Thresholds: MOCRA at 20 - Part Two
Please note: MOCRA will be closed to the public May 19 - June 15
On February 14, 1993, the Museum of Contemporary Religious Art (MOCRA) opened as the world’s first interfaith museum of contemporary art. Housed in a spacious chapel that was used for over thirty-five years by Jesuits studying philosophy at Saint Louis University, MOCRA has mounted nearly fifty exhibitions and presented the work of more than two hundred artists who hail from across the globe and whose art represents a genuine engagement with the religious and spiritual dimensions. These artists come out of a variety of faith traditions, and in fact a number of them are unaffiliated with any particular path. What they hold in common is a desire to explore the spiritual and religious dimensions, employing traditional media and imagery as well as newer media and the visual vocabulary of our own day.
The Riverfront Times, in naming MOCRA "Best St. Louis Museum" in 2013, observed that MOCRA "consistently has organized some of the most nuanced and revelatory exhibitions in St. Louis since opening in 1993. . . . MOCRA has maintained an expansive and progressive perspective on its mission, presenting a widely ecumenical sense of religiosity as well as an incisive aesthetic currency."
Part Two of Thresholds: MOCRA at 20 embraces the variety of artistic expressions exhibited throughout MOCRA's history and includes works by thirty-five artists from MOCRA's second decade. The artists hail from the U.S., Austria, China, Cuba, Germany, Guatemala, Ireland and Israel, with work in media ranging from painting, drawing, sculpture and photography to video, woodcut panels and movie posters. Among the works on display will be early drawings by Abstract Expressionist artist Arshile Gorky, evocative photographs by Chris McCaw, DoDo Jin Ming, Luis González Palma, and Maria Magdalena Campos-Pons, pieces by St. Louis metro area artists Michael Byron, Bill Christman, Jeff Miller, and Gary Passanise, and works by recently featured artists such as Archie Granot, Patrick Graham, and Jordan Eagles.
Terrence E. Dempsey, S.J., Founding Director of MOCRA, notes that the title of the exhibition points to a variety of meanings. "For many of the artists, their work explores the boundary, sometimes distinct, sometimes porous, between mundane experience and the transcendent. In turn, the artists invite viewers to share in that passage. A threshold is also a point of meeting, the doorway where we pass into another's experience or way of life. It represents hospitality but also risk. As an interfaith venture, MOCRA seeks to bring both artists and viewers to the threshold of other people's experiences, to encounter unfamiliar traditions and to share our own."
Thresholds also marks a point of transition for MOCRA. Fr. Dempsey describes it as "an opportunity, twenty years into the journey, to take stock of where we have been and to prognosticate a bit about where we might be going."
In his work Gitanjali, Bengali poet Rabindranath Tagore writes,
I was not aware of the moment when I first crossed the threshold of this life.
What was the power that made me open out into this vast mystery like a bud in the forest at midnight?
With gratitude to the many people who have made MOCRA possible and sustained us over the years, we invite audiences to visit MOCRA for the first time or the twentieth, and hope that, when they cross MOCRA's threshold, they will experience hospitality, wonder, insight, and renewal.