Under the Radar: Ricardo V Ruiz | Mathew Tucker | Samantha Charette

by The Artslant Team
Follow your favorite artists to see new work and exhibitions by adding them to your watchlist. Ricardo V Ruiz – Richmond, VA Mathew Tucker – New York Samantha Charette – London,... [more]
Posted by The Artslant Team

Joan of Arc, Part Two

by Ali Fitzgerald
  During the years of German occupation (1940–1944), the image of Joan of Arc was used both by the collaborationist Vichy government and Charles de Gaulle’s résistance. Vichy leader Phillipe Pétain liked her better than the other, older symbol of the republic, Marianne, because: 1. She wasn’t topless 2. She heard voices and was really, really into god 3. She dressed like a man 4. She was an Anglophobe He painted her as the devout symbol of the Vichy’s fascist, religious... [more]
Posted by Ali Fitzgerald on 3/14

Fecal Matter: The Design Provocateurs Subverting Fashion’s Throwaway Culture

by Christian Petersen
  Hannah Rose Dalton and Steven Raj Bhaskaran are international, multi-disciplinary art provocateurs who create under the brand name Fecal Matter. They formed Fecal Matter in 2016 to express their uncensored views through fashion, film, music, photography, and performance. Through their collected work, Fecal Matter have created a world of dark, confrontational fantasy that encourages critical and free thinking about our own beliefs and perceived realities. The deliberate subversion... [more]
Posted by Christian Petersen on 3/14

Joan of Arc, Part One

by Ali Fitzgerald
  Recently I had drinks with a friend and we were discussing the removal of Confederate statues in the States. I asked her if there were any similar discussions about statues in Paris, and which ones she might personally remove. I’ve talked a bit about Marianne as a symbol of the French Republic, and how her image has been politicized. But there’s another woman, not fictional, who also occupies the role of useful political symbol or tool. French politicians across the spectrum lay... [more]
Posted by Ali Fitzgerald on 3/13

Kailum Graves Answers 5 Questions

by The Artslant Team
  What are you trying to communicate with your work? I consider my work political, but I prefer the subtle process of reflection over the shoveling of an opinion down a viewer's throat. That's probably because I don't think art is a political or emancipatory force—rather, it is what Fredric Jameson labeled “just another ‘pop’ in an all-pervasive pop-culture.” Thus, I’m not interested in examining or establishing perceived truths; instead, I’m interested in exploring the Absurd—the... [more]
Posted by The Artslant Team on 3/12

Under the Radar: Augusto de Luca | Natali Bravo-Barbee | Anastasia Alekseevna Mikhaylova

by The Artslant Team
Follow your favorite artists to see new work and exhibitions by adding them to your watchlist. Augusto de Luca– Italy Natali Bravo-Barbee – New York Anastasia Alekseevna Mikhaylova –... [more]
Posted by The Artslant Team on 3/9

Open Call: Spend Two Months in Paris at the Georgia Fee Artist | Writer Residency

by The Artslant Team
The Georgia Fee Artist | Writer Residency, Paris is accepting applications until March 19th for its Summer Term (July 1 - August 31, 2018). The residency provides the recipient with: A classic Parisian courtyard apartment/studio in the 15th arrondissement Travel to and from Paris $1000/month stipend  Apply here. Deadline: March 19, 2018.   The Georgia Fee Artist | Writer... [more]
Posted by The Artslant Team on 3/8

The Marginal Labor Left for Humans: Brett Wallace’s AMAZING INDUSTRIES

by Joel Kuennen
SPRING/BREAK Art Show 2018, more than 100 curators will feature artists and exhibitions that consider the theme: Stranger Comes to Town. It’s been said that all great literature boils down to one of two stories: a hero goes on a journey or a stranger comes to town. “Who and what is this Stranger?” ask SPRING/BREAK curators and founders, Ambre Kelly and Andrew Gori. “Is their travel into the unknown always an act of heroism to some, of colonialism or contamination and infiltration to... [more]
Posted by Joel Kuennen on 3/6

Distorted Personhood: Sabato Visconti’s DACALOGUE

by Joel Kuennen
Other ArtSlant Prize IX catalogue essays: David Rios Ferreira & Katya Grokhovsky   Although the law is perhaps the discourse that most literally governs citizenship, U.S. national culture—the collectively forged images, histories, and narratives that place, displace, and replace individuals in relation to the national polity—powerfully shapes who the citizenry is, where they dwell, what they remember, and what they forget. —Lisa Lowe, Immigrant Acts In 1986, Sabato Visconti... [more]
Posted by Joel Kuennen on 3/5

The ArtSlant Prize IX at SPRING/BREAK Art Show, March 6–12

by The Artslant Team
    The ArtSlant Prize IX Winners Exhibition David Rios Ferreira, Sabato Visconti, Katya Grokhovsky, daàPo reo SPRING/BREAK Art Show Booth #2231 March 6–12 March 6: Collectors Preview 11am–5pm, Press Preview 3–5pm, Opening Night 5–9pm March 7–12: 11am–6pm 4 Times Square, Entrance at 144 West 43rd Street RSVP here Purchase tickets... [more]
Posted by The Artslant Team on 3/5