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Via two new works\, Groombridge continues his m aterial and highly conceptual investigations of epistemological concerns. O n the main floor\, a new sculpture comprised of two flags refers to methods of observation and enlightenment within a space for a moment of clarity. O ne depicts an astronomer’s chair\, a specially-designed piece of furniture with a striking design feature. Its backrest is set at a sharp inclination— a “delirious angle” in order to observe the night skies. The other depicts a grid of four symbols derived from a set of 15th century French playing ca rds: heart\, diamond\, spade\, and club\, all enacted in unconventional col ours and repeated in a seemingly random order. On the second floor are four wall works construed as imperfect tools\, assembled and used to work towar ds a total understanding of the observable\, measurable world\, that inevit ably fall short.

DTEND:20121208 DTSTAMP:20141227T104230 DTSTART:20121101 GEO:43.6456151;-79.4060767 LOCATION:Susan Hobbs Gallery\,137 Tecumseth Street \nToronto\, Ontario M6J 2H2 SEQUENCE:0 SUMMARY:Brian Groombridge\, Brian Groombridge UID:241532 END:VEVENT BEGIN:VEVENT DTEND:20121101T210000 DTSTAMP:20141227T104230 DTSTART:20121101T190000 GEO:43.6456151;-79.4060767 LOCATION:Susan Hobbs Gallery\,137 Tecumseth Street \nToronto\, Ontario M6J 2H2 SEQUENCE:0 SUMMARY:Brian Groombridge\, Brian Groombridge UID:241533 END:VEVENT END:VCALENDAR