, Large Wall: Latex on Canvases Detail View of Installation © yes
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Never-Never, Desire, 1998 Latex Paint on Paper 21" X 17" © yes
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Sweet Touch, Sweet Pea, Splash, 2002 Latex Paint on Paper 21" X 17" © yes
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Meditation, Hesitation, Unbelievable, Temptation, 2002 Latex Paint on Paper Drawing: 21" X 17", Painting: 24" X 18" © yes
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Regal, Crown, Tapestry, Party Hat, 2002 Latex Paint on Paper Drawing: 21" X 17", Painting: 24" X 18" © yes
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Crack-Up (kitchen, left of outside door), 1997 Latex Gloss Enamel Navajo White Paint, Pencil, Colored Pencil, Correction Ink on Paper 21" X 16 1/4" © yes
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Crack-Up (kitchen, left of outside door), 1997 Latex Gloss Enamel Navajo White Paint, Pencil, Colored Pencil, Correction Ink on Paper 21" X 16 1/4" © yes
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Crack-Up (bedroom, right of window), 1999 Latex Gloss Enamel Navajo White Paint, Pencil, Colored Pencil, Correction Ink on Paper 17 3/4" X 14" © yes
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Crack-Up (bedroom, left of door), 1997 Latex Gloss Enamel White Paint, Colored Pencil, Correction Ink on Paper 20 7/8" X 10 1/8" © yes
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Retro, the Sequal, 1997 Latex Paint, Spray Paint, Foam Core, Hardware on Paper 30" X 22" X 1 1/2" © yes
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Soul Patch, 1996 Fake Grass, Acrylic on Wood 10 13/16" X 10 13/16" © yes
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small soul, patch, 1999 Colored Pencil on Paper Mounted on Wood 6 7/8" X 6 7/8" © yes
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Soul Patch, the Sequel, 1998 Colored Pencil on Paper Mounted on Wood 8 7/8" X 8 7/8" © yes
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Walking Stick, the sequel, 2000 Colored Pencil and Wood on Paper 30 5/8" X 3" © yes
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Walking Stick, the sequel, 2000 Colored Pencil and Wood on Paper 30 1/8" X 6 1/4" © yes
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Walking Stick, 2000 Fake Tree, Fake Grass, Wood, and Acrylic 42 1/2" X 6" X 5 1/2" © yes
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Walking Stick, 2000 Fake Tree, Fake Grass, Wood, and Acrylic 44 1/2" X 2" X 5 1/2" © yes
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Pete's Sake, 1992 Wood 26" X 19" X 3" © yes
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For Pete's Sake, the Sequel, 1992 Pencil on Paper, Vinyl Lettering 30" X 22" © yes
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Wired, (Another Basket Case), 1996 Steel, Chain, Hardware, Epoxy Chrome, Wood Dimensions Variable © yes
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Ring Dance, 2003 Latex Paint on Wood, Silver Ring 3" X 1 1/2" Xz 1" © yes
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Wall, Stop, 1994 Cast Iron, Arcylic 6" X 4" X 4" © yes
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Nose Dive, 1992 Latex Paint on Wood 3 1/2" X 1 1/4" X 1" © yes
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Stuck Again, 1996 Colored Pencil and Wood on Paper 13 1/2" X 7 3/8" © yes
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Touched, 1994 Cast Iron, Steel 3" X 3 1/2" X 4 1/2" © yes
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Tree Service Exhibition, July 12 - August 9, 2008 Group Exhibition
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A Study, 2010 HO Scale Figures, Acrylic Paint,decals,pencil, Wood 4 X 6 13/16 X 2 3/16 Inches © Bill Radawec
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We're Not in Kansas Anymore, May 7-30 2010 Installation View © copyright by Bill Radawec
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We're Not in Kansas Anymore, May 7-30, 2010 Installation View © Copyright by Bill Radawec
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A Study, May 7-30, 2010 HO Scale Figures, Acrylic, Pencil, Wood Detail View © Copyright by Bill Radawec
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A Study, May 7-30, 2010 HO Scale Figures, Acrylic, Decals, Pencil, Wood 4 X 6 13/16 X 2 3/16 Inches © Copyright by Bill Radawec
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A Study, May 7-30, 2010 HO Scale Figures, Acrylic, Decals, Pencil, Wood 4 X 6 13/16 X 2 3/16 Inches
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A Study, May 7-30, 2010 HO Scale Figures, Acrylic, Decals, Pencil, Wood 4 X 6 13/16 X 2 3/16 Inches © Copyright by Bill Radawec
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A Study, May 7-30, 2010 HO Scale Figures, Acrylic, Decals, Pencil, Wood, Paper Detail View © Copyright by Bill Radawec
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A Study, May 7-30, 2010 HO Scale Figures, Acrylic, Decals, Pencil, Wood, Paper Detail View © Copyright by Bill Radawec
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A Study, May 7-30, 2010 HO Scale Figures, Acrylic, Decals, Pencil, Wood Detail View © Copyright by Bill Radawec
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A Study, May 7-30, 2010 HO Scale Figures, Acrylic, Decals, Pencil, Wood Detail View © Copyright by Bill Radawec
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A Study, May 7-30, 2010 HO Scale Figures, Acrylic, Decals, Pencil, Wood Detail View © Copyright by Bill Radawec
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We're Not in Kansas Anymore, May 7-30, 2010 Laser Print, Wood on Paper 9 X 12 Inches © Copyright by Bill Radawec
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A Study, May 7-30, 2010 Laser Print, Wood on Paper 9 X 12 Inches © Copyright by Bill Radawec
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A Study, May 7-30, 2010 Laser Print, Wood on Paper 10 X 8 Inches © copyright by Bill Radawec
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Quick Facts
Representing galleries
Bill Radawec
Tags
sculpture, installation
Statement




Bill Radawec has accumulated many years of art experience from curating, creating and selling works

of art. He received his postgraduate art studies at the University of New Mexico. Since 1983, Radawec

has curated exhibitions for several organizations including Deutsche Bank, New York, Ikron Ltd./Kay

Richards Contemporary Art, Santa Monica, California, Richard Heller Gallery, Santa Monica,

California, Huntington Beach Art Center, California, and Museum of Contemporary Art, Cleveland.

Radawec has served as Co-Director at 1529 Wellesly, Director of domestic setting, Los Angeles, and

Creative Director of superior (exhibition space), Cleveland. Radawec exhibited at the New Museum for

Contemporary Art, New York, POST, Los Angeles, Roberts and Tilton, Los Angeles, Shaheen Modern &

Contemporary Art, Cleveland, Irvine Fine Arts Center, California, Cleveland Art Museum, and Cleveland

Public Theater. Publications of Radawec's work and art galleries are written about in Art in America,

artnet magazine, Artforum, Art News, Works on Paper, Flash Art, Sculpture, Art in Auction, Art Papers,

L.A. Weekly, Los Angeles Times, Free Times, Cleveland Plain Dealer, San Francisco Chronicle, Chicago

Reader, Coagula Art Journal, Akron Beacon Journal, Scene, The News Herald, zingmagazine,

zerodegreeart.com, artext, Kultur, Art press, Vision, Artweek, and The New York Times. Radawec's

gallery at 1529 Wellesly, Los Angeles was featured on CNN. PRI's Studio 360, Matt Holzman

interviewed Radawec on their Hurricane, Earthquake, Godzilla show. Radawec's artwork is included in

numerous private and public collections including the Akron Museum of Art, University Hospitals of

Cleveland, Monsanto Corporation, Chicago, Cedars-Sinai Medical Center, Los Angeles, and the

Progressive Collection, Cleveland.