BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN BEGIN:VEVENT DTSTAMP:20170522T161826Z UID:274038 DTSTART:20130405T000000 DTEND:20130630T000000 DESCRIPTION:
ARNDT Singapore is pleased to announce the inclusion of Rodel Tapaya among its exhibiting artists. The renowned Filipino painte r is slated to hold his solo exhibition entitled\, The Ladder to Somewhere\ , at its spaces in the Gillman Barracks in Singapore in April 2013. The ex hibition will revolve around the intersections between disparate realms and notions of the earthworld and skyworld and its mortal and immortal inhabit ants. Tapaya will be doing what he does best in referencing Philippine myth ology\, folktales\, and legends and their overlaps with history by linking fact and fantasy from different sources with shared themes or subjects.\n
Rodel Tapaya was born in 1980 in Montalban\, Rizal\, s ituated a few kilometers away from Manila. After winning an international p ainting tilt\, he pursued intensive drawing and painting courses at Parsons School of Design in New York and from the University of Art and Design in Helsinki prior to graduating from the College of Fine Arts at the Universit y of the Philippines. Since then\, he has had several solo exhibitions host ed in Berlin\, Beijing\, Hongkong\, Tokyo\, Singapore\, and Manila. He has also been represented in several international art fairs and expositions. T apaya is best known in Singapore for being the winner of the prestigious As ia-Pacific Breweries Foundation Signature Art Prize given by the Singapore Art Museum in 2011. Since 2008\, he has lived and worked in the province of Bulacan\, the Philippines.
Tapaya’s works\, mostly depicting a set o f narratives\, are filled with alluring colors and vibrant figures. For his folklore paintings\, Tapaya has explored and studied Philippine legends an d mythologies for more than eight years. Before developing his penchant for this genre\, he painted under various modern influences. Blending this tra ining with the appropriation of traditional painting forms continues to be his working framework. In one of his large acrylic on canvas work entitled \, Like a bird that leaves its nest is a man who leaves his home\, Tapaya p onders on the theme of flight and connects this with ideas of self-assertio n. It tackles moving away from comfort zones towards courage zones to achie ve certain life goals. The main image is that of Pangudyawon\, a man who\, like Icarus\, wished to become a bird so that he can escape an unfortunate situation. Inset is the story of the star girl who went to earth to bathe w hen a man took her wings and is then forced to live as the wife of a mortal . We are also presented a depiction of a man who was born with just his hea d and is helped through life by birds.
Tapaya’s tableau often calls t o mind the paintings of Hieronymus Bosch and a few other narrative painters . However\, Tapaya masterfully succeeds in creating a unique style owing ma inly to the peculiarity of Philippine folk literature. The viewer’s eye may revel in the riot of colors and gain insight with his capricious imaginati on. In an interview with the Philippine Daily Inquirer after winning the Si gnature Art Prize\, Tapaya explained he had always considered “narrative pa inting” as his strongest suit and had always sought to tell moral tales whe n he paints.
Along with his subjects\, Tapaya has adopted a succinct visual language that plays with associations triggered amongst the juxtapos ition of elements present in the paintings. The artist turns the figures o f his characters\, mostly gods and fairies\, into phantoms\; haunting a civ ilization where they have dominion over but don’t fully belong. This ghostl iness is very much in tune with the sense of the contemporary myth-making t hat permeates many of the artist’s recent works. Just as his paintings have always drifted between figuration and abstraction\, his figures occupy the midpoint between past and present and their liminal appearance itself beco mes the subject. Grand themes of love and war are now comfortably conveyed by the painter in his big canvasses. Such is his rekindling of a recurring allegory on forbidden love\, the legend of Luna and Mar (Moon and Sea) in h is work\, Full Moon. In The Guardians\, he paints an eight-headed monster in-charge of guarding the heavens. The fallen leaves in this painting sugge sts desolation and massive deaths during wartime.
The set of works fo r this exhibition best illustrates why Rodel Tapaya’s work has often invite d comparisons to Latin-American magic realism. Akin to this genre\, the unc anny atmosphere of Tapaya’s work is heightened by the mundane treatment of the enchanted scenes he depicts. Yet their surreal quality is so persistent as to suggest that the reality he conveys is an alternate one\, a place wh ere folk history and fable can mix seamlessly alongside tales of the presen t time. That Tapaya succeeds in combining these disparate elements in one u nifying language is a testament to his skill as an artist\, but it also poi nts to a story-teller’s concern that would be out of place in a book or in oral transmissions\, since it is the drama of the images he conveys that ta kes primacy in his compelling and captivating works.
- Geronimo Crist obal\, Jr.
The Ladder to Somewhere marks the first collaboration wi
th Rodel Tapaya who will also show at ARNDTs Berlin premises in 2014 and t
he second project of ARNDT Singapore\, after it´s opening in January.
ARNDT Singapore is a project space\, viewing room and Asian office for int ernationally renowned art dealer Matthias Arndt.