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Christina , 2012 © Courtesy of the artist and Catherine Edelman Gallery
Sally Mann's Developer Tray, 2011 © Courtesy of the artist and Catherine Edelman Gallery

300 W. Superior St.
60654 Chicago
July 13th, 2012 - September 1st, 2012
Opening: July 13th, 2012 5:00 PM - 8:00 PM

Other (outside areas listed)
Tue-Sat 10-5:30
small format Ambrotypes, photography, mixed-media, installation, sculpture


An artist’s body of work is usually viewed on a computer screen, smart phone or in a book, focusing on one piece at a time. While artists rely on these methods to disseminate images, certain work benefits greatly from a carefully planned installation, for greater impact.

Keliy Anderson-Staley has spent the past few years working on a project called [Hyphen]-Americans: Tintype Portraits. The titlealludes to the hyphenated origin of American identities (Irish-American, African-American, etc.). Anderson-Staley will present an installation of 43 small tintype portraits (from an ongoing series of 400+) along a 21 foot wall, creating a dialogue among the featured faces, showcasing a portrait of Americans.

John Cyr will present a grid of nine photographs (from a series of 65) of developer trays by well-known photographers, creating an elegy about a bygone era in the age of digital photography. Through these photographs, Cyr reminds us of the lost art of black and white printing, and the chemicals, staining and smells that no longer exist.

Elizabeth Ernst will present three new mixed media photo pieces, alongside sculpted figures included in the work.  Working with clay, paper mache and metal objects, Ernst photographs her created characters (now totaling more than 60) for her ongoing project, The G.E. Circus, which examines the public and private personas of people in her fictitious circus.  

Myra Greene will show 21 small format Ambrotypes (from a series of 60) of her lips, eyes, nose and ears, from her series Character Recognition. Tainted with the visual history of American slavery, these images point directly to the features of race and modes of classification.

Gregory Scott will debut his newest video piece installation, inspired by Donald Judd. Six shelves hang on a wall, incorporating videos of the sky and water. As is typical in Scott’s work, the artist can be seen floating and flying through the elements, interacting with the shelves in an unexpected way, while honoring the exploration of space and minimalism associated with Donald Judd.