“XFR STN” (Transfer Station)

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Matthew Geller answering phones during the live call-in segment of Cara Perlman’s End of the World show, produced for Potato Wolf, a project of Colab TV, ca. 1978 © Courtesy of New Museum
“XFR STN” (Transfer Station)

235 Bowery
New York, NY 10002
July 17th, 2013 - September 8th, 2013
Opening: July 17th, 2013 11:00 AM - 6:00 PM

east village/lower east side
Wed, Fri-Sun 11-6; Thu 11-9
digital, video-art


“XFR STN” initially arose from the need to preserve the Monday/Wednesday/Friday Video Club distribution project. MWF was a co- op “store” of the artists ́ group Colab (Collaborative Projects, Inc.), directed by Alan Moore and Michael Carter from 1986–2000, which showed and sold artists’ and independent films and videos on VHS at consumer prices.

The “XFR STN” at the New Museum will also address the wider need in the community of artists for access to media capture and migration services as a means to preserve creative productions stored in aging and obsolete audiovisual and digital formats. In addition to digitizing a portion of MWF Video Club’s collection (currently housed in a storage unit in Staten Island), the “XFR STN” will be used to preserve various materials from the New Museum’s own rich archive (including formats such as U-matic and audio tapes). In keeping with the original policies of the MWF Video Club, “XFR STN” will be open to any artist-originated moving image or born-digital materials whose formats have become obsolete. The exhibition/lab will operate publically, informally exhibiting the material that is transferred, as well as rendering it available online through, an internet library whose mission includes offering permanent access for researchers, historians, scholars, people with disabilities, and the general public to historical collections that exist in digital format.

Consistent with the dictum “distribution is preservation,” the project argues for circulation as a mode of conservation. “XFR STN” will serve as a collection and dissemination point for artist-produced content, as well as a hub for information about these past projects (including production materials and personal recollections). The project is both a pragmatic public service and an activity as metaphor: an opportunity to present aspects of a mediatic production process in continuous dynamic transformation.