BELGIUM PAVILION Kreupelhout – Cripplewood
For the Belgian Pavilion in Venice, De Bruyckere has conceived a new site-specific installation that builds upon her existing oeuvre but derives its potency from connections to the historical context of Venice. She has invited acclaimed writer J.M. Coetzee, winner of the 2003 Nobel Prize for Literature, to serve as curator and artistic collaborator. De Bruyckere and Coetzee have followed one another’s work for years. Coetzee stated, “I have long admired the work of Berlinde De Bruyckere. More importantly, I have been touched (aangeraak) by her work in ways that are often obscure to me. I would not wish it otherwise.
Her sculptures explore life and death – death in life, life in death, life before life, death before death – in the most intimate and most disturbing way. They bring illumination, but the illumination is as dark as it is profound”.
De Bruyckere has said that she sees in Coetzee “a kindred spirit” and senses in his work the all-devouring need to write about what she also feels in creating her sculptures.
Coetzee will not perform the traditional task of an artistic curator, but will act as a source of inspiration and a partner in dialogue for De Bruyckere. “To discuss plans and projects with her, and if the gods are on our side, to guide and be guided by her in her explorations,” Coetzee explained. This unique collaboration in Venice is a logical extension of a joint project from 2012, when De Bruyckere and Coetzee published the book ‘Allen Vlees (All Flesh)’, combining her images with his writings. The artist selected key passages from Coetzee’s books and arranged them alongside photos of details from her sculptures. In this way, words are juxtaposed with images to suggest two parallel worlds that enrich but do not overtly illustrate each other.
In addition to J.M. Coetzee, Berlinde De Bruyckere invited Philippe Van Cauteren, S.M.A.K. artistic director since 2006, to serve as the Belgian Pavilion co-curator. Under his directorship the museum has held major monographic exhibitions by Lois Weinberger, Kendell Geers, Paul McCarthy, Mark Manders, Dara Birnbaum, Jorge Macchi, Nedko Solakov, Joachim Koester, as well as artistic projects in public space like TRACK. Van Cauteren is currently organising a retrospective of the work of Berlinde De Bruyckere, which will be shown at S.M.A.K. in 2014 and at the Gemeentemuseum in The Hague (Netherlands).
About the Artist
Berlinde De Bruyckere (Ghent, 1964) makes her sculptures in a personal, highly physical and expressive visual idiom. She delves deep into man’s omnipresent needs and fears. Elements such as vulnerability, mortality and solitude run through her oeuvre. She takes inspiration from literature and film history, but her sculptural work also displays a great affinity for such old masters as Lucas Cranach and Antonello da Messina. As Ovid wrote in his Metamorphoses, ‘My mind leads me to speak of figures changed into new bodies’. This is a challenge that Berlinde De Bruyckere has also taken up. In her work, mutilation and suspected violence assume extreme forms; they will always be related to the possibility of transfiguration and growth.
Berlinde De Bruyckere regularly exhibits in major museums and institutions in Belgium and abroad. Her recent exhibitions include 'Philippe Vandenberg & Berlinde De Bruyckere. Innocence is precisely: never to avoid the worst', De Pont Museum of Contemporary Art, Tilburg (Netherlands) in 2012; 'The Wound', Arter, Istanbul (Turkey) in 2012; 'We are all Flesh', Australian Centre for Contemporary Art, Melbourne (Australia) in 2012; 'Mysterium Leib. Berlinde De Bruyckere im Dialog mit Cranach und Pasolini', which opened at Kunstmuseum Moritzburg, Halle (Germany) and travelled to Kunstmuseum Bern, Switzerland in 2011; and a solo exhibition at (DHC / ART Foundation for Contemporary Art, Montreal, Canada in 2011. De Bruyckere’s exhibition, ‘In the Flesh’ is currently on view at Kunsthaus Graz and the St Dominikus Chapel in Graz (Austria).