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Random International

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Rain Room, 2012 Installation View © © Felix Clay. Rain Room - Random International 2012. Courtesy of Barbican Art Gallery
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Swarm Study VI / Small Swarm, 2014 Leds, Brass Rods, Custom Electronics, Corian, Sound / Motion Sensors 192 X 372 X 623 Mm
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What It Isn’t, 2014 Glass Vials, Custom Machined Brass Rings, Vibration Motor, Custom Circuit Board, Custom Driver Software and Hardware, Behavioral Algorithm, Computer 444 Pendants in a 12 X 37 Grid
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Tower: Instant Structure for Schacht XII, 2013 Site Specific Commission Urbane Künste Ruhr, RuhrTriennale
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Future Self: Opening Night Performance, April 28th, 2012 Mixed-media Dimensions Variable © Nils Krüger
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International Artists of all disciplines, Rembrandt Art Market
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International Artists of all disciplines, Rembrandt Art Market
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International Artists of all disciplines, Rembrandt Art Market
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Rain Room, 2012 Water, Injection Moulded Tiles, Solenoid Valves, Pressure Regulators, Custom Software, 3D Tracking Cameras, Steel Beams, Water Management © Courtesy of the artist and MoMA, New York
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Rain Room , 2012
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Temporary Printing Machine 2011
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Audience
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Swarm Light , 2010
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Cold Cathode Fluorescent Study II, 2015
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FAR scenography , 2010
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Self Portrait , 2010
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Self Portrait , 2010
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What It Isn't , 2014
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Swarm Study III, 2011
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Fly , 2011
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Study Of Time / I, 2011
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You Fade To Light , 2009
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Study For A Mirror , 2008
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Study of Sunlight Video , 2012
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Tower: Instant Structure for Schacht XII,, 2013
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Tower: Instant Structure for Schacht XII, 2013
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Study for Fifteen Points / I, 2016 Motors, Custom Driver Electronics, Custom Software, Aluminium, Leds, Computer 71.2 Cm X 55.2 Cm X 60.6 Cm (28-1/16" X 21-3/4" X 23-7/8") © Courtesy of the Artist and Pace Gallery
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Quick Facts
Birthplace
UK
Birth year
2005
Lives in
London
Works in
London
Schools
Brunel University, 2002, BSc Product / Industrial Design Engineering
Royal College of Art, London, 2005, MA Design Products, MA Interaction Design
Statement

Founded in 2005, Random International is a collaborative studio for experimental practice
within contemporary art. Taking science as a means to develop a new material vocabulary,
their work invites consideration of the man/machine relationship with the viewer as an active
participant. In the decade following the studio's inception, the focus of Random International’s
artistic practice has continuously evolved and today encompasses sculpture, performance,
and installation on an architectural scale.