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© Courtesy of the artist and Devening Projects + Editions

3039 West Carroll
Chicago, IL 60612
December 16th, 2012 - January 26th, 2013
Opening: December 16th, 2012 4:00 PM - 7:00 PM

West Loop/West Town
Sat 12-6; by appointment


devening projects + editions is pleased to announce the opening of The Rest of the More, Allison Wade’s installation of new sculpture. In the off space, Nick Ostoff is featured in Tracing, a solo show of his most recent paintings and works on paper. Please join the artists at the opening reception on Sunday, December 16th from 4 - 7pm. The exhibition will then continue until January 26, 2013.

In the off space, Nick Ostoff is featured in Tracing, a solo exhibition of new paintings. In his work, Ostoff focuses on quotidian elements found in everyday life; through the process of painting, he transforms that overlooked and familiar visual phenomena in order to suggest absence and suppressed elements of the uncanny. The work uses tracing as a metaphor for a practice arrived at through visual selection, editing and transcription, rather pictorial invention. Each painting re-presents a fragment of an activated surface found within the quotidian sphere, ranging from textile patterns on household objects, to spray-painted marks on city streets, to cast shadows, to the incidental paint stains formed through studio activity. Often, the visual information is located on the margins of the picture plane, leaving a blank and voided center. The resulting paintings become traces of other traces, in which each brushstroke functions in a double register: ostensibly signifying the immediacy of the painterly process, while pointing to an original found mark—a referent that is already a temporally-distant trace. Ultimately, his aim is to use the vernacular of abstraction to suggest absence, loss and his own doubts about the primacy of authorial gestures.

Nick Ostoff was born in Los Gatos, California and spent much of his life in Toronto; he currently lives and works in Chicago. He received a BFA from the Ontario College of Art and Design in 1999 and an MFA from the School of the Art Institute of Chicago in 2012, where he also won the George and Ann Segal Graduate Fellowship. He has received numerous grants and fellowships and his work has been reviewed in such Canadian periodicals as the Globe and Mail and Canadian Art Magazine. His work was recently included in group shows at Zolla/Lieberman Gallery (The Question of Their Content) and Adds Donna (duck/rabbit). Nick Ostoff is represented in Toronto by Diaz Contemporary; Tracing is his first solo exhibition in Chicago.