Andrew Berardini is a writer living in Los Angeles, who has worked for the Armory Center for the Arts and LAXART as a curator and at Semiotext(e) Press as an editor. He currently holds positions as Los Angeles Editor for the Milan-based bimonthly art magazine Mousse and Deputy Editor for Artslant.
He has published articles and essays in Frieze, Mousse, Fillip, Artforum, X-TRA, Artnet, Paper Monument, Art Review, Rolling Stone, Public Fiction, Modern Painters, Afterall and regular contributes to the LA Weekly. Recent book projects include a collaboration with Brian Kennon published by 2nd Cannons titled Get In, a monograph on the work of Richard Jackson published by the Rennie Collection, and a contribution to the 2012 Whitney Biennial. His research focuses on the permeability of imagination and reality and cultivating the practice of art writing as an aspect of literature. He's aslo a faculty member at the Mountain School of Arts.