In Deed: Certificates of Authenticity in Art

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"This Is a Portrait of Iris Clert if I Say So" [3 of 3], 1961 Ink On Paper And Two Paper Envelopes 13 5/8 X 17 3/8 In, Envelopes Approximately 4 3/8 X 8 5/8 In. Each. © Courtesy of Ahrenberg Collection, Switzerland.
In Deed: Certificates of Authenticity in Art

Corner of Spring Garden & Tate St
Greensboro, NC 27402-6170
January 12th, 2013 - April 14th, 2013
Opening: January 12th, 2013 1:00 PM - 5:00 PM

United States
Tue, Wed & Fri 10am-5pm Thu 10am-9pm Sat & Sun 1pm-5pm


Certificates of authenticity are a critical aspect of making and selling artwork today. They sometimes embody the artwork itself, but also may serve as its deed, legal statement, and/or fiscal invoice. Certificates by artists validate the authorship and originality of the work of art and allow it to be positioned in the marketplace as a branded product—no matter how immaterial or transient that product may be.  

Providing examples of artists’ certificates from the past fifty years, the exhibition reveals shifts and developments in how art is considered, as well as how the materials and content of art have changed. Works range from the most official looking printed documents to dashed-off notations that perform the same definitive function of authentication. 

The exhibition includes certificates from a global roster of artists that includes Marcel Duchamp, Judith Barry, Dan Flavin, Andrea Fraser, Yves Klein, Sol LeWitt, Yoko Ono, Adrian Piper, Robert Rauschenberg, and Franz West, among others. 

Organized by independent curators, Susan Hapgood and Cornelia Lauf, this internationally traveling exhibition makes its only Southeast stop at the Weatherspoon Art Museum. The exhibition is organized for the Weatherspoon by Nancy Doll, Director.