Bigindicator

Rocky Mountain Majesty

Event  |  Reviews  |  Comments
20121112002403-hero-charles-partridge-adams
Gathering Storm Near the San Juan Mountains, date not known Oil Paint on Canvas © Courtesy of Denver Art Museum
Rocky Mountain Majesty

100 W 14th Ave
Denver, CO 80204
December 16th, 2012 - September 8th, 2013
Opening: December 16th, 2012 12:00 PM - 5:00 PM

QUICK FACTS
WEBSITE:  
http://www.denverartmuseum.org
COUNTRY:  
United States
PHONE:  
720-865-5000
OPEN HOURS:  
Tuesday–Thursday 10 am–5 pm Friday 10 am–10 pm* Saturday 10 am–5 pm Sunday Noon–5 pm Monday Closed

DESCRIPTION

Charles Partridge Adams was a Colorado landscape painter active during the late 1800s and early 1900s. Rocky Mountain Majesty: The Paintings of Charles Partridge Adams marks the first time that Adams’ masterworks will be displayed together at a major art museum; and the Denver Art Museum will be the sole venue for this important exhibition that highlights his greatest paintings of Colorado.

Adams became one of the finest Colorado artists and is best known for his paintings of Longs Peak near Estes Park and other mountain ranges in Colorado. He was a highly prolific painter who created more than a 1,000 paintings during his lifetime. The DAM will exhibit 37 of the very best of his oil and watercolor paintings depicting Colorado and will show the diversity of Adams’ oeuvre, which includes such styles as realism, tonalism and impressionism. Rocky Mountain Majesty also will feature two of the museum’s own paintings, Moraine Park and Sunset in Colorado, alongside loans from lenders across Colorado.

Born in Massachusetts, Adams moved to Colorado as a teenager for the arid climate, hoping to save his younger sister from tuberculosis. He remained in Colorado and began his painting career by befriending local artists who helped him to develop his working method and style. Adams, a mostly self-taught artist, learned his craft by interacting with others in the field, practicing techniques and experimenting with different styles.

His early attempts yielded mostly realistic depictions that had almost no suggestions of impressionism. However, by the late 1890s–early 1910s, he established his signature style that was based on impressionism with an added colorful touch. He then moved on to even more dramatic brushwork, a livelier palette and more impasto. He began neglecting subject details, a characterizing trait of impressionism. His paintings express a deeply individual and poetic reaction to the Colorado landscapes, with stunning understanding of the varying effects of light and air.