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A Little Nightmare Before Christmas

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20111201154228-what_hudzo_saw__2011__lee_harvey_roswell__oil_on_canvas__12_x_18_inches_web
What Hudzo Saw, 2011 Oil on Canvas 12 X 18 Inches © Lee Harvey Roswell
20111201154826-dueling_fonts__right_pendant__2010__edward_walton_wilcox__bitumen_and_tempera_on_panel__12_x_25_inches-300
Dueling Fonts, Right Pendant, 2010 Oil on Panel 12 X 14 Inches © Edward Walton Wilcox
20111201155041-whales_to_light__2011__lee_harvey_roswell__10x30__oiloncanvas2
Whales to Light, 2011 Oil on Canvas 10 X 30 Inches © Lee Harvey Roswell
20111201155226-laughing_stock__2010__edward_walton_wilcox__24x36_inches__bitumen_and_tempera_on_panel_web
Laughing Stock the 2nd, 2011 Oil on Panel 24 X 36 Inches
20111201155541-on_thin_clouds_with_heaven__2011__lee_harvey_roswell__oil_on_canvas__27_x_33_inches
On Thin Clouds With Heaven, 2011 Oil on Canvas 27 X 33 Inches © Lee Harvey Roswell
20111201164141-stone_s_throw_from_paradise_large_300dpi
A Stone's Throw From Paradise, 2009 Oil on Panel 28 X 30 Inches © Edward Walton Wilcox
A Little Nightmare Before Christmas
Curated by: Madeline Vale

619 12th Street
Paso Robles, CA 93446
December 13th, 2011 - January 17th, 2012
Opening: December 13th, 2011 6:00 PM - 9:00 PM

QUICK FACTS
WEBSITE:  
http://www.valefineart.com
COUNTRY:  
United States
EMAIL:  
valefineart@gmail.com
PHONE:  
310-795-4680
OPEN HOURS:  
Tuesday through Sunday 11-6
TAGS:  
nightmare, neo-romantic, noir, victoriana, steam punk, steampunk pop painting, landscape, surrealism, figurative
COST:  
FREE

DESCRIPTION

Vale Fine Art is proud to present “Nightmare Before Christmas,” a two-man show featuring the extraordinary work of Neo Gothic pop-surrealists, Edward Walton Wilcox and Lee Harvey Roswell. The exhibition will be on view from December 13 through January 17, 2012. An opening reception for the artists will be at the gallery on Tuesday, December 13 from 6pm-9pm.

 The work of Edward Walton Wilcox exposes his darkest dreaming; hand-carved Gothic altarpieces soar twelve feet high while young maidens in nightgowns and child-size skeletons are captured in landscapes of blazing windmills.  Hauntingly beautiful, the work is overt in its reference to Gothic convention, in both content and physical facture. Wilcox's use of primitive materials, such as wood, glass, rabbit skin glues, Italian pitch and gesso lend an old world authenticity to the crockets, tracery and other conventions of gothic carpentry that caricaturize the multi-disciplined art of Edward Walton Wilcox. Wilcox's work has been described by the LA Times as "Southern California Noir," while Art and Living states,"Edward Walton Wilcox's work exhibits an eerie quality that is hard to keep your eyes off of… the suggestions he makes are often unsettling. His images are dark, yes, but it's a darkness that Wilcox suggests should be more closely examined."  Wilcox explains, "I am fascinated with the fine line between beauty and repulsion as I continue to navigate the 'dangerous reaches of the unconscious' whereby a 'romance troubled by nightmares' may be further explored."  

 Lee Harvey Roswell is a self-taught artist from Freefall, New York, whose work is noted for its blend of angst and humor. Themes of death and entropy, tribulation and futility run amok in his distinctly surreal, often-slapstick/ often-nightmarish world. The result is at once mocking and melancholic. Says Lee of his work, “I'm interested in exactly this: creating narratives involving the fantastic images there to be culled forth from those fertile depths of the creative, neurotic-like mind. Concrete objects in mad motion, reflecting all the seductive, terrifying elements of existence. The inarguable forerunner of the senses is the eye. We are primarily an optically reliant species. So, as pictorial illusionists transforming nothing into artifacts of spiritual sustenance, I'm holding the potential painter up, not just as an admirable tradesman, but much, much more. He resides as a high-priest over that all-devouring human reality, a conducting channel through which nothing triumphantly becomes something.”

Lee now lives and works in San Francisco and Edward Walton Wilcox in Los Angeles and Paso Robles, CA.  Both artists’ work have been shown, collected and published internationally.