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Sculpture and Process Drawings

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20100812062246-ferris
© Courtesy of the artist and Packer Schopf Gallery
Sculpture and Process Drawings

942 W. Lake St.
Chicago, IL 60608
September 10th, 2010 - October 30th, 2010
Opening: September 10th, 2010 5:00 PM - 8:00 PM

QUICK FACTS
WEBSITE:  
http://www.packergallery.com/index.php
NEIGHBORHOOD:  
West Loop/West Town
EMAIL:  
packer@packergallery.com
PHONE:  
312.226.8984
OPEN HOURS:  
Tuesday - Saturday 11am - 5:30pm
TAGS:  
sculpture

DESCRIPTION

Hello… to start our 23rd fall season we are grouping 3 artists for 3 solo exhibitions…. Michael Ferris Jr., Eric Stotik, and Frank Trankina. All 3 artists work in a traditional format (painting, drawing, and/or sculpture) but share an underlying forwardness in the way they approach their particular subject matter through composition.  They all mine the figure, directly or indirectly, and communicate different aspects of art history and personal narrative via their straightforward mediums.  Each is obsessive in their own way… and manifests through exceptional technique, which makes this one of the must see/review shows of the season.  Further commentary follows…

Michael Ferris Jr. Sculpture and Process Drawings

Ferris creates many drawings in connection with each of his sculptures. He works on these drawings as the sculptural process progresses and develops, until completion. Each drawing has a different purpose and is connected to a specific stage of the sculpture’s construction.  Initially these drawings take the form of straight portraits. At this stage, issues of likeness, proportion and mood are most important.  As the sculpture making process unfolds, the drawings serve to work out ideas connected directly to the 3-dimensional piece such as pattern, form, scale, and concept.

In the sculptural work, Ferris creates a dialogue regarding the use of recycled materials, with the initial intent to render an accurate likeness of the subject.  However more compelling, is communicating the sitter’s “inner world."  By contrasting the sculpture's stoic, classical form with its contemporary multi-patterned surface, the aim is then to express the psychological and spiritual complexity of each subject.