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20140807154500-op_nng_installationsansicht_4_david_von_becker
The Proliferation of the Sun, 2014 Mixed Media and Light Projections © Installation view at Neue Nationalgalerie, Berlin; Photo: David von Becker
20140807055101-op_pressebilder_dbkh_olympiaregenbogen_1972
Olympia Regenbogen (Olympia Rainbow) , 1972 Lithographie © VG Bild-Kunst, Bonn 2014 / Courtesy Sammlung Deutsche Bank; Photo: Mathias Schormann
20140618021857-nng_proliferation_of_the_sun_1966_67_1_gr
The Proliferation of the Sun, 1967 Multimedia Performance With Painted Slides, Audio, and 5 Kodak Carousel Projectors 35 Min © Courtesy of the artist & TheGalerie Art Intermedia, Cologne
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Potsdamer Straße 50
10785 Berlin
Germany
July 17th, 2014 - August 31st, 2014
Opening: July 17th, 2014 10:00 AM - 8:00 PM

QUICK FACTS
WEBSITE:  
http://www.smb.museum/en/museums-and-ins...
NEIGHBORHOOD:  
tempelhof-schöneberg
EMAIL:  
nng@smb.spk-berlin.de
PHONE:  
+49 (0)30 / 266424510
OPEN HOURS:  
During necessary renovations, the Neue Nationalgalerie is closed since January 2015 for several years.
TAGS:  
Multimedia, painting, sculpture

DESCRIPTION

A collaborative exhibition between the Nationalgalerie - Staatliche Museen zu Berlin and the Deutsche Bank KunstHalle.

Few artists have dedicated themselves to experimental, genre-defying work as ardently as Otto Piene, one of the great artistic figures of the 20th century. As a cofounder of the international ZERO movement, by the 1960s he was already playing a crucial role in the redefinition of classical forms of art including painting and sculpture. His smoke pictures and fire paintings as well as his light installations and light ballets evoke a Romantic longing for harmony with nature, incorporating the elements of motion, light, time, and space into the work itself. After staging various projects in public places throughout Germany and the United States, Piene moved to the States at the end of the 1960s, where a number of further decisive opportunities awaited his artistic experimentation. Since the beginning of the 1970s, the artist has collaborated with technical engineers at the Center for Advanced Visual Studies (CAVS, MIT, Boston) to develop a number of interdisciplinary projects and events. This work is distinguished by its placement in the public arena, its strong orientation towards process, and its ephemeral quality. It is through the transience of his projects that Piene reveals the breadth of his artistic vision, one that remains influential and relevant for current discourse on art today.

With three projects on display in the summer of 2014, the Nationalgalerie in Berlin and the Deutsche Bank KunstHalle intend to pay tribute to Otto Piene's continued experimentation. The focus of the exhibition is on his early artistic development in the 1960s and early 1970s.