Bigindicator

Rhona Hoffman 40 Years, Part 1

Event  |  Reviews  |  Comments
20160809183548-ex_612
© Courtesy of the Artist and Rhona Hoffman Gallery
Rhona Hoffman 40 Years, Part 1

118 North Peoria St.
60607 Chicago
IL
US
September 16th, 2016 - October 22nd, 2016

QUICK FACTS
WEBSITE:  
http://rhoffmangallery.com/
NEIGHBORHOOD:  
West Loop/West Town
EMAIL:  
contact@rhoffmangallery.com
PHONE:  
312.455.1990
OPEN HOURS:  
Tue-Fri 10-5:30; Sat 11-5:30
TAGS:  
painting, drawing, sculpture, installation, conceptual

DESCRIPTION

On the occasion its 40th anniversary, Rhona Hoffman Gallery is thrilled to present three exhibitions highlighting its robust history, the first of which presents the gallery’s foundation in Minimal / Conceptual art. When Young Hoffman opened in 1976, becoming Rhona Hoffman Gallery seven years later, the gallery earned its reputation by bringing artists like Donald Judd, Sol LeWitt, Robert and Sylvia Mangold, Allan McCollum, Robert Ryman, Fred Sandback, and others to Chicago.

“40 Years: Part 1” features significant Minimal and Conceptual works like Incomplete Open Cube by Sol LeWitt; a Fred Sandback yarn sculpture; Measurement: Wall (1969) by Mel Bochner; a conceptual ruler drawing and a painting by Sylvia Plimack Mangold; Dan Flavin’s neon light piece; Wolfgang Laib’s Rice House, and two 1960s prints by Donald Judd. Works by Portuguese artist Pedro Cabrita Reis, whom Hoffman first exhibited in the United States, and Barbara Kruger, who executed her first floor text piece in the gallery, are a testament to Rhona Hoffman’s commitment to pushing the boundaries with new ideas. Spencer Finch’s light work Goldberg Variations, new paintings by Art & Language, Michael Rakowitz’s What Dust Will Rise project from Documenta, a hanging sculpture by Richard Rezac, and other recent works buttress the exhibition’s historical pieces.

Always committed to Chicago, Rhona Hoffman has helped to build the city’s world-renowned private and institutional contemporary collections. With the freedom afforded by being outside of New York, she fostered the growth of her artists and gave them unparalleled support. The resulting gallery program is as far-reaching as Rhona Hoffman’s own intellectual curiosity, yet united by her eye, the caliber of the artists, and a shared intellect.

ArtSlant has shutdown. The website is currently running in a view-only mode to allow archiving of the content.

The website will be permanently closed shortly, so please retrieve any content you wish to save.