Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]
Hip Hop and capitalism share the same ideals. American Hip Hop and the American Dream promote the same goal of self-made material success through carefree consumerism. Money - and spending it – saturate its songs and artist monikers (Curren$y, Rich Gang, 50 Cent, All$tar, …).
Meanwhile, Hip Hop’s aesthetic identity has traditionally communicated just as much about consumerist society as its songs. But, as confidence in capitalism is waning, with the mass disillusionment followi... [more]
In his essay “Why I Hate Post-Internet Art” Brian Droitcour complains that “the post-internet art object looks good online in the way that laundry detergent looks good in a commercial.” He bemoans the art object that looks like it has leapt off the screen into the gallery to pose for its photo before being disseminated online. His criticism is that such objects are too aware of the gallery system, playing to the capitalist brand mentality of the art world—the image/ob... [more]
Now entering its 14th year, Artissima’s Present Future is an acknowledged launch pad for the careers of emerging young talent. Indeed, internationally renowned artists such as Dora García, Jeremy Deller, Ryan Trecartin, and Phil Collins all had early presentations in this section of the fair. This year, 20 artists have been selected by a team of five international curators: Luigi Fassi, Catalina Lozano, Piper Marshall, Jamie Stevens, and Xiaoyu Weng. Each curator’s distinctive aesthetic... [more]
Around 80 percent of the art encounters I have these days begin on my phone, tablet, or computer screen. In most cases I am attempting to find out what's going on and where, so I can then see it in person. But the "where to see it" question is a digital art minefield. Pretty quickly we’re into the daft question of whether it is more real to see a digital work on a large format screen in a gallery than on a phone. Does a show need to have an opening with warm beer and too many people to have... [more]
Guimarães, Portugal, Oct. 2014: When South Korea won the Golden Lion at the 2014 Venice Biennale of Architecture, architect Minsuk Cho said the award could help “trigger the reality of a unified Korea.” While North Korea is making art at the Mansudae Art Studio, South Korea is building the next generation of art stars—in New York. With Korean art increasingly in the spotlight, “The Lineage of Vision: Progress through Persistence,” which opened Wednesday at the... [more]
Fresh Paint 7, Israel's largest contemporary art fair, which attracts more than 30,000 visitors annually, open tonight. The fair brings together the major forces of culture in the country, from galleries and institutions to established artists and curators working both locally and globally. While its exhibition model generally resembles those of other commerical art fairs—with their commercial motives, thematic sectors, and programming iniatives such as the Artists' Greenhouse, which presen... [more]
Last week the Calvert Journal, an online journal produced by the Calvert 22 Foundation, released a 20 Under 40 list of Russian artists to look out for. The Foundation's exhibition space, Calvert 22, is the only not-for-profit gallery in London dedicated to contemporary art from Russia and Eastern Europe. Its program often contextualizes contemporary Russian artists’ output with the country’s rich historical and cultural past. The gallery's current exhibition, Beyond Zero (installed throu... [more]
Time is the one thing we can all agree to call supernatural. It is at least neither energy nor matter… and yet it is the beginning and end of the creation of the world.
Joan Jonas concluded her performance at Pirelli HangarBicocca in Milan with these words from Under the Glacier (1968), a little known, visionary novel by the Icelandic writer Halldór Laxness. The acclaimed New York video and performance artist looked like a Lilliputian creature, an aged little fairy; her snow-whit... [more]
There's something new happening at FIAC this year. Not exactly the quickest to catch on to a trend, the Parisian art fair has created its own satellite, with a focus on introducing new art and artists from the international scene through a showcase of 68 galleries from 14 countries. Judged by a selection panel of art historians and curators, the tangential fair's emphasis is on supporting the underdog—not only the up-and-comings, but also "outsiders" and artists who have been overlooked h... [more]
Have you ever fallen in love?
Her face is open, unselfconscious, laughing. Framed by wash of blonde hair, the light sheen of sweat settles on her skin and both eyes beam, full of trust and free of tension. Here is unalloyed happiness on the face of a full-grown woman, a joy one rarely sees in adults. Of course, she’s looking at her love, the man holding the camera.
As a love-story between this couple unfolds in scattered pictures, videos, and poems read aloud (each word a thud, but so c... [more]
Back from her two-month artist residency in Paris as ArtSlant's 2014 Georgia Fee Summer Artist-in-Residence, Sara Shaoul is exhibiting her recent video Erin Mahoney (Activist, Friend) at the Hudson Valley Center for Contemporary Art. Part of their group exhibition, The Women's Room: Female Perspectives on Men, Women, Family and Nation, HVCCA presents video artworks by seven women artists, whose works explore the intricacies of gender, human relationships, and nation-centric politics.
Shaoul's pi... [more]
It's Turner Prize time again. Britain’s most hated art award celebrates its 30th year this year. What has it achieved in over three decades?
For one thing – its brought contemporary British art to the public attention – mostly to be lampooned by the tabloids. Who can forget headlines surrounding Tracey Emin’s winning entry My Bed (dubbed ‘My Turd’ by Private Eye) or the fury roused by Damien Hirst’s formaldehyde tiger shark entry in 1992?
The “national joke” has provoked walk outs and protests (the Stuckist... [more]
For more than ten years, Luftwerk (the creative vision of Petra Bachmaier and Sean Gallero) have created art installations that merge elements of light and video with facets of architecture and design. An opportunity to create a new media exhibit for the centennial celebration of Frank Lloyd Wright’s Robie House in 2010 sparked a growing interest in architecture leading to a deeper engagement with space and culturally significant buildings. Luftwerk will have an installation at the Mies van... [more]