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Cats

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20171030162037-steinlinvb-700x450
Théophile-Alexandre Steinlen: Winter: Cat on a pillow (L’hiver, Chat sur un coussin), 1909 Color Lithograph On Wove Paper, Promised Gift Of Frank Raysor, Fr.6002.3 © Courtesy of Virginia Museum of Fine Arts
Cats

200 N. Boulevard
Richmond, Virginia 23220-4007
November 17th - March 4th, 2018
Opening: November 17th 10:00 AM - 9:00 PM

QUICK FACTS
WEBSITE:  
http://www.vmfa.museum
EMAIL:  
visitorservices@vmfa.museum
PHONE:  
804.340.1506
OPEN HOURS:  
Sat-Wed 10-5; Thu-Fri 10-9

DESCRIPTION

Multifaceted artist Théophile-Alexandre Steinlen—at once illustrator, painter, printmaker, and sculptor—spent most of his life in Montmartre, the picturesque epicenter of many avant-garde movements. During his career, which spanned the transition from Art Nouveau to Modernism, Steinlen both produced highly accomplished fine art prints, and also illustrated politically liberal journals, song sheets, restaurant menus, books, and advertisements. His best-known work—the cabaret advertisement La Tournée du Chat Noir, the 1896 poster featuring a black cat silhouetted against a burnt orange background—is now an icon of the “poster craze” circa 1900.

 

At the Bodinière

Théophile-Alexandre Steinlen French, born Switzerland (1859-1923), At the Bodinière (À la Bodinière), 1894 book, lithograph printed in black and orange inks on wove paper, Promised Gift of Frank Raysor, FR.6002.14

 

This feline-themed exhibition of thirty-two works, comprising both highly stylized as well as tender, realistic images, aims to revive the understanding of and appreciation for Steinlen’s uncanny eye and sinuous line. Though this exhibition focuses exclusively on Steinlen’s images of cats, it also explores his artistic growth as he experimented with a range of styles, such as Realism, Japonisme, Art Nouveau, and Post-Impressionism, over the course of his career.

Steinlen: Cats coincides with the University of Richmond’s exhibition Steinlen: Humanity (Nov 30, 2017–Mar 30, 2018), which examines the artist’s humanitarian, social, and political themes. Both exhibitions, which were conceived as complementary,  produced in collaboration, and meant to be seen in tandem, involved the efforts of members of the museum and academic communities of VMFA and the University of Richmond, as well as Virginia Commonwealth University.

All works in this exhibition are from the Frank Raysor Collection, a generous ongoing gift to VMFA.

This exhibition is dedicated to the memory of Maxine Hornung.

Curated for VMFA by Dr. Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, with Taylor M. Dean, Art History/Museum Studies, Virginia Commonwealth University.