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Time Machine LXI, 2010 Acrylic, Plaster, Antique Hardware, Salvaged Leather, Cable, Velvet And Metal On Wood 18" X 11 1/2" © Jason Brammer
Time machine LX (Entering the Pasture), 2010 Acrylic, Plaster, Antique Hardware, Wood, Tubing And Copper Pip On Masonite 40" X 24" © Jason Brammer
Time Machine LI, 2010 Acrylic, Plaster And Cable On Hand Carved Sign Board 42" X 48 1/2" © Jason Brammer
Futura Obscura, 2011 Acrylic And Plaster On Hand Cut Masonite And Salvaged Wood 23" X 48" X 2 3/4" © Jason Brammer
Time Machine LV (Transmissions from the Pasture), 2010 Acrylic, Plaster, Anrtique Hardware, Wood, Velvet And Tubing On Canvas 60" X 45" © Jason Brammer
Soundscape IX, 2010 Acrylic On Paper 7 1/2" X 8 3/4" © Jason Brammer
Recording the Future VIII, 2010 Acrylic On Illustration Board 20" X 10" © Jason Brammer
Recording the Future VII, 2010 Acrylic On Illustration Board 7" X 5" © Jason Brammer
Untitled (Floating Tape Reflected in Water), 2010 Acrylic / Ink On Illustration Board 7" X 5" © Jason Brammer
Untitled (Waterscape with Lens Flare), 2010 Acrylic On Illustration Board 7" X 5" © Jason Brammer
Lunar Compression, 2011 Acrylic, Antique Hardware, Metal, Salvaged Wood On Illustration Board 14" X 7 1/2" © Jason Brammer
Main Stopper, 2011 Acrylic, Antique Gauge, Salvaged Wood On Illustration Board 15 1/4" X 4 1/2" © Jason Brammer
Measuring the Golden Rule, 2011 Acrylic, Plaster, Salvaged Wood And Masonite 9" X 10 1/4" © Jason Brammer
Pressure Too Low, 2011 Acrylic, Antique Gauge, Salvaged Wood And Illustration Board 16" X 11 1/2" © Jason Brammer
Tune for the Greatest Swing, 2011 Acrylic, Antique Gauge, Metal, Salvaged Wood And Illustration Board 12 1/4" X 6 1/2" © Jason Brammer
Reeling, 2011 Acrylic, Antique Hardware. Metal, Cassette Tape And Salvaged Wood 13 1/2" X 6 1/4" © Jason Brammer
Use No Oil 400, 2011 Acrylic, Plaster And Antique Hardware On Wood 13 1/2" X 1/ 1/2" © Jason Brammer
Time Machine LXIII, 2011 Acrylic, Plaster, Antique Hardware, Copper, Recylced Leater And Wood On Canvas 21 1/2" X 22" © Jason Brammer
Time Machine LVIII (Remembering Louis Sullivan), 2010 Acrylic, Plaster, Antique Hardware, Salvaged Wood, Salvaged Leather And Cable On Masonite 24 1/2" X 9 3/4" © Jason Brammer

1389 N Milwaukee Ave
60622 Chicago
May 6th, 2011 - July 3rd, 2011
Opening: May 6th, 2011 6:00 PM - 9:00 PM

Other (outside areas listed)
(773) 227-7900
Mon - Sat: 11-8 Sun: 11-7
mixed-media, installation, conceptual, landscape


“Futura Obscura,” a collection Jason Brammer’s mixed media paintings and signature Time Machines, will be on exhibit at the Jackson Junge Gallery from May 6 through July 3. Brammer’s new series features the timeless imagery of the seascape. His work imparts a sense of nostalgia while suggesting an enduring quality that transcends past, present and future. 

An opening reception, where Brammer will demonstrate his unique painting techniques, will be held on Friday, May 6th, 6pm- 9pm.  The exhibit and reception are free of charge. In the days leading up to the opening, the artist will create a special wall installation at the gallery. Passerby will be able to observe the artist in action through the venue’s large showcase windows.

The artist infuses a feel for antiquity into his paintings by incorporating gauges, recycled wood, vintage handles, and other items he finds in the alleys by his studio and salvage yards. Many of his pieces merge painting with the art of assemblage. In his latest series Brammer obscures the line between two-and three-dimensional perception further by painting flat cutout surfaces that appear to be folding like a traditional Japanese screen.

Brammer applies acrylics, colored plasters and transparent glazes to various surfaces using a combination of airbrush and paintbrush techniques.  He often scrapes the paint to reveal portions of the surface below and sands the edges of his work for an antiquated appearance.  He creates the effect of rusting, weathered metal with layers of paint and plaster.

“My seascape paintings and Time Machines evoke a sense of mystery,” says Brammer.  “Upon closer inspection, people are surprised to discover that my pieces are not what they appear to be at first. One assumption is that I incorporate photography. In actuality, everything is hand painted.”

While Brammer’s work does not include photography he is inspired by the unique metallic coloring of early photographic images from the 1830’s call daguerreotypes. In addition, he employs the airbrush, a technique more commonly associated with photography.

 “The airbrush helps me achieve a soft, luminous effect that creates depth and photographic realism in my painting,” says Brammer. “I’ve been fascinated with the airbrush ever since a high-school art teacher introduced me to it years ago.”

‘My Time Machines evolved out of my love for turn-of-the century aesthetics as well as the mechanical, modern environment that surrounds me in Chicago,” says the artist. “I create artifacts reminiscent of Art Nouveau while incorporating gadgets of urban futurism. Ultimately, I want these pieces to provide a glimpse into another era, dimension or lifetime.”

Jason Brammer resides in Chicago’s Logan Square community and has a studio in Ukrainian Village.  His work has been featured in numerous local and national art exhibitions. The artist has created site-specific installations and murals for a variety of venues.

In addition to the art installation at the Jackson Junge Gallery the week of May 2nd and the painting demonstration at the exhibit’s Opening Reception on May 6th, Jason Brammer will be at the gallery on Saturday, June 4th, 2pm, to chat about his art and creative process.