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A Man is not a Tree.

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Northern Romantic Citrus. Transforming "Lone Oak Tree" by Caspar David Friedrich, 2006-2010 Computational Drawing © Galerie Sherin Najjar
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Relational Evolution. Object as Preposition, 1988-2010 Wall Drawing, Vinyl © Galerie Sherin Najjar
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Ceramic Sentence (dual body: rearranging orange and red coelom) ), 1983-2010 Clay, Mortician's Wax, Petroleum Jelly, Two Wood Shelves © Galerie Sherin Najjar
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The Shambala of the Modern Times - Detail, 2009 Silkscreen, Silver and Gold Leave on Treated Paper © Galerie Sherin Najjar
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Shambala of the Modern Times, 2009 Silkscreen, Silver and Gold Leave on Treated Paper © Galerie Sherin Najjar
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Buddha in Modern Times, 2009 Stickers, Ink and Pencil on Treated Paper © Galerie Sherin Najjar
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Mirror no.1, 2009 Vintage Mirror, Board Paint © Galerie Sherin Najjar
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Changes, 2009 Neon, Acryl © Galerie Sherin Najjar
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Untitled (from the series: Point de Vue), 2006 Digital Glicée Print © Galerie Sherin Najjar
A Man is not a Tree.

Am Park 4
10785 Berlin
Germany
February 13th, 2010 - April 10th, 2010

QUICK FACTS
WEBSITE:  
http://www.sherinnajjar.com
NEIGHBORHOOD:  
tiergarten
EMAIL:  
contact@sherinnajjar.com
PHONE:  
+49(0)30 26 39 55 99
OPEN HOURS:  
MO-TUE by appointment WED - SAT. 12 - 6 PM and by appointment
TAGS:  
photography, mixed-media, digital, video-art, conceptual, sculpture

DESCRIPTION

Galerie Sherin Najjar is proud to present their first show A Man is not a Tree. This group exhibition aims to show the ongoing impact of language within contemporary art. It examines the relationship between linguistic expression and cultural identity. Alongside Michael Joaquin Grey, Gonkar Gyatso and Anna Malagrida the young artist Mark Melvin is part of the exhibition.

For New York based artist and inventor Michael Joaquin Grey (*1961) evolutional processes and human networks are specific inspirations. Featuring his wall vinyl Relational Evolution, his generative computational drawing Northern Romantic Citrus and his early sculpture Ceramic Sentence (dual body: rearranging orange and red coelom) Grey examines the development and the underlying principles of life and language. Repetition and self-organization – as they appear in Michael Joaquin Grey’s work – evoke morphology and ongoing transformation and are also important elements in the most recent work Changes by British artist Mark Melvin (*1979). Melvin usually works with neon tubes and lightboxes. He often experiments with various cycles and levels of repetition using footage of musical and film, lyrics and existing texts, whereby his use of language often exposes hidden meanings. Exil Tibetan Gonkar Gyatso (*1961) proposes insightful statements on cultural hybridity of globalization. In his work on paper Shambala of the Modern Times he integrates letters and stickers as found objects of mass media culture within the shape of Buddhist iconography. The photographs of Spanish artist Anna Malagrida (*1970) deal with language as memory. In her untitled works from the Series Point de Vue the artist has methodically photographed every window in the common rooms of a spa that she visited as a child, at a moment prior to its imminent demolition. The windows are partially covered with thick strokes of whiting. On these passers-by have left their traces as barely readable messages while the white veil of colour hinders the view of the sea.

Michael Joaquin Grey showed with Gladstone, Lisson and bitforms Gallery New York and his work was recently seen in a solo show at the MoMA/PS1 curated by Klaus Biesenbach and at the Sundance Filmfestival in Utah. Mark Melvin is currently on show with the exhibition White Garden in Lisbon and Anna Malagrida was recently invited to present a retrospective of her photographs at the Fundacion Mapfre Madrid. Gonkar Gyatso's work Shambala of the Modern Times was selected by Daniel Birnbaum for the 53rd Venice Biennale in 2009.