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It is what it is. Or is it?

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20120501032518-felix_gonzalez-torres_untitled_silver_wiels
"Untitled" (Silver), 1992 Light Bulbs, Metal Light Sockets and Extension Cord © Courtesy of the artist & Contemporary Arts Museum Houston
It is what it is. Or is it?
Curated by: Dean Daderko

5216 Montrose Boulevard
Houston, TX 77006
May 12th, 2012 - July 29th, 2012
Opening: May 11th, 2012 7:00 PM - 9:00 PM

QUICK FACTS
WEBSITE:  
http://www.camh.org
COUNTRY:  
United States
EMAIL:  
info@camh.org
PHONE:  
713-284-8250
OPEN HOURS:  
Tuesday 10AM-7PM, Wednesday 10AM-7PM, Thursday 10AM-9PM, Friday 10AM-7PM, Saturday 10AM-6PM, Sunday 12PM-6PM
TAGS:  
readymades

DESCRIPTION

Marcel Duchamp’s readymades are an unmistakably radical gesture in the history of modern art. First produced in 1913, the readymades were, for the artist, “a form of denying the possibility of defining art.” Today, the readymade—as both an object and as an idea—has been so integrated into artistic strategy and discourse that the idea is a readymade itself. It is what it is. Or is it? attempts to recuperate a sense of the radicality of Duchamp’s gesture and to update dialogues around the notion of the readymade, thinking of them less as static objects than as active processes of articulating thought.  Artists today use the simple materiality and economy of means conveyed by the form to address a diversity of social, political, aesthetic, and temporal issues. It is what it is. Or is it? is organized by Dean Daderko, Curator at CAMH, and marks his curatorial debut at the Museum.