Synthetic Minds, the Photographs of Laura Menz

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Androids Photography Dimensions: 30 X 32 In, 76.2 X 81.28 Cm
Synthetic Minds, the Photographs of Laura Menz

8687 Melrose Ave.
Space B226
90069 West Hollywood

January 12th, 2013 - February 9th, 2013
Opening: January 12th, 2013 6:00 PM - 8:30 PM

Other (outside areas listed)
+1 (310) 922 3885
Mon-Fri 10-6
photography, digital, figurative, modern


Synthetic Minds, the Photographs of Laura Menz, opens at AndrewShire Gallery

January 12, 2013 – February 9, 2013

(Los Angeles, CA—November 27, 2012)  Laura Menz is a photographer who, as a professional model, has been extensively photographed. Partly as a result, Menz’s photographs seek to understand and even construct the self. Who – or even what – am I, asks Menz in her photographs.  And, as photographic collages, made as much outside the camera as in, Menz’s images ask the same about themselves.

In Synthetic Minds, opening January 12th at AndrewShire Gallery, Menz shows three series of photographic works, “Androids,” “Three Acts,” and “Kopfgeburten.” In his essay for the exhibition catalogue, Peter Frank writes that these three series “regard the self from different angles, and in doing so wonder openly what comprises the self, what defines it, what it wants to be and what it is forced to be.”

In the “Androids” series, as Frank notes, the artist presents the self stripped bare, devoid of clothing, bodily enhancement, or, even hair, reduced to a corpus.  Looking closer at these oddly transformed bodies (which, of course, are all one and the same body), we realize that they are vitalized by some sort of energy radiating through them, causing them to vibrate even as they sit stock still. This is the “self as un-still life.”

In Menz’s “Three Acts” series, the self takes advantage of its bodied form to express itself through movement. Menz casts herself here as all Three Graces, going well beyond the ancient trichotomy of Faith, Hope, and Charity.  What is consistent among these relationships is their implied dialectic, the inference that the ideational opposition of two of the figures resolves in the third.  In the end, all of Menz’s works demonstrate that the “self,” something every one of us has and yet none of us can thoroughly describe, is forever under construction.

In the “Kopfgeburten” series (a German term, “head births,” meaning mental inventions), Menz moves from body to head, locating the self in the mind, and revealing the mind as a battleground for competing exterior forces. How successfully does the mind resist these invaders? How successfully does it absorb and incorporate them? Where, and how, do we distinguish ourselves from the outside self, and from the myriad forces that we pass through and that pass through us?

The exhibition demonstrates that, as humans, we need various identities and many personas, some real and some impossible, in order to comprehend ourselves fully. In doing so, Menz’s work exposes some of her—and thus our own—infinite possible selves.

AndrewShire Gallery is dedicated to the development and exhibition of innovative contemporary art works by international and local talents.  In addition to its Los Angeles location, the gallery established an alternative space in Singapore in 2006.  AndrewShire continues to push the international envelope while remaining an integral part of the local community.  The gallery is located at 3850 Wilshire Boulevard #107, Los Angeles, CA  90010.  AndrewShire Gallery, Singapore, is located at 63 Hillview Avenue #10-13, Lamb soon Building, Singapore, 669569.

For further information contact Susan Baik, Director

213 389-2601


For press inquiries contact Christine Anderson, Communication Arts + Design (310) 869-8957